"Long live the Duke and Duchess of Durazzo!" cried the crowd,
clapping their hands. And the young pair, at once mounting two beautiful
horses and followed by their cavaliers and pages, solemnly paraded through
the town, and re-entered their palace to the sound of trumpets and
cheering.
When this incredible news was brought to the queen, her first
feeling was joy at the recovery of her sister; and when Bertrand of Artois
was eager to head a band of barons and cavaliers and bent on falling
upon the cortege to punish the traitor, Joan put up her hand to stop him
with a very mournful look.
"Alas!" she said sadly, "it is too late.
They are legally married, for the head of the Church—who is moreover by my
grandfather’s will the head of our family—has granted his permission. I only
pity my poor sister; I pity her for becoming so young the prey of a wretched
man who sacrifices her to his own ambition, hoping by this marriage to
establish a claim to the throne. O God! what a strange fate oppresses the
royal house of Anjou! My father’s early death in the midst of his triumphs;
my mother’s so quickly after; my sister and I, the sole offspring of Charles
I, both before we are women grown fallen into the hands of cowardly men, who
use us but as the stepping-stones of their ambition!" Joan fell
back exhausted on her chair, a burning tear trembling on her
eyelid.
"This is the second time," said Bertrand reproachfully, "that I
have drawn my sword to avenge an insult offered to you, the second time
I return it by your orders to the scabbard. But remember, Joan, the
third time will not find me so docile, and then it will not be Robert
of Cabane or Charles of Durazzo that I shall strike, but him who is
the cause of all your misfortunes."
"Have mercy, Bertrand! do not you
also speak these words; whenever this horrible thought takes hold of me, let
me come to you: this threat of bloodshed that is drummed into my ears, this
sinister vision that haunts my sight; let me come to you, beloved, and weep
upon your bosom, beneath your breath cool my burning fancies, from your eyes
draw some little courage to revive my perishing soul. Come, I am quite
unhappy enough without needing to poison the future by an endless remorse.
Tell me rather to forgive and to forget, speak not of hatred and revenge;
show me one ray of hope amid the darkness that surrounds me; hold up
my wavering feet, and push me not into the abyss."
Such altercations
as this were repeated as often as any fresh wrong arose from the side of
Andre or his party; and in proportion as the attacks made by Bertrand and his
friends gained in vehemence—and we must add, in justice—so did Joan’s
objections weaken. The Hungarian rule, as it became more and more arbitrary
and unbearable, irritated men’s minds to such a point that the people
murmured in secret and the nobles proclaimed aloud their discontent. Andre’s
soldiers indulged in a libertinage which would have been intolerable in a
conquered city: they were found everywhere brawling in the taverns or rolling
about disgustingly drunk in the gutters; and the prince, far from
rebuking such orgies, was accused of sharing them himself. His former tutor,
who ought to have felt bound to drag him away from so ignoble a mode
of life, rather strove to immerse him in degrading pleasures, so as to
keep him out of business matters; without suspecting it, he was hurrying
on the denouement of the terrible drama that was being acted behind
the scenes at Castel Nuovo. Robert’s widow, Dona Sancha of Aragon, the
good and sainted lady whom our readers may possibly have forgotten, as
her family had done, seeing that God’s anger was hanging over her house,
and that no counsels, no tears or prayers of hers could avail to arrest
it, after wearing mourning for her husband one whole year, according to
her promise, had taken the veil at the convent of Santa Maria delta
Croce, and deserted the court and its follies and passions, just as
the prophets of old, turning their back on some accursed city, would
shake the dust from off their sandals and depart. Sandra’s retreat was a
sad omen, and soon the family dissensions, long with difficulty
suppressed, sprang forth to open view; the storm that had been threatening
from afar broke suddenly over the town, and the thunderbolt was shortly to
follow.
On the last day of August 1344, Joan rendered homage to Americ,
Cardinal of Saint Martin and legate of Clement VI, who looked upon the
kingdom of Naples as being a fief of the Church ever since the time when
his predecessors had presented it to Charles of Anjou, and overthrown
and excommunicated the house of Suabia. For this solemn ceremony the
church of Saint Clara was chosen, the burial-place of Neapolitan kings, and
but lately the tomb of the grandfather and father of the young queen,
who reposed to right and left of the high altar. Joan, clad in the
royal robe, with the crown upon her head, uttered her oath of fidelity
between the hands of the apostolic legate in the presence of her husband,
who stood behind her simply as a witness, just like the other princes of
the blood. Among the prelates with their pontifical insignia who formed
the brilliant following of the envoy, there stood the Archbishops of
Pisa, Bari, Capua, and Brindisi, and the reverend fathers Ugolino, Bishop
of Castella, and Philip, Bishop of Cavaillon, chancellor to the queen.
All the nobility of Naples and Hungary were present at this ceremony,
which debarred Andre from the throne in a fashion at once formal and
striking. Thus, when they left the church the excited feelings of both
parties made a crisis imminent, and such hostile glances, such threatening
words were exchanged, that the prince, finding himself too weak to
contend against his enemies, wrote the same evening to his mother, telling
her that he was about to leave a country where from his infancy upwards
he had experienced nothing but deceit and disaster.
