2016년 5월 31일 화요일

A History of Parliamentary Elections and Electioneering 68

A History of Parliamentary Elections and Electioneering 68



Sir S. Romilly (W) headed the poll with 5339 votes; Sir Francis Burdett
was a good second with 5238; Sir Murray Maxwell, the unsuccessful
candidate, polled 4808: the others were “nowhere”--Hunt, 84; Kinnaird,
65; Cartwright, 23.
 
[Illustration: HUNT, A RADICAL REFORMER.]
 
In the same spirit the satirists regarded as fair game for their shafts
of ridicule the new political section which had seceded from the
Whig party as being behind the age; these were the “root-and-branch
reformers,” who, from their electing to call themselves Radical
reformers, obtained the party designation of “Radicals.” The orator
Hunt is travestied in this guise.
 
The general turbulence of the times at this precise period is
graphically pictured in “The Law’s Delay.”
 
“Now greeting, hooting, and abuse,
To each man’s party prove of use,
And mud, and stones, and waving hats,
And broken heads, and putrid cats
Are offerings made to aid the cause
Of order, government, and laws.”
 
(_The Election Day._)
 
There appeared in 1819 “A Political Squib on the Westminster Election,
Covent Garden” (March 3), by G. Cruikshank. This etching forms
the frontispiece to a tract published April 20, 1819, for Bengo,
print-dealer, Maiden Lane, Covent Garden. The somewhat mystifying
title of the election squib is “Patriot Allegory, Anarchical Fable,
and Licentious Parody,” and it purports to be written by Peregrine
Castigator. G. Cruikshank has availed himself of that long-suffering
animal, the British Lion; in this instance the monarch of the beasts
personates the successful candidate, the Hon. George Lamb being figured
as the lion. He is exhibited standing under the city gate, beneath a
portcullis, wreathed with laurels; his tail is lashed in anger, while
the unsuccessful candidates, as an additional ignominy to their defeat,
are travestied as the heads of a hydra trampled beneath their political
victor. John Cam Hobhouse (W) polled 3,861, and was beaten by G. Lamb
(C) with 4,465 votes. T. T. Wooler, the revolutionary publisher, for
whom Cruikshank was working in 1815, is personified as the “Black
Dwarf,” as his whilom ally ever after represented him; his duck’s-head
cap is made to exclaim, “Cartwright and ’38!!!” the next individual
says, “Quack! quack! quack!”--an allusion to the small minority of
votes polled by the Radical candidate at the Westminster election for
1819, vice Romilly deceased, when 8,364 votes were registered, and only
38 of these for Cartwright.
 
[Illustration: THE LAW’S DELAY. READING THE RIOT ACT. 1820. BY G.
CRUIKSHANK.
 
Showing the advantage and comfort of waiting the specified time after
reading the Riot Act to a Radical mob; or a British magistrate in the
discharge of his duty, and the people of England in the discharge of
theirs! See speeches of the Opposition--_Passim_.
 
[_Page 334._]
 
Major Cartwright, the “Drum-major of Sedition” of the ministerial
satirists, was one of the Radical reformers who laboured actively for
the reform of parliamentary abuses. He put up for Westminster in the
Radical interest in 1818 and 1819, but seems to have had no support. In
1820, Major Cartwright addressed a petition to the House of Commons for
the purpose of disclosing “that ninety-seven Lords usurped two hundred
seats in the Commons-House in violation of our Laws and Liberties.”
 
“_Resolved._ That it is a high infringement upon our Liberties
and Privileges for Lords of Parliament to concern themselves in
the Elections of members to serve for the Commons.” (_Journals
at the commencement of every Session._)
 
How far the measure of reform was needed in the corrupt system of
boroughmongering is clearly demonstrated by Major Cartwright’s--
 
“Lists and Tables of Peers of the Realm who have unlawfully
concerned themselves in the Election of members to serve for
the Commons in the Parliament which was then sitting (1820),
with the Counties and Towns where the unlawful interference of
Peers has operated, either by nomination or influence, with the
number of members unlawfully returned.”
 
For instance, the Dukes of Bedford and Rutland respectively returned
four representatives; the same number was in the nomination of the
Earls of Ailesbury, St. Germans, Mount Edgecumbe, etc., while such
powerful autocrats as the Earl of Lonsdale contrived to return eight
nominees, as did the Earl of Darlington; six members were returned
by the Duke of Norfolk and Earl Fitzwilliam respectively; while the
Dukes of Devonshire, Newcastle, and Northumberland, the Marquises
of Buckingham and Hertford, the Earl of Powis, and Baron Carrington
each managed to return five seats. To the calculations given in his
table, the petitioner added the Treasury patronage, then in the Earl
of Liverpool’s control, giving eleven members; the Admiralty, under
Viscount Melville’s patronage, imposing three members, the Ordnance
(Duke of Wellington) one--adding again, according to the calculations
given in Oldfield’s “Representative History” (vi. 289),--
 
“There are ninety wealthy Commoners who, for 102 vile sinks of
corruption over which they tyrannize, further dishonour the
House by forcing on it 137 members,” thus giving a total of no
less than 353 members, who, as Cartwright represented to the
House of Commons in his very remarkable Petition, [the Major
writes] “to use the words of the royal proclamation of the
30th July, 1819,” were created such “in gross violation of the
law, and to the palpable subversion of the constitution, being
corruptly or tyrannically imposed on the Commons.”
 
