Quinneys 35
"You don’t seem bustin’ with joy and gladness. Four quid a week ain’t to
be sneezed at."
"Don’t I earn it, sir?"
His tone was perfectly respectful, with a faint sub-acid inflection.
When the four chairs were turned into eight, and duly covered with the
precious needlework, Tomlin and Quinney inspected them with huge
satisfaction. Certainly James had done himself justice. The
restorations were subjected to microscopic scrutiny. Tomlin smacked his
gross lips.
"You leave the rest to me," he said.
*IV*
The time has come to explain James’s smile. We must attempt what French
dramatic critics term the "_scène obligatoire_."
He had captured Posy.
He achieved this easily, because he happened to be the first
good-looking man to make love to a healthy young woman of lively
sensibilities and affections. Here again the uncharitable may be
justified in hinting at that practice which makes the game of love
perfect. If Youth but knew! This youth did know many things which he
kept to himself discreetly; saliently amongst them may be reckoned the
art of striking hard when the iron is hot. Posy grew very hot, when her
sire rebuked her for wandering downstairs into James’s room. James
perceived this. Let us say this for him in partial excuse of what
follows. He had fallen in love with a blooming girl, whose bloom
contrasted so agreeably with the too-white cheeks of Miss Mabel Dredge,
whose high spirits were strong enough to raise to their level his
somewhat gloomy thoughts. Truth being the essence of this chronicle, we
are constrained to add that the hope of being admitted to partnership
with a prospective father-in-law had been another lever towards this
mental exaltation. Nor did James forget that Posy was possessed, under
Mrs. Biddlecombe’s will, of some three thousand pounds which became hers
absolutely when she attained her majority.
The pair talked together very seldom after Quinney’s injunction, but
they passed each other half a dozen times a day, preserving a silence
which is perhaps the most barbed dart in Dan Cupid’s quiver! Each began
to study facial __EXPRESSION__, and the finer shades of common salutation.
The mere words, "Good-morning," admit infinite variety of inflection.
The pronouncing of a name, even such a name as Quinney, may be made
lyrical, almost hymeneal. James showed himself to be a master of these
simple arts. His appearance at such moments indicated suffering nobly
controlled. Posy began to lie awake at night wondering if James also
was a martyr to insomnia. You may be sure that she encountered James in
those pleasant suburbs of slumber frequented by lovers, the _vias
tenebrosas_ where Dante and Beatrice, Petrarch and Laura, Francesca and
Paolo, must have wandered hand in hand. Here, in sequestered peace Posy
talked to James without any exasperating restrictions save those which
maidenly modesty imposed. Imaginary conversations have won many hearts.
And then one day occurred the _coup de foudre_.
Quinney and Susan happened to be out. Posy, as usual, was dusting the
china in the sanctuary. James entered the room.
"Good-morning, Mr. Miggott!"
"Good-morning, Miss—Posy!"
He had never called her Posy before. But she divined from the
tenderness of his tone that her name must have passed his lips a
thousand times.
They looked at each other diffidently. Posy stretched out her hand.
She felt that this was due to an artist who might reasonably infer that
he was not held in the highest esteem by his master’s daughter. James
hesitated for one moment only. Then he kissed her hand. She quivered.
He ran his hungry lips along her slender wrist. She thrilled and
sighed. He took her into his arms and kissed her masterfully, feeling
her heart throbbing beneath his own.
Presently they discussed the future, although loath indeed to leave the
present.
"What will father say?"
"Darling, you must let me deal with your father."
"Can you?"
"I think so. I am sure of it. We must be patient and very, very
careful."
"I should like to tell mother."
"No, no! Believe me that would be a blunder. She would tell him. For
the moment we must love secretly."
She sighed deliciously.
"It does sound exciting and romantic. Of course you know best."
"I do!" he replied grimly. "I know that I shall have to fight for you.
I mean to fight. You’ll see. But we must be extra careful. A look——!
We can write to each other."
Her smooth forehead puckered.
"Can we? Father always deals out the letters. He would think nothing of
opening mine if he suspected."
"I have a plan."
"What! You have made plans? You were sure of me?"
"No, no! Never sure. Torn in two, I was, between hope and fear, but I
made plans all the same. Look here, we can use that lac cabinet as a
pillar-box."
"Father’s precious cabinet?"
"He never opens it; the drawers are empty; the key is in the lock."
Together they approached the cabinet, one of the "gems." Upon the top
of it stood the K’ang He mirror-black jar much beloved by Quinney.
James opened the cabinet, almost more beautiful within than without. He
indicated a drawer.
"Pop your letters into that. Then lock the cabinet and hide the key in
the mirror-black bottle."
"What a splendid idea!"
"Isn’t it? If he misses the key, you will be asked to find it, and you
will find it. Then we can choose another pillar-box. You will post
your letters, dearest, in the morning, when you are dusting here. In the
middle of the day, while you are lunching, I shall get your letter and
post one of my own. That way we run no risks at all."
"You are quite wonderful!"
Susan had used the same words to her Joe twenty years before.
*CHAPTER XVII*
*INTRODUCES CYRUS P. HUNSAKER*
*I*
Some three weeks later the "restored" Chippendale chairs were sold on a
by-day at Christopher’s famous auction rooms, and, as the public prints
set forth, were secured after spirited competition for nine hundred
pounds by Mr. Joseph Quinney, of Soho Square. There had been, according
to the reporters, a duel _à outrance_ between Quinney and Tomlin for the
possession of these magnificent chairs.
Upon the following morning Posy was alone in the sanctuary. Her father
had installed recently a speaking-tube, communicating with James
Miggott’s room, which was just behind the shop. Posy used this whenever
the chance presented itself to exchange a few whispered words with her
lover. She had just informed him that a billet had been popped into the
lac cabinet. Also she had exchanged kisses through the tube, and
perhaps on that account her eyes were sparkling more brightly than
usual. She was hanging up the tube when Susan entered.
"Thought I heard you talking just before I came in," said Susan.
Posy, the hardened young sinner, never blushed as she answered lightly:
"I was asking Jim through the tube where father was."
Susan stared at her pensively.
"Your dear father would be very much displeased if he heard you speaking
of James Miggott as Jim. It’s too familiar."
"Why?"
"I’m not going to bandy words with you, Posy, because you do get the
best of me, thanks to your fine schooling."
Posy frowned. She was hearing too often of her "advantages." She said
protestingly:
"Mumsie, dear, don’t rub that in. I’m fed up with such vain repetitions
from father. I didn’t ask him to send me to an expensive
boarding-school. I believe he did it to annoy the Tomlins."
This, we know, was not the reason, but there was some truth in it. Tom
Tomlin had considered a governess at forty-five pounds per annum quite
good enough to educate his three daughters. Susan laughed. Posy amused
her when she talked with entire frankness.
"Dear heart, what things you do say, to be sure! You were sent to
Bexhill because there was too much Honeybunning. But it did annoy the
Tomlins. I remember when your grandmother bought a small piano for me.
We lived in a semi-detached. How the neighbours did tear their hair with envy and jealousy."
댓글 없음:
댓글 쓰기