Those who know a
mother’s heart will easily guess that Elizabeth of Poland was no sooner aware
of the danger that threatened her son than she travelled to Naples, arriving
there before her coming was suspected. Rumour spread abroad that the Queen of
Hungary had come to take her son away with her, and the unexpected event gave
rise to strange comments: the fever of excitement now blazed up in another
direction. The Empress of Constantinople, the Catanese, her two daughters,
and all the courtiers, whose calculations were upset by Andre’s departure,
hurried to honour the arrival of the Queen of Hungary by offering a very
cordial and respectful reception, with a view to showing her that, in the
midst of a court so attentive and devoted, any isolation or bitterness
of feeling on the young prince’s part must spring from his pride, from
an unwarrantable mistrust, and his naturally savage and
untrained character. Joan received her husband’s mother with so much
proper dignity in her behaviour that, in spite of preconceived
notions, Elizabeth could not help admiring the noble seriousness and
earnest feeling she saw in her daughter-in-law. To make the visit more
pleasant to an honoured guest, fetes and tournaments were given, the barons
vying with one another in display of wealth and luxury. The Empress
of Constantinople, the Catanese, Charles of Duras and his young wife,
all paid the utmost attention to the mother of the prince. Marie, who
by reason of her extreme youth and gentleness of character had no share
in any intrigues, was guided quite as much by her natural feeling as by
her husband’s orders when she offered to the Queen of Hungary those marks
of regard and affection that she might have felt for her own mother.
In spite, however, of these protestations of respect and love, Elizabeth
of Poland trembled for her son, and, obeying a maternal instinct, chose
to abide by her original intention, believing that she should never
feel safe until Andre was far away from a court in appearance so friendly
but in reality so treacherous. The person who seemed most disturbed by
the departure, and tried to hinder it by every means in his power, was
Friar Robert. Immersed in his political schemes, bending over his
mysterious plans with all the eagerness of a gambler who is on the point
of gaining, the Dominican, who thought himself on the eve of a
tremendous event, who by cunning, patience, and labour hoped to scatter his
enemies and to reign as absolute autocrat, now falling suddenly from the
edifice of his dream, stiffened himself by a mighty effort to stand and
resist the mother of his pupil. But fear cried too loud in the heart
of Elizabeth for all the reasonings of the monk to lull it to rest:
to every argument he advanced she simply said that while her son was
not king and had not entire unlimited power, it was imprudent to leave
him exposed to his enemies. The monk, seeing that all was indeed lost
and that he could not contend against the fears of this woman, asked
only the boon of three days’ grace, at the end of which time, should a
reply he was expecting have not arrived, he said he would not only give up
his opposition to Andre’s departure, but would follow himself,
renouncing for ever a scheme to which he had sacrificed
everything.
Towards the end of the third day, as Elizabeth was definitely
making her preparations for departure, the monk entered radiant. Showing her
a letter which he had just hastily broken open, he cried
triumphantly—
"God be praised, madam! I can at last give you
incontestable proofs of my active zeal and accurate
foresight."
Andre’s mother, after rapidly running through the document,
turned her eyes on the monk with yet some traces of mistrust in her manner,
not venturing to give way to her sudden joy.
"Yes, madam," said the
monk, raising his head, his plain features lighted up by his glance of
intelligence—"yes, madam, you will believe your eyes, perhaps, though you
would never believe my words: this is not the dream of an active imagination,
the hallucination of a credulous mind, the prejudice of a limited intellect;
it is a plan slowly conceived, painfully worked out, my daily thought and my
whole life’s work. I have never ignored the fact that at the court of Avignon
your son had powerful enemies; but I knew also that on the very day
I undertook a certain solemn engagement in the prince’s name,
an engagement to withdraw those laws that had caused coldness between
the pope and Robert; who was in general so devoted to the Church, I
knew very well that my offer would never be rejected, and this argument
of mine I kept back for the last. See, madam, my calculations are
correct; your enemies are put to shame and your son is
triumphant."
Then turning to Andre, who was just corning in and stood
dumbfounded at the threshold on hearing the last words, he
added—
"Come, my son, our prayers are at last fulfilled: you are
king."
"King!" repeated Andre, transfixed with joy, doubt, and
amazement.
"King of Sicily and Jerusalem: yes, my lord; there is no need
for you to read this document that brings the joyful, unexpected news. You
can see it in your mother’s tears; she holds out her arms to press you to
her bosom; you can see it in the happiness of your old teacher; he falls
on his knees at your feet to salute you by this title, which he would
have paid for with his own blood had it been denied to you much
longer."
"And yet," said Elizabeth, after a moment’s mournful reflection,
"if I obey my presentiments, your news will make no difference to our
plans for departure."
"Nay, mother," said Andre firmly, "you would not
force me to quit the country to the detriment of my honour. If I have made
you feel some of the bitterness and sorrow that have spoiled my own young
days because of my cowardly enemies, it is not from a poor spirit, but
because I was powerless, and knew it, to take any sort of striking vengeance
for their secret insults, their crafty injuries, their underhand intrigues.
It was not because my arm wanted strength, but because my head wanted a
crown. I might have put an end to some of these wretched beings, the
least dangerous maybe; but it would have been striking in the dark;
the ringleaders would have escaped, and I should never have really got
to the bottom of their infernal plots. So I have silently eaten out my
own heart in shame and indignation. Now that my sacred rights are
recognised by the Church, you will see, my mother, how these terrible barons,
the queen’s counsellors, the governors of the kingdom, will lower
their heads in the dust: for they are threatened with no sword and
no struggle; no peer of their own is he who speaks, but the king; it is
by him they are accused, by the law they shall be condemned, and
shall suffer on the scaffold."
"O my beloved son," cried the queen in
tears, "I never doubted your noble feelings or the justice of your claims;
but when your life is in danger, to what voice can I listen but the voice of
fear? what can move my counsels but the promptings of love?"
"Mother,
believe me, if the hands and hearts alike of these cowards had not trembled,
you would have lost your son long ago."
"It is not violence that I fear,
my son, it is treachery."
"My life, like every man’s, belongs to God, and
the lowest of sbirri may take it as I turn the corner of the street; but a
king owes something to his people."
The poor mother long tried to bend
the resolution of Andre by reason and entreaties; but when she had spoken her
last word and shed her last tear, she summoned Bertram de Baux, chief-justice
of the kingdom, and Marie, Duchess of Durazzo. Trusting in the old man’s
wisdom and the girl’s innocence, she commended her son to them in the
tenderest and most affecting words; then drawing from her own hand a ring
richly wrought, and taking the prince aside, she slipped it upon his
finger, saying in a voice that trembled with emotion as she pressed him to
her heart—
"My son, as you refuse to come with me, here is a wonderful
talisman, which I would not use before the last extremity. So long as you
wear this ring on your finger, neither sword nor poison will have
power against you."
"You see then, mother," said the prince, smiling,
"with this protection there is no reason at all to fear for my
life."
"There are other dangers than sword or poison," sighed the
queen.
"Be calm, mother: the best of all talismans is your prayer to God
for me: it is the tender thought of you that will keep me for ever in
the path of duty and justice; your maternal love will watch over me
from afar, and cover me like the wings of a guardian angel."
Elizabeth
sobbed as she embraced her son, and when she left him she felt her heart was
breaking. At last she made up her mind to go, and was escorted by the whole
court, who had never changed towards her for a moment in their chivalrous and
respectful devotion. The poor mother, pale, trembling, and faint, leaned
heavily upon Andre’s arm, lest she should fall. On the ship that was to take
her for ever from her son, she cast her arms for the last time about his
neck, and there hung a long time, speechless, tearless, and motionless; when
the signal for departure was given, her women took her in their arms half
swooning. Andre stood on the shore with the feeling of death at his heart:
his eyes were fixed upon the sail that carried ever farther from him
the only being he loved in the world. Suddenly he fancied he
beheld something white moving a long way off: his mother had recovered
her senses by a great effort, and had dragged herself up to the bridge
to give a last signal of farewell: the unhappy lady knew too well that
she would never see her son again.
At almost the same moment that
Andre’s mother left the kingdom, the former queen of Naples, Robert’s widow,
Dona Sancha, breathed her last sigh. She was buried in the convent of Santa
Maria delta Croce, under the name of Clara, which she had assumed on taking
her vows as a nun, as her epitaph tells us, as follows:
"Here lies, an
example of great humility, the body of the sainted sister Clara, of
illustrious memory, otherwise Sancha, Queen of Sicily and Jerusalem, widow of
the most serene Robert, King of Jerusalem and Sicily, who, after the death of
the king her husband, when she had completed a year of widowhood, exchanged
goods temporary for goods eternal. Adopting for the love of God a voluntary
poverty, and distributing her goods to the poor, she took upon her the rule
of obedience in this celebrated convent of Santa Croce, the work of her
own hands, in the year 1344, on the gist of January of the
twelfth indiction, where, living a life of holiness under the rule of
the blessed Francis, father of the poor, she ended her days religiously
in the year of our Lord 1345, on the 28th of July of the
thirteenth indiction. On the day following she was buried in this
tomb."
The death of Dona Sancha served to hasten on the catastrophe which
was to stain the throne of Naples with blood: one might almost fancy
that God wished to spare this angel of love and resignation the sight of
so terrible a spectacle, that she offered herself as a
propitiatory sacrifice to redeem the crimes of her
family.
CHAPTER IV
Eight days after the funeral of
the old queen, Bertrand of Artois came to Joan, distraught, dishevelled, in a
state of agitation and confusion impossible to describe.
Joan went
quickly up to her lover, asking him with a look of fear to explain the cause
of his distress.
"I told you, madam," cried the young baron excitedly,
"you will end by ruining us all, as you will never take any advice from
me."
"For God’s sake, Bertrand, speak plainly: what has happened? What
advice have I neglected?"
"Madam, your noble husband, Andre of
Hungary, has just been made King of Jerusalem and Sicily, and acknowledged by
the court of Avignon, so henceforth you will be no better than his
slave."
"Count of Artois, you are dreaming."
"No, madam, I am not
dreaming: I have this fact to prove the truth of my words, that the pope’s
ambassadors are arrived at Capua with the bull for his coronation, and if
they do not enter Castel Nuovo this very evening, the delay is only to give
the new king time to make his preparations."
The queen bent her head
as if a thunderbolt had fallen at her feet.
"When I told you before,"
said the count, with growing fury, "that we ought to use force to make a
stand against him, that we ought to break the yoke of this infamous tyranny
and get rid of the man before he had the means of hurting you, you always
drew back in childish fear, with a woman’s cowardly hesitation."
Joan
turned a tearful look upon her lover.
"God, my God!" she cried, clasping
her hands in desperation, "am I to hear for ever this awful cry of death! You
too, Bertrand, you too say the word, like Robert of Cabane, like Charles of
Duras? Wretched man, why would you raise this bloody spectre between us, to
check with icy hand our adulterous kisses? Enough of such crimes; if his
wretched ambition makes him long to reign, let him be king: what matters
his power to me, if he leaves me with your love?"
"It is not so sure
that our love will last much longer."
"What is this, Bertrand? You
rejoice in this merciless torture."
"I tell you, madam, that the King of
Naples has a black flag ready, and on the day of his coronation it will be
carried before him."
"And you believe," said Joan, pale as a corpse in
its shroud, "—you believe that this flag is a threat?"
"Ay, and the
threat begins to be put in execution."
The queen staggered, and leaned
against a table to save herself from falling.
"Tell me all," she cried
in a choking voice; "fear not to shock me; see, I am not trembling. O
Bertrand, I entreat you!"
"The traitors have begun with the man you most
esteemed, the wisest counsellor of the crown, the best of magistrates, the
noblest-hearted, most rigidly virtuous——"
"Andrea of
Isernia!"
"Madam, he is no more."
Joan uttered a cry, as though
the noble old man had been slain before her eyes: she respected him as a
father; then, sinking back, she remained profoundly silent.
"How did
they kill him?" she asked at last, fixing her great eyes in terror on the
count.
"Yesterday evening, as he left this castle, on the way to his own
home, a man suddenly sprang out upon him before the Porta Petruccia: it
was one of Andre’s favourites, Conrad of Gottis chosen no doubt because
he had a grievance against the incorruptible magistrate on account of
some sentence passed against him, and the murder would therefore be put
down to motives of private revenge. The cowardly wretch gave a sign to two
or three companions, who surrounded the victim and robbed him of all
means of escape. The poor old man looked fixedly at his assassin, and
asked him what he wanted. ’I want you to lose your life at my hands, as I
lost my case at yours!’ cried the murderer, and leaving him no time
to answer, he ran him through with his sword. Then the rest fell upon
the poor man, who did not even try to call for help, and his body
was riddled with wounds and horribly mutilated, and then left bathed in
its blood."
"Terrible!" murmured the queen, covering her
face.
"It was only their first effort; the proscription lists are
already full: Andre must needs have blood to celebrate his accession to
the throne of Naples. And do you know, Joan, whose name stands first in
the doomed list?"
"Whose?" cried the queen, shuddering from head to
foot.
"Mine," said the count calmly.
"Yours!" cried Joan, drawing
herself up to her full height; "are you to be killed next! Oh, be careful,
Andre; you have pronounced your own death-sentence. Long have I turned aside
the dagger pointing to your breast, but you put an end to all my patience.
Woe to you, Prince of Hungary! the blood which you have spilt shall fall on
your own head."
As she spoke she had lost her pallor; her lovely face was
fired with revenge, her eyes flashed lightning. This child of sixteen was
terrible to behold; she pressed her lover’s hand with convulsive tenderness,
and clung to him as if she would screen him with her own body.
"Your
anger is awakened too late," said he gently and sadly; for at this moment
Joan seemed so lovely that he could reproach her with nothing. "You do not
know that his mother has left him a talisman preserving him from sword and
poison?"
"He will die," said Joan firmly; the smile that lighted up her
face was so unnatural that the count was dismayed, and dropped his
eyes.
The next day the young Queen of Naples, lovelier, more smiling
than ever, sitting carelessly in a graceful attitude beside a window
which looked out on the magnificent view of the bay, was busy weaving a
cord of silk and gold. The sun had run nearly two-thirds of his fiery
course, and was gradually sinking his rays in the clear blue waters
where Posilippo’s head is reflected with its green and flowery crown. A
warm, balmy breeze that had passed over the orange trees of Sorrento
and Amalfi felt deliciously refreshing to the inhabitants of the
capital, who had succumbed to torpor in the enervating softness of the day.