“The pure and undefiled principles of the Constitution” were inculcated
by Major Cartwright in his “Lectures on the British Constitution,”
“Letters to Lord Mayor Wood,” “Letters to Clarkson on African and
English Freedom,” “Resolutions and Proceedings of the Hampden Club,” “A
Bill of Rights and Liberties; or, an Act for restoring the Civil Branch
of the Constitution,” and the companion work, “A Bill of Free and Sure
Defence, for restoring the Military Branch.” The major was brimming
over with zeal, and had almost too good a case; unfortunately for the
enforcement of his reforms, he was too early in the field.
 
The coming elections of 1820 were preceded by several caricatures.
Those by George Cruikshank are the most meritorious, the artist’s
work for this date being at its best. He was at that time employed by
Humphrey, the print-publisher, of St. James’s Street, as a successor
to James Gillray, an honour the artist regarded with pride to the
close of his long career. On the 1st of January, John Cam Hobhouse,
who was then canvassing Westminster, and was this year to be sent to
parliament as the colleague of his friend, Sir Francis Burdett, was
exhibited as “Little Hob in the Well,” under the title of “A Trifling
Mistake--Corrected.” The diminutive statesman is exhibited in the
place of his confinement, a prison-cell; he is gloomily contemplating
two pictures on the wall, “St. Stephen’s Chapel _versus_ Newgate.” A
pile of manuscripts, blackened by the upsetting of an inkstand, and a
mouse-trap assist the allusions. “The Trifling Mistake” is placarded
on the wall in the indiscreet but pertinent utterances of the captive,
which, if truly set forth, may account for his incarceration.
 
“What prevents the people from walking down to the House and
pulling out the members by the ears, locking up their doors,
and flinging the key into the Thames? Is it any majesty which
lodges in the members of that assembly? Do we love them? Not
at all; we have an instinctive horror and disgust at the
abstract idea of a boroughmonger. Do we respect them? Not in
the least. Do we regard them as endowed with any superior
qualities? On the contrary, individually, there is scarcely a
poorer creature than your mere member of Parliament, though
in his corporate capacity the earth furnishes not so absolute
a bully. Their true practical protectors, then--the real
efficient anti-Reformers--are to be found at the Horse Guards
and the Knightsbridge Barracks. As long as the House of Commons
majorities are backed by the regimental muster-roll, so long
may those who have got the tax-power keep it,--and hang those
who resist.”
 
In the same month appeared another strong “anti-reform” caricature
from the same source--though, as we see by a later work, the artist’s
sympathies were at this time on the side of the reformers, while
Radical publishers of an advanced type were his chief employers,--“The
Root of King’s Evil--Lay the Axe to it,” January 14, 1820. A learned
prelate, seated in his library, is considerably scared by the
apparition of the red spectre, literally a root--possibly implying
the tree of liberty--planted in “le bonnet rouge,” and wearing the
cap of liberty. On a pike in one hand is the mitred head of a
bishop, in the other is another pike surmounted by a battered crown,
with the tricolour flag edged with crape, and inscribed “Blood,
Reform, and Plunder,” with a list of the “reds” and reformers in
juxtaposition--Watson, Thistlewood, Preston, Hooper, Waddington,
Harrison, Hunt, Pearson, Wood, Waithman, Parkins, etc. In the second
category are Cobbett, Carlile, Tom Paine, Burdett, Little Hob, Death,
and the Devil,--no King, etc. The prelate is interrogating the spectral
visitor: “In the name of Satan, what the Devil are you, and where were
you hatched?” “In Hell, your worship. I’m a Radical. Give me leave to
present you a list of my best friends.” “Burn’s Justice” stands open
at “Treason,” and a huge volume of “Etymology” stands exposed at the
definition of “Radical”--“_Ex Radix_ is a root, and _Calor_ is heat,
anger, strife; _q.d._--The root of all strife.”
 
A comprehensive view of the respective sections of Radicals and
Reformers on the dissolution of Parliament, February 29, 1820, is
afforded by one of G. Cruikshank’s most successful caricatures, which
may be considered, in point of execution, as among the works most
worthy of his reputation; it is entitled, “Coriolanus Addressing

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