2016년 1월 31일 일요일

The History and Romance of Crime 25

The History and Romance of Crime 25


In many respects, the establishment is a model one; and it does, in
fact, serve as such for those who conduct juvenile reformatories in all
civilised quarters of the globe.
 
Saint Lazare, indeed, is still in use; and only in December, 1905,
after having been repeatedly condemned, could it be said that its
days were numbered. A General Council of the Department of the Seine
at that time voted a sum for the erection of an entirely new prison.
The authorities were urged to begin at once the demolition and
ex-propriation of the establishment. No doubt the cost of the new site
and new buildings will be sensibly assisted by the sale of the present
premises, situated in the heart of Paris and on very valuable property.
 
 
 
 
CHAPTER X
 
A MODEL PENITENTIARY
 
Fresnes--Final stage in the criminal career--The last chosen
site for the guillotine--History of the guillotine--Earlier
models of the instrument--The Italian “mannaia”--The “Maiden”
used in Edinburgh and some cities in Yorkshire--Opinions on
capital punishment--The alternative--Condition of eighty
murderers who escaped the death sentence, when seen at Ghent
ten years later--La Grande Roquette--Its inmates--The condemned
cell--The march to the scaffold--Principal executions in late
years--Verger murders the Archbishop of Paris in 1857--Avinain
and other cruel murderers--Campi and Marchandon who took
life boldly in the best parts of Paris--Execution of the
hostages during the Commune--The site still preserved and
honored--Passing of La Roquette--New and imposing prison of
Fresnes on the outskirts of Paris--Opened in 1898--Closing
considerations.
 
 
France, in building the prison of Fresnes, may be said to have given
to the world a model penitentiary. It is the perfection of penal
architecture and structural fitness for the purpose intended. Before
proceeding to its consideration, however, let us take up the story of
La Grande Roquette and the later annals of criminality with which it is
identified.
 
Immediately opposite La Petite Roquette is the great prison of the
same name. As I have already suggested, it is the final stage in the
criminal career which began in some minor offence, punished by a few
days’ detention in the boys’ prison, and here ends at the scaffold
upon the Place de la Roquette. It is more by administrative design
than definite design that these two extremes, the criminal cradle and
the place of final doom, are thus brought into close juxtaposition.
Various sites in Paris have been used from time to time for the dread
performance of “law’s finisher” commonly styled in stilted legal
language the “_executeur des hautes œuvres_,” the official instrument
for completing capital punishment. He was the agent of High Justice and
might hold his head above his fellows who feared and hated him because
he was the vindicator of the law. The office was not exactly honorable,
but it was lucrative, and its holder enjoyed many privileges. He was
entitled to levy taxes on food, upon all the corn brought into the
market, and on fruit, grapes, nuts, hay, eggs and wool. He collected a
toll on all who passed the Petit Pont (the bridge near the Châtelet).
Every leper paid him a fee, and he acquired, by right of office, all
the clothes of which his victims died possessed. But he carried a badge
of shame, a ladder embroidered on the breast of his coat and a ladder
on the back. His office was hereditary; son succeeded father, and if
the next in succession was of tender years a substitute was appointed,
but the rightful executioner, sometimes no more than seven or eight,
stood by the headsman as if to sanction his proceedings. The Sansons
filled the awful post for seven generations, nearly two hundred years.
They were for the most part in good repute and highly esteemed by
their royal masters. Louis XI indeed made a chosen companion of his
executioner, Tristan L’Hamitte, whom he ennobled.
 
The ceremony of inflicting death was performed anywhere in early days,
often from choice in the theatre of the crime. For a century or more
the Place de la Grève was the favored spot, and was used until the
revolution of 1830, but the scaffold was sometimes erected at the
Halles (the central markets) or the Croix du Trahoir or in almost any
wide street or square. The Barrier of Saint Jacques was substituted
for the Place de la Grève in 1832. It was a convenient distance from
the Conciergerie, in which prison the condemned found their last
resting-place. The execution was fixed always for the afternoon, and
the drive through the crowded streets was considered a scandal, so that
a further change was decreed.
 
The prison of La Grande Roquette had spare accommodation available.
This place had been in existence some years under the name of Little
Bicêtre, and had been used as a _dépôt des condamnés_, in which were
lodged all sentenced to _travaux forcés_ while awaiting further removal
to the seaport _bagnes_ or the great central prisons. The concentration
of so many desperate characters under one roof led them to feel their
strength and measure it against authority in a serious outbreak in
1886, in which the Director would have lost his life, but for the
courageous intervention of a veteran chief warder. From that time
forth the worst criminals were no longer sent to La Grande Roquette,
but retained in the central prisons after sentence, from which when
condemned to transportation they were collected by agents and taken on
to St. Martin de Ré to take ship for the Antipodes. The _bagnes_ were
abolished some time before those of Brest and Rochefort in 1850, and
Toulon in 1872.
 
But one quarter in La Grande Roquette was especially appropriated to
convicts condemned to death, and they proceeded after a more or less
lengthy detention direct from their cells to the guillotine. These
were in all cases the most notable murderers only, for increasing
reluctance to inflict the extreme penalty has been exhibited in France,
and successive presidents of the Republic, from President Grévy on,
have constantly commuted sentences to penal exile and spared lives that
were clearly forfeited. For the last forty years all who were actually
executed passed through La Grande Roquette, and a brief survey of the
principal malefactors and the circumstances attending the last dread
event will be given here.
 
A few words as to the guillotine; that instrument now invariably used
for capital punishment in France. It has played so large a part in
the modern French history that it will be interesting to trace its
origin back to the days of its godfather and supposed inventor, a
certain Doctor Guillotin, who in the Revolutionary times was very eager
to improve the system of capital punishment, which he desired should
be uniform for all; and he had fixed upon decapitation as the best
and simplest process. But the headsman had always been an uncertain
performer, a bungler often who could not command his nerves, and who
often slashed and wounded his victim without dealing the death blow.
Doctor Guillotin earnestly recommended in the Convention that every
criminal should be decapitated by means of some mechanical contrivance.
This passed into law, but before the contrivance had been settled upon,
Guillotin, at his wits’ end, applied to Charles Sanson, at that time
the official executioner, for guidance. In their joint researches,
they came upon an old Italian wood cut giving a presentment of the
“mannaia,” an ancient machine much used in Genoa and particularly for
the execution of Guistranin and other conspirators. The picture might
have served also for the Halifax “Maiden” of which more directly. In
both, the axe was suspended between two uprights, the culprit knelt
beneath it, and the executioner held the rope. It was also found that a
French Marshal, De Montmorency, had been beheaded in 1631 by means of a
sliding axe.
 
Difficulties of detail remained; chiefly, that of retaining the person
about to suffer in the proper position long enough for the descending
blow to take fatal effect. Then a friend, one Schmidt, a manufacturer
of musical instruments, brought Sanson a rough sketch which met all
objections and was in fact the model for the real machine. It seems
very closely to have followed the lines of the Halifax “Maiden.” It
was immediately accepted by the Convention, not without laughter.
Dr. Guillotin in describing his machine made use of some strange
__EXPRESSION__s. He assured his audience that with it he “could drop off
their heads in a twinkling, and they would not suffer in the very
least.” The only sensation might be that of a “slight freshness about
the neck.” Before closing finally, the Assembly desired other opinions
and applied, among others, to a Doctor Louis who was at that time
physician to Louis XVI, still seated upon his tottering throne. The
following curious incident is touched upon in the Sanson “Memoirs.”
 
While discussing the model, Doctor Guillotin and the executioner paid
a visit one day to Doctor Louis. A stranger came into the room, who
seemed greatly impressed with the invention, but disapproved of the
shape of the axe, which was that of a crescent. He did not believe it
would act properly upon all kinds of necks; “not on mine for instance,”
said the objector, taking up pen and ink, and drawing an oblique edge
instead of the half moon. Sanson, the expert, was consulted, and
gave it as his opinion that the question should be tested by actual
experience. When the machine was completed, it was taken to Bicêtre
and set up for trial on three corpses in the presence of a numerous
company, including that of a number of prisoners, who looked out from
the windows above. The oblique knife edge was found to be by far the
more effective, and that model was adopted for all time.
 
The most curious part of the story is, that the stranger who suggested
the improvement in the axe was King Louis XVI, himself, a skilled
locksmith and mechanic, having learned a trade after the manner of
all royal children. His own neck within a few months’ time was to be
subjected to the supreme test, which succeeded perfectly. I have no
wish to deprive Doctor Guillotin of any credit that may attach to this
invention, of questionable utility, except in simplifying the act of
killing and minimising the pain inflicted upon the victim; but he was
certainly not the first inventor of the manslaying apparatus with which
his name is for ever associated.
 
Two centuries before the Revolution, an instrument very similar to the
guillotine was in use in Scotland, and known there as the “Maiden.”
James Douglas, Earl of Morton, died by it in Edinburgh in 1587, thus
adding to the long list of inventors who paid the penalty of death by
their own contrivance. The “Maiden” had been often used in Yorkshire
for the summary execution of thieves taken in the act, and the best
account of it extant is found in “Holinshed’s Chronicles,” which
describes the custom prevailing in Halifax and the machine in use. He
records the law or custom, that whosoever commits a felony or steals
to the value of fourteen pence or halfpenny shall be beheaded in the
market. “The engine wherewith the execution is done is a square block
of wood which does ride up and down in a slot between two pieces of
timber that are framed and set upright, of five yards in height. In
the nether end of the sliding block is an axe keyed or fastened with
an iron into the wood, which being drawn up to the top of the frame is
there fastened by a wooden pin, to the centre of which a long rope is
attached, that cometh down among the people, so that when an offender
hath made his confession and hath laid his head over the nethernmost
block, every man seizeth the rope to show his willingness that judgment
should be executed, and pulling out the pin the axe is released to fall
with such violence that had the neck below been that of a bull the head
would be dissevered and roll away to a great distance.” If the theft
had been that of any fourfooted beast the rope was to be fastened to it, so that when driven away it would extract the pin.

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