The whole town was waking from a long siesta, breathing freely after
a sleepy interval; the Molo was covered with a crowd of eager
people dressed out in the brightest colours; the many cries of a
festival, joyous songs, love ditties sounded from all quarters of the
vast amphitheatre, which is one of the chief marvels of creation; they
came to the ears of Joan, and she listened as she bent over her
work, absorbed in deep thought. Suddenly, when she seemed most
busily occupied, the indefinable feeling of someone near at hand, and the
touch of something on her shoulder, made her start: she turned as though
waked from a dream by contact with a serpent, and perceived her
husband, magnificently dressed, carelessly leaning against the back of her
chair. For a long time past the prince had not come to his wife in
this familiar fashion, and to the queen the pretence of affection
and careless behaviour augured ill. Andre did not appear to notice the
look of hatred and terror that had escaped Joan in spite of herself,
and assuming the best expression of gentleness as that his straight
hard features could contrive to put on in such circumstances as these,
he smilingly asked—
"Why are you making this pretty cord, dear dutiful
wife?"
"To hang you with, my lord," replied the queen, with a
smile.
Andre shrugged his shoulders, seeing in the threat so incredibly
rash nothing more than a pleasantry in rather bad taste. But when he saw
that Joan resumed her work, he tried to renew the conversation.
"I
admit," he said, in a perfectly calm voice, "that my question is quite
unnecessary: from your eagerness to finish this handsome piece of work, I
ought to suspect that it is destined for some fine knight of yours whom you
propose to send on a dangerous enterprise wearing your colours. If so, my
fair queen, I claim to receive my orders from your lips: appoint the time and
place for the trial, and I am sure beforehand of carrying off a prize that I
shall dispute with all your adorers."
"That is not so certain," said
Joan, "if you are as valiant in war as in love." And she cast on her husband
a look at once seductive and scornful, beneath which the young man blushed up
to his eyes.
"I hope," said Andre, repressing his feelings, "I hope soon
to give you such proofs of my affection that you will never doubt it
again."
"And what makes you fancy that, my lord?"
"I would tell
you, if you would listen seriously."
"I am listening."
"Well, it
is a dream I had last night that gives me such confidence in the
future."
"A dream! You surely ought to explain that."
"I dreamed
that there was a grand fete in the town: an immense crowd filled the streets
like an overflowing torrent, and the heavens were ringing with their shouts
of joy; the gloomy granite facades were hidden by hangings of silk and
festoons of flowers; the churches were decorated as though for some grand
ceremony. I was riding side by side with you." Joan made a haughty movement:
"Forgive me, madam, it was only a dream: I was on your right, riding a fine
white horse, magnificently caparisoned, and the chief-justice of the kingdom
carried before me a flag unfolded in sign of honour. After riding in triumph
through the main thoroughfares of the city, we arrived, to the sound of
trumpets and clarions, at the royal church of Saint Clara, where your
grandfather and my uncle are buried, and there, before the high altar, the
pope’s ambassador laid your hand in mine and pronounced a long discourse,
and then on our two heads in turn placed the crown of Jerusalem and
Sicily; after which the nobles and the people shouted in one voice, ’Long
live the King and Queen of Naples!’ And I, wishing to perpetuate the
memory of so glorious a day, proceeded to create knights among the most
zealous in our court."
"And do you not remember the names of the
chosen persons whom you judged worthy of your royal
favours?"
"Assuredly, madam: Bertrand, Count of Artois."
"Enough,
my lord; I excuse you from naming the rest: I always supposed you were loyal
and generous, but you give me fresh proof of it by showing favour to men whom
I most honour and trust. I cannot tell if your wishes are likely soon to be
realised, but in any case feel sure of my perpetual gratitude."
Joan’s
voice did not betray the slightest emotion; her look had became kind, and the
sweetest smile was on her lips. But in her heart Andre’s death was from that
moment decided upon. The prince, too much preoccupied with his own projects
of vengeance, and too confident in his all-powerful talisman and his personal
valour, had no suspicion that his plans could be anticipated. He conversed a
long time with his wife in a chatting, friendly way, trying to spy out her
secret, and exposing his own by his interrupted phrases and mysterious
reserves. When he fancied that every cloud of former resentment, even the
lightest, had disappeared from Joan’s brow, he begged her to go with her
suite on a magnificent hunting expedition that he was organising for the 20th
of August, adding that such a kindness on her part would be for him a
sure pledge of their reconciliation and complete forgetfulness of the
past. Joan promised with a charming grace, and the prince retired
fully satisfied with the interview, carrying with him the conviction that
he had only to threaten to strike a blow at the queen’s favourite to
ensure her obedience, perhaps even her love.
