2017년 2월 12일 일요일

English Lands Letters and Kings 12

English Lands Letters and Kings 12



hence the little squib of verse, which will help to keep his exact title
in mind:
 
“Why is Lord Brougham like a sweeping man
That close by the pavement walks?
Because when he’s done all the sweep that he can
He takes up his _Broom_ and _Valks_!”
 
As for Jeffrey, he became by his resolute industry and his literary graces
and aptitudes one of the most admired and honored critics of Great
Britain.
 
 
_Gifford and His Quarterly._
 
Our start-point to-day is on the Thames--in that devouring city of London,
which very early in the century was laying its tentacles of growth on all
the greenness that lay between Blackwall and Bayswater, and which--athwart
the Thames shores--strode blightingly from Clapham to Hackney.
 
It was, I believe, in the year 1809 that Mr. John Murray, the great
publisher of London--stirred, perhaps, by some incentive talk of Walter
Scott, or of other good Tory penmen, and emulous of the success which had
attended Jeffrey’s _Review_ in the north, established a rival one--called
simply _The Quarterly_--intended to represent the Tory interests as
unflinchingly and aggressively as the _Edinburgh_ had done Whig interests.
The first editor was a William Gifford[40] (a name worth remembering among
those of British critics), who was born in Devonshire. He was the son of a
dissolute house-painter, and went to sea in his young days, but was
afterwards apprenticed to a shoemaker. Some piquant rhymes he made in
those days attracting the attention of benevolent gentlemen, he was put in
the way of schooling, and at Oxford, where he studied. It was while there
he meditated, and perhaps executed, some of those clever translations from
Persius and Juvenal, which he published somewhat later. He edited Ben
Jonson’s works in a clumsy and disputatious way, and in some of his
earlier, crude, satirical rhymes (_Baviad_) paid his respects to Madame
Thrale in this fashion:
 
“See Thrale’s gay widow with a satchel roam,
And bring in pomp laborious nothings home.”
 
Again he pounces upon the biographer of Dr. Johnson thus-wise:
 
“Boswell, aping with preposterous pride,
Johnson’s worst frailties, rolls from side to side,
His heavy head from hour to hour erects,
Affects the fool, and is what he affects.”
 
These lines afford a very good measure of his poetic grace and aptitude;
but they give only a remote idea of his wonderful capacity for abusing
people who did not think as he thought. He had a genius in this direction,
which could not have discredited an editorial room in New York--or
elsewhere. Walter Scott--a warm political friend--speaks of him as “a
little man, dumpled up together, and so ill-made as to seem almost
deformed;” and I think that kindly gentleman was disposed to attribute
much of the critic’s rancor to his invalidism; but if we measure his
printed bile in this way, there must be credited him not only his usual
rheumatic twinges, but a pretty constant dyspepsia, if not a chronic
neuralgia. Of a certainty he was a most malignant type of British party
critics; and it is curious how the savors of its first bitterness do still
linger about the pages of the _Quarterly Review_.
 
John Wilson Croker[41] will be best known to our readers as the editor of
that edition of Boswell’s “Johnson,” to which I have alluded. Within the
last ten years, however, his memoirs and correspondence, in two bulky
volumes, have excited a certain languid interest, and given entertainment
to those who are curious in respect to the political wire-pullings of the
early part of this century in London. He was an ardent co-worker with
Gifford in the early history of the _Quarterly Review_. He loved a lord
every whit as well as Gifford, and by dint of a gentlemanly manner and
gentlemanly associations was not limited to the “back-stairs way” of Mr.
Gifford in courting those in authority. His correspondence with dukes and
earls--to all of whom he is a “dear Croker”--abound; and his account of
interviews with the Prince Regent, and of dinners at the Pavilion in
Brighton, are quite Boswellian in their particularity and in their
atmosphere of worship. There is also long account in the book to which I
have called attention, of a private discourse by George IV., of which Mr.
Croker was sole auditor; and it is hard to determine whether Croker is
more elated by having the discourse to record, or Mr. Jennings by having
such a record to edit.
 
 
_A Prince Regent._
 
This royal mention brings us once more, for a little space, to our
background of kings. Of the old monarch, George III., we have had frequent
and full glimpses. We wish to know something now of that new prince (whom
we saw in our Scott chapter), but who in 1810, when his father’s faculties
failed altogether, became Regent; and we wish to learn what qualities are
in him and under what training they developed.
 
The old father had a substructure of good, hard sense that showed itself
through all his obstinacies; for instance, when Dr. Markham, who was
appointed tutor to his two oldest sons--Prince of Wales and Duke of
York--asked how he should treat them, the old king said: “Treat them? Why,
to be sure, as you would any gentleman’s sons! If they need the birch,
give them the birch, as you would have done at Westminster.” But when they
had advanced a bit, and a certain Dr. Arnold (a later tutor) undertook the
same regimen, the two princes put their forces together and gave the
doctor such a drubbing that he never tried birch again. But it was always
a very close life the princes led in their young days; the old king was
very rigorous in respect of hours and being out at night. By reason of
which George IV. looked sharply after his opportunities, when they did
come, and made up for that early cloisterhood by a large laxity of
regimen.[42] Indeed, he opened upon a very glittering career of
dissipations--the old father groaning and grumbling and squabbling against
it vainly.
 
