2015년 3월 30일 월요일

henry the second 25

henry the second 25


One of the most striking features of the court was the group of great
lawyers which surrounded the king. The official nobility trained at the
Exchequer and Curia Regis, and bound together by the daily work of
administering justice, formed a class which was quite unknown anywhere
on the continent. It was not till a generation later that a few clerks
learned in civil law were called to the king's court of justice in
France, and the system was not developed till the time of Louis IX.; in
Germany such a reform did not take place for centuries. But in England
judges and lawyers were already busied in building up the scientific
study of English law. Richard Fitz-Neal, son of Bishop Nigel of Ely and
great-nephew of Roger of Salisbury, and himself Treasurer of the
Exchequer and Bishop of London, began in 1178 the _Dialogus de Scaccario_,
an elaborate account of the whole system of administration. Glanville,
the king's justiciar, drew up probably the oldest version which we have
of the Conqueror's laws and the English usages which still prevailed in
the inferior jurisdictions. A few years later he wrote his _Tractatus de
Legibus Angliae_, which was in fact a handbook for the Curia Regis, and
described the new process in civil trials and the rules established by the
Norman lawyers for the King's Court and its travelling judges. Thomas
Brown, the king's almoner, besides his daily record of the king's doings,
left behind him an account of the laws of the kingdom.
 
The court became too a great school of history. From the reign of Alfred
to the end of the Wars of the Roses there is but one break in the
contemporary records of our history, a break which came in the years
that followed the outbreak of feudal lawlessness. In 1143 William of
Malmesbury and Orderic ceased writing; in 1151 the historians who had
carried on the task of Florence of Worcester also ceased; three years
later the Saxon Chronicle itself came to an end, and in 1155 Henry of
Huntingdon finished his work. From 1154 to 1170 we have, in fact, no
contemporary chronicle. In the historical schools of the north compilers
had laboured at Hexham, at Durham, and in the Yorkshire monasteries to
draw together valuable chronicles founded on the work of Baeda; but in
1153 the historians of Hexham closed their work, and those of Durham in
1161. Only the monks of Melrose still carried on their chronicle as far
as 1169. The great tradition, however, was once more worthily taken up
by the men of Henry's court, kindled by the king's intellectual activity.
A series of chronicles appeared in a few years, which are unparalleled in
Europe at the time. At the head of the court historians stood the
treasurer, Richard Fitz Neal, the author of the _Dialogus_, who in 1172
began a learned work in three columns, treating of the ecclesiastical,
political, and miscellaneous history of England in his time--a work which
some scholars say is included in the _Gesta Henrici II_ that was once
connected with the name of Benedict of Peterborough. The king's clerk
and justiciar, Roger of Hoveden, must have been collecting materials for
the famous Chronicle which he began very soon after Henry's death, when
he gathered up and completed the work of the Durham historians. Gervase
of Tilbury, marshal of the kingdom of Arles, well known in every great
town of Italy and Sicily, afterwards the writer of _Otia Imperialia_ for
the Emperor Otto IV., wrote a book of anecdotes, now lost, for the younger
King Henry. Gerald of Wales, a busy courtier, and later a chaplain of the
king, was the brilliant historian of the Irish conquest and the mighty
deeds of his cousins, the Fitz Geralds and Fitz Stephens. "In process of
time when the work was completed, not willing to hide his candle under a
bushel, but to place it on a candlestick that it might give light to all,
he resolved to read it publicly at Oxford, where the most learned and
famous English clergy were at that time to be found. And as there were
three distinctions or divisions in the work, and as each division occupied
a day, the reading lasted three successive days. On the first day he
received and entertained at his lodgings all the poor of the town, on the
next day all the doctors of the different faculties and such of their
pupils as were of fame and note, on the third day the rest of the scholars
with the _milites_, townsmen, and many burgesses. It was a costly and noble
act; the authentic and ancient times of poesy were thus in some measure
renewed, and neither present nor past time can furnish any record of
such a solemnity having ever taken place in England."
 
Literature was shaking itself free from the limits imposed upon it while
it lay wholly in the hands of churchmen, and Gerald's writings, the
first books of vivacious and popular prose-writing in England, were
avowedly composed for "laymen and uneducated princes," and professed to
tell "the doings of the people." He declared his intention to use common
and easily understood words as he told his tales of Ireland and Wales,
of their physical features, their ways and customs, and with a literary
instinct that knew no scruple, added scandal, gossip, satire, bits of
folk-lore or of classical learning or of Bible phrases, which might
serve the purposes of literary artifice or of frank conceit. The
independent temper which had been stirred by the fight with the Church
was illustrated in his _Speculum Ecclesiae_, a bitter satire on the
monks and on the Roman Curia. A yet more terrible scorn of the crime and
vice which disgraced the Church inspired the _Apocalypse_ and the
_Confession of Bishop Goliath_, the work of Walter Map, Archdeacon of
Oxford, king's chaplain ever since the days when Becket was chancellor,
justiciar, ambassador, poet, scholar, theologian, satirist. The greater
part of the legends of the Saint Graal that sprang out of the work of
Robert de Boron were probably woven together by his genius; and were
used in the great strife to prove that the English Church originated
independently of Rome. His _Courtier's Triflings_, suggested by John of
Salisbury's _Polycraticus_, is the only book which actually bears his
name, and with its gossip, its odd accumulations of learning, its
fragments of ancient history, its outbursts of moral earnestness, its
philosophy, brings back to us the very temper of the court and the stir
and quickening of men's minds--a stir which found __EXPRESSION__ in other
works of bitter satire, in the lampoon of _Ralph Niger_, and in the
violent attacks on the monks by _Nigellus_.
 
Nor was the new intellectual activity confined to the court. The whole
country shared in the movement. Good classical learning might be had in
England, if for the new-fashioned studies of canon law and theology men
had to go abroad; but conservative scholars grumbled that now law and
physics had become such money-making sciences that they were beginning
to cut short the time which used to be given to classical studies.
Gerald of Wales mourned over the bringing in from Spain of "certain
treatises, lately found and translated, pretended to have been written
by Aristotle," which tended to foster heresy. The cathedral schools,
such as York, Lincoln, or London, played the part of the universities in
our own day. The household of the Archbishop of Canterbury had been the
earliest and the most distinguished centre of learning. Of all the
remarkable men of the day there was none to compare with John of
Salisbury, the friend of Theobald and of Becket, and his book, the
__Polycraticus_ (1156-59), was perhaps the most important work of the
time. It begins by recounting the follies of the court, passes on to the
discussion of politics and philosophy, deals with the ethical systems of
the ancients, and hints at a new system of his own, and is everywhere
enriched by wide reading and learning acquired at the schools of
Chartres and Paris London could boast of the historian Ralph of Diceto,
always ready with a quotation from the classics amid the court news and
politics of his day. Monasteries rivaled one another in their collection
of books and in drawing up of chronicles. If their brethren were more
famed for piety than for literary arts, they would borrow some noted man
of learning, or even a practised scribe, who would for the occasion
write under a famous name. The friends and followers of Becket told
on every side and in every way, in prose or poetry, in Latin or
Norman-French, the story of their master's martyrdom and miracles. The
greatest historian of his day, William of Newburgh, was monk in a quiet
little Yorkshire monastery. Gervase, a monk of Canterbury, began the
Chronicle that bears his name in 1185. The historical workers of Durham,
of Hexham, and of Melrose started into a new activity. A canon of the
priory of St. Bartholomew's in London wrote before Henry's death a life of
its founder Rahere, and noted the first cases received into the hospital.
Joseph of Exeter, brother of Archbishop Baldwin, was the brilliant author
of a Latin poem on the _Troy Story_, and of a poetic history of the first
crusade. There was scarcely a religious house in the whole land which
could not boast of some distinction in learning or literature.
 
Even the feudal nobles caught the prevailing temper. A baron was not
content to have only his household dwarf or jester, he must have his
household poet too. Intellectual interest and curiosity began to spread
beyond the class of clerks to whom Latin, the language of learning and
worship, was familiar, and a demand began to spring up for a popular
literature which could be understood of the unlearned baron or burgher.
Virgil and Statius and Ovid were translated into French. Wace in 1155
dedicated to Eleanor his translation into Norman-French of the _History
of Geoffrey of Monmouth_, a book which came afterwards to be called the
_Brut d'Engleterre_, and was one of the sources of the first important
English poem, Layamon's _Brut_. Later on, in honour of Henry, Wace told
in the _Roman de Rou_ the story of his Norman ancestors, and the poem,
especially in the account of Senlac, has given some brilliant details to
history. Other Norman-French poems were written in England on the
rebellion, on the conquest of Ireland, on the life of the martyred
Thomas--poems which threw off the formal rules of the stilted Latin
fashion, and embodied the tales of eye-witnesses with their graphic
brief descriptions. An Anglo-Norman literature of song and sermon fast
grew up, absolutely identical in tongue with the Norman literature
beyond the Channel, but marked by special characteristics of thought and
feeling. Meanwhile English, as the speech of the common folk, still
lived on as a tongue apart, a tongue so foreign to judges and barons and
Courtiers that authors or transcribers could not copy half a dozen
English lines without a mistake. The serfs and traders who spoke it were
too far removed from the upper court circle to take into their speech
foreign words or foreign grammatical forms; the songs which their
minstrels sang from fair to fair only lived on the lips of the poor, and left no echo behind them.

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