But on the eve of the
20th of August a strange and terrible scene was being enacted in the basement
storey of one of the lateral towers of Castel Nuovo. Charles of Durazzo, who
had never ceased to brood secretly over his infernal plans, had been informed
by the notary whom he had charged to spy upon the conspirators, that on that
particular evening they were about to hold a decisive meeting, and therefore,
wrapped in a black cloak, he glided into the underground corridor and hid
himself behind a pillar, there to await the issue of the conference. After
two dreadful hours of suspense, every second marked out by the beating
of his heart, Charles fancied he heard the sound of a door very
carefully opened; the feeble ray of a lantern in the vault scarcely served
to dispel the darkness, but a man coming away from the wall approached
him walking like a living statue. Charles gave a slight cough, the
sign agreed upon. The man put out his light and hid away the dagger he
had drawn in case of a surprise.
"Is it you, Master Nicholas?" asked
the duke in a low voice.
"It is I, my lord."
"What is
it?"
"They have just fixed the prince’s death for tomorrow, on his way to
the hunt."
"Did you recognise every conspirator?"
"Every one,
though their faces were masked; when they gave their vote for death, I knew
them by their voices."
"Could you point out to me who they
are?"
"Yes, this very minute; they are going to pass along at the end of
this corridor. And see, here is Tommaso Pace walking in front of them
to light their way."
Indeed, a tall spectral figure, black from head
to foot, his face carefully hidden under a velvet mask, walked at the end of
the corridor, lamp in hand, and stopped at the first step of a staircase
which led to the upper floors. The conspirators advanced slowly, two by two,
like a procession of ghosts, appeared for one moment in the circle of
light made by the torch, and again disappeared into shadow.
"See,
there are Charles and Bertrand of Artois," said the notary; "there are the
Counts of Terlizzi and Catanzaro; the grand admiral and grand seneschal,
Godfrey of Marsan, Count of Squillace, and Robert of Cabane, Count of Eboli;
the two women talking in a low voice with the eager gesticulations are
Catherine of Tarentum, Empress of Constantinople, and Philippa the Catanese,
the queen’s governess and chief lady; there is Dona Cancha, chamberwoman and
confidante of Joan; and there is the Countess of Morcone."
The notary
stopped on beholding a shadow alone, its head bowed, with arms hanging
loosely, choking back her sobs beneath a hood of black.
"Who is the woman
who seems to drag herself so painfully along in their train?" asked the duke,
pressing his companion’s arm.
"That woman," said the notary, "is the
queen." "Ah, now I see," thought Charles, breathing freely, with the same
sort of satisfaction that Satan no doubt feels when a long coveted soul falls
at length into his power.
"And now, my lord," continued Master Nicholas,
when all had returned once more into silence and darkness, "if you have
bidden me spy on these conspirators with a view to saving the young prince
you are protecting with love and vigilance, you must hurry forward, for
to-morrow maybe it will be too late."
"Follow me," cried the duke
imperiously; "it is time you should know my real intention, and then carry
out my orders with scrupulous exactness."
With these words he drew him
aside to a place opposite to where the conspirators had just disappeared. The
notary mechanically followed through a labyrinth of dark corridors and secret
staircases, quite at a loss how to account for the sudden change that had
come over his master—crossing one of the ante-chambers in the castle, they
came upon Andre, who joyfully accosted them; grasping the hand of his cousin
Duras in his affectionate manner, he asked him in a pressing way that
would brook no refusal, "Will you be of our hunting party to-morrow,
duke?"
"Excuse me, my lord," said Charles, bowing down to the ground; "it
will be impossible for me to go to-morrow, for my wife is very unwell; but
I entreat you to accept the best falcon I have."
And here he cast upon
the notary a petrifying glance.
The morning of the 20th of August was
fine and calm—the irony of nature contrasting cruelly with the fate of
mankind. From break of day masters and valets, pages and knights, princes and
courtiers, all were on foot; cries of joy were heard on every side when the
queen arrived on a snow-white horse, at the head of the young and brilliant
throng. Joan was perhaps paler than usual, but that might be because she had
been obliged to rise very early. Andre, mounted on one of the most fiery
of all the steeds he had tamed, galloped beside his wife, noble and
proud, happy in his own powers, his youth, and the thousand gilded hopes that
a brilliant future seemed to offer. Never had the court of Naples shown
so brave an aspect: every feeling of distrust and hatred seemed
entirely forgotten; Friar Robert himself, suspicious as he was by nature,
when he saw the joyous cavalcade go by under his window, looked out with
pride, and stroking his beard, laughed at his own seriousness.
Andre’s
intention was to spend several days hunting between Capua and Aversa, and
only to return to Naples when all was in readiness for his coronation. Thus
the first day they hunted round about Melito, and went through two or three
villages in the land of Labore. Towards evening the court stopped at Aversa,
with a view to passing the night there, and since at that period there was no
castle in the place worthy of entertaining the queen with her husband and
numerous court, the convent of St. Peter’s at Majella was converted into a
royal residence: this convent had been built by Charles II in the year of our
Lord 1309.
While the grand seneschal was giving orders for supper and
the preparation of a room for Andre and his wife, the prince, who during
the whole day had abandoned himself entirely to his favourite
amusement, went up on the terrace to enjoy the evening air, accompanied by
the good Isolda, his beloved nurse, who loved him more even than his mother,
and would not leave his side for a moment. Never had the prince appeared
so animated and happy: he was in ecstasies over the beauty of the
country, the clear air, the scent of the trees around; he besieged his nurse
with a thousand queries, never waiting for an answer; and they were
indeed long in coming, for poor Isolda was gazing upon him with that
appearance of fascination which makes a mother absent-minded when her child
is talking: Andre was eagerly telling her about a terrible boar he
had chased that morning across the woods, how it had lain foaming at
his feet, and Isolda interrupted him to say he had a grain of dust in
his eye. Then Andre was full of his plans for the future, and Isolda
stroked his fair hair, remarking that he must be feeling very tired.
Then, heeding nothing but his own joy and excitement, the young prince
hurled defiance at destiny, calling by all his gods on dangers to come
forward, so that he might have the chance of quelling them, and the poor
nurse exclaimed, in a flood of tears, "My child, you love me no
longer."
Out of all patience with these constant interruptions, Andre
scolded her kindly enough, and mocked at her childish fears. Then, paying
no attention to a sort of melancholy that was coming over him, he bade
her tell him old tales of his childhood, and had a long talk about
his brother Louis, his absent mother, and tears were in his eyes when
he recalled her last farewell. Isolda listened joyfully, and answered
all he asked; but no fell presentiment shook her heart: the poor woman
loved Andre with all the strength of her soul; for him she would have given
up her life in this world and in the world to come; yet she was not
his mother.
When all was ready, Robert of Cabane came to tell the
prince that the queen awaited him; Andre cast one last look at the smiling
fields beneath the starry heavens, pressed his nurse’s hand to his lips and
to his heart, and followed the grand seneschal slowly and, it seemed,
with some regret. But soon the brilliant lights of the room, the wine
that circulated freely, the gay talk, the eager recitals of that
day’s exploits served to disperse the cloud of gloom that had for a
moment overspread the countenance of the prince. The queen alone, leaning
on the table with fixed eyes and lips that never moved, sat at this
strange feast pale and cold as a baleful ghost summoned from the tomb to
disturb the joy of the party. Andre, whose brain began to be affected by
the draughts of wine from Capri and Syracuse, was annoyed at his
wife’s look, and attributing it to contempt, filled a goblet to the brim
and presented it to the queen. Joan visibly trembled, her lips
moved convulsively; but the conspirators drowned in their noisy talk
the involuntary groan that escaped her. In the midst of a general
uproar, Robert of Cabane proposed that they should serve generous supplies
of the same wine drunk at the royal table to the Hungarian guards who
were keeping watch at the approaches to the convent, and this
liberality evoked frenzied applause. The shouting of the soldiers soon gave
witness to their gratitude for the unexpected gift, and mingled with
the hilarious toasts of the banqueters. To put the finishing touch
to Andre’s excitement, there were cries on every side of "Long live
the Queen! Long live His Majesty the King of Naples!"
The orgy lasted
far into the night: the pleasures of the next day were discussed with
enthusiasm, and Bertrand of Artois protested in a loud voice that if they
were so late now some would not rise early on the morrow. Andre declared
that, for his part, an hour or two’s rest would be enough to get over his
fatigue, and he eagerly protested that it would be well for others to follow
his example. The Count of Terlizzi seemed to express some doubt as to the
prince’s punctuality. Andre insisted, and challenging all the barons present
to see who would be up first, he retired with the queen to the room that had
been reserved for them, where he very soon fell into a deep and heavy sleep.
About two o’clock in the morning, Tommaso Pace, the prince’s valet and first
usher of the royal apartments, knocked at his master’s door to rouse him
for the chase. At the first knock, all was silence; at the second, Joan,
who had not closed her eyes all night, moved as if to rouse her husband
and warn him of the threatened danger; but at the third knock
the unfortunate young man suddenly awoke, and hearing in the next
room sounds of laughter and whispering, fancied that they were making a
joke of his laziness, and jumped out of bed bareheaded, in nothing but
his shirt, his shoes half on and half off. He opened the door; and at
this point we translate literally the account of Domenico Gravina,
a historian of much esteem. As soon as the prince appeared,
the conspirators all at once fell upon him, to strangle him with
their hands; believing he could not die by poison or sword, because of
the charmed ring given him by his poor mother. But Andre was so strong
and active, that when he perceived the infamous treason he defended
himself with more than human strength, and with dreadful cries got free from
his murderers, his face all bloody, his fair hair pulled out in
handfuls. The unhappy young man tried to gain his own bedroom, so as to get
some weapon and valiantly resist the assassins; but as he reached the
door, Nicholas of Melazzo, putting his dagger like a bolt into the
lock, stopped his entrance. The prince, calling aloud the whole time
and imploring the protection of his friends, returned to the hall; but
all the doors were shut, and no one held out a helping hand; for the
queen was silent, showing no uneasiness about her husband’s death.
But
the nurse Isolda, terrified by the shouting of her beloved son and lord,
leapt from her bed and went to the window, filling the house with dreadful
cries. The traitors, alarmed by the mighty uproar, although the place was
lonely and so far from the centre of the town that nobody could have come to
see what the noise was, were on the point of letting their victim go, when
Bertrand of Artois, who felt he was more guilty than the others, seized the
prince with hellish fury round the waist, and after a desperate struggle got
him down; then dragging him by the hair of his head to a balcony which gave
upon the garden, and pressing one knee upon his chest, cried out to the
others—
"Come here, barons: I have what we want to strangle him
with."
And round his neck he passed a long cord of silk and gold, while
the wretched man struggled all he could. Bertrand quickly drew up the
knot, and the others threw the body over the parapet of the balcony,
leaving it hanging between earth and sky until death ensued. When the Count
of Terlizzi averted his eyes from the horrid spectacle, Robert of
Cabane cried out imperiously—
"What are you doing there? The cord is
long enough for us all to hold: we want not witnesses, we want
accomplices!"
As soon as the last convulsive movements of the dying man
had ceased, they let the corpse drop the whole height of the three storeys,
and opening the doors of the hall, departed as though nothing had
happened.
Isolda, when at last she contrived to get a light, rapidly ran
to the queen’s chamber, and finding the door shut on the inside, began to
call loudly on her Andre. There was no answer, though the queen was in
the room. The poor nurse, distracted, trembling, desperate, ran down all
the corridors, knocked at all the cells and woke the monks one by
one, begging them to help her look for the prince. The monks said that
they had indeed heard a noise, but thinking it was a quarrel between
soldiers drunken perhaps or mutinous, they had not thought it their business
to interfere. Isolda eagerly, entreated: the alarm spread through
the convent; the monks followed the nurse, who went on before with a
torch. She entered the garden, saw something white upon the grass,
advanced trembling, gave one piercing cry, and fell backward.
The
wretched Andre was lying in his blood, a cord round his neck as though he
were a thief, his head crushed in by the height from which he fell. Then two
monks went upstairs to the queen’s room, and respectfully knocking at the
door, asked in sepulchral tones—
"Madam, what would you have us do with
your husband’s corpse?"
And when the queen made no answer, they went down
again slowly to the garden, and kneeling one at the head, the other at the
foot of the dead man, they began to recite penitential psalms in a low voice.
When they had spent an hour in prayer, two other monks went up in the same
way to Joan’s chamber, repeating the same question and getting no
answer, whereupon they relieved the first two, and began themselves to
pray. Next a third couple went to the door of this inexorable room, and
coming away perturbed by their want of success, perceived that there was
a disturbance of people outside the convent, while vengeful cries
were heard amongst the indignant crowd. The groups became more and
more thronged, threatening voices were raised, a torrent of
invaders threatened the royal dwelling, when the queen’s guard appeared,
lance in readiness, and a litter closely shut, surrounded by the principal
barons of the court, passed through the crowd, which stood stupidly
gazing. Joan, wrapped in a black veil, went back to Castel Nuovo, amid
her escort; and nobody, say the historians, had the courage to say a
word about this terrible deed.
CHAPTER V
The
terrible part that Charles of Durazzo was to play began as soon as this crime
was accomplished. The duke left the corpse two whole days exposed to the wind
and the rain, unburied and dishonoured, the corpse of a man whom the pope had
made King of Sicily and Jerusalem, so that the indignation of the mob might
be increased by the dreadful sight. On the third he ordered it to be conveyed
with the utmost pomp to the cathedral of Naples, and assembling all the
Hungarians around the catafalque, he thus addressed them, in a voice of
thunder:—
"Nobles and commoners, behold our king hanged like a dog by
infamous traitors. God will soon make known to us the names of all the
guilty: let those who desire that justice may be done hold up their hands
and swear against murderers bloody persecution, implacable
hatred, everlasting vengeance."
It was this one man’s cry that brought
death and desolation to the murderers’ hearts, and the people dispersed about
the town, shrieking, "Vengeance, vengeance!"
Divine justice, which
knows naught of privilege and respects no crown, struck Joan first of all in
her love. When the two lovers first met, both were seized alike with terror
and disgust; they recoiled trembling, the queen seeing in Bertrand her
husband’s executioner, and he in her the cause of his crime, possibly of his
speedy punishment. Bertrand’s looks were disordered, his cheeks hollow, his
eyes encircled with black rings, his mouth horribly distorted; his arm and
forefinger extended towards his accomplice, he seemed to behold a frightful
vision rising before him. The same cord he had used when he strangled Andre,
he now saw round the queen’s neck, so tight that it made its way into
her flesh: an invisible force, a Satanic impulse, urged him to strangle
with his own hands the woman he had loved so dearly, had at one time
adored on his knees. The count rushed out of the room with gestures
of desperation, muttering incoherent words; and as he shewed plain signs
of mental aberration, his father, Charles of Artois, took him away,
and they went that same evening to their palace of St. Agatha, and
there prepared a defence in case they should be attacked. |
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