It was somewhere about 1788 or 1789, just when the French Revolution was
beginning to throw its bloody foam over the tops of the Bastille, that
temporary insanity in the old King George III. did for a very brief space
bring the Prince into consequence as Regent. Of the happening of this, and
of the gloom in the palace, there is story in the diary of Madame
D’Arblay,[43] who was herself in attendance upon the Queen. If, indeed,
George III. had stayed mad from that date, and the Prince--then in his
fullest vigor, and a great friend of Fox and other Liberal leaders--had
come to the full and uninterrupted responsibility of the Regency, his
career might have been very different. But the old king rallied, and for
twenty years thereafter put his obstinacies and Tory caution in the way of
the Prince, who, with no political royalties to engage him, and no
important official duties (though he tried hard to secure military
command), ran riot in the old way. He lavishes money on Carlton House;
builds a palace for Mrs. Fitzherbert; coquets with Lady Jersey; affects
the fine gentleman. No man in London was prouder of his walk, his cane,
his club nonchalance, his taste in meats, his knowledge of wines, ragoûts,
indelicate songs, and arts of the toilette. Withal, he is well-made, tall,
of most graceful address, a capital story-teller, too; an indefatigable
diner-out; a very fashion-plate in dress--corsetted, puffed out in the
chest like a pouter pigeon; all the while running vigorously and
scandalously in debt, while the father is setting himself squarely
against any further parliamentary grant in his favor. There are,
however--or will be--relentings in the old King’s mind, if “Wales” will
promise to settle down in life and marry his cousin, Caroline of
Brunswick--if, indeed, he be not already married to Mrs. Fitzherbert,
which some avow and some deny. It does not appear that the Prince is very
positive in his declarations on this point--yes or no. So he filially
yields and accedes to a marriage, which by the conditions of the bargain
is to bring him £70,000 to pay his debts withal. She is twenty-seven--a
good-looking, spirited Brunswicker woman, who sets herself to speaking
English--nips in the bud some love-passages she has at home, and comes
over to conquer the Prince’s affections--which she finds it a very hard
thing to do. He is polite, however; is agreeably disposed to the marriage
scheme, which finds exploitation with a great flourish of trumpets in the
Chapel Royal of St. James. The old King is delighted with his niece; the
old Queen is a little cool, knowing that the Prince does not care a penny
for the bride, and believing that she ought to have found that out.
 
She does find it out, however, in good time; and finds out about Mrs.
Fitzherbert and her fine house; and does give her Prince some very severe
curtain lectures--beginning early in that branch of wifely duty. The
Prince takes it in dudgeon; and the dudgeon grows bigger and bigger on
both sides (as such things will); finally, a year or more later--after the
birth of her daughter, the Princess Charlotte--proposals for separation
are passed between them (with a great flourish of diplomacy and golden
sticks), and accepted with exceeding cordiality on both sides.
 
Thereafter, the Prince becomes again a man about town--very much about
town indeed. Everybody in London knows his great bulk, his fine
waistcoats, his horses, his hats and his wonderful bows, which are made
with a grace that seems in itself to confer knighthood. For very many
years his domestic life,--what little there was of it,--passed without
weighty distractions. His Regency when established (1811) was held through
a very important period of British history; those great waves of
Continental war which ended in Waterloo belonged to it; so did the
American war of 1812; so did grave disaffection and discontent at home. He
did not quarrel with his cabinets, or impede their action; he learned how
to yield, and how to conciliate. Were it only for this, ’tis hardly fair
to count him a mere posture-master and a dandy.
 
He loved, too, and always respected his old mother, the Queen of George
III.;[44] loved too,--in a way--and more than any other creature in the
world except himself, that darling daughter of his, the Princess
Charlotte, who at seventeen became the bride of Leopold, afterward King of
Belgium,--she surviving the marriage only a year. Her memory is kept alive
by the gorgeous marble cenotaph you will see in St. George’s Chapel,
Windsor.
 
It was only when George IV. actually ascended the throne in 1820 that his
separated wife put in a disturbing appearance again; she had been living
very independently for some years on the Continent; and it occurred to
her--now that George was actually King--that it would be a good thing, and
not impinge on the old domestic frigidities, to share in some of the
drawing-room splendors and royalties of the British capital. To George IV.
it seemed very awkward; so it did to his cabinet. Hence came about those
measures for a divorce, and the famous trial of Queen Caroline, in which
Brougham won oratorical fame by his brilliant plea for the Queen. This was
so far successful as to make the ministerial divorce scheme a failure; but
the poor Queen came out of the trial very much bedraggled; whether her
Continental life had indeed its criminalities or not, we shall never
positively know. Surely no poor creature was ever more sinned against than
she, in being wheedled into a match with such an unregenerate partaker in
all deviltries as George IV. But she was not of the order of women out of
which are made martyrs for conscience’s sake. It was in the year 1821 that
death came to her relief, and her shroud at last whitened a memory that
had stains.
 
 
_A Scholar and Poet._
 
We freshen the air now with quite another presence. Yet I am to speak of a
man whose life was full of tumult, and whose work was full of learning and
power--sometimes touched with infinite delicacy.
 
He was born four years after Sydney Smith and Walter Scott--both of whom
he survived many years; indeed he lacked only eleven years of completing a
century when he died in Florence, where most of his active--or rather
inactive--life was passed. I allude to the poet and essayist, Walter
Savage Landor.[45] He is not what is called a favorite author; he never
was; he never will be. In fact, he had such scorn of popular applause,
that if it had ever happened to him in moments of dalliance with the
Muses, and of frolic with rhythmic language, to set such music afloat as
the world would have repeated and loved to repeat, I think he would have
torn the music out in disdain for the approval of a multitude. Hear what
he says, in one of his later poetic utterances:

댓글 없음: