2014년 11월 11일 화요일

celebrated crimes 52

celebrated crimes 52


"Long live the Duke and Duchess of Durazzo!" cried the crowd, clapping
their hands. And the young pair, at once mounting two beautiful horses
and followed by their cavaliers and pages, solemnly paraded through the
town, and re-entered their palace to the sound of trumpets and cheering.

When this incredible news was brought to the queen, her first feeling
was joy at the recovery of her sister; and when Bertrand of Artois was
eager to head a band of barons and cavaliers and bent on falling upon
the cortege to punish the traitor, Joan put up her hand to stop him with
a very mournful look.

"Alas!" she said sadly, "it is too late. They are legally married, for
the head of the Church—who is moreover by my grandfather’s will the head
of our family—has granted his permission. I only pity my poor sister; I
pity her for becoming so young the prey of a wretched man who sacrifices
her to his own ambition, hoping by this marriage to establish a claim to
the throne. O God! what a strange fate oppresses the royal house of
Anjou! My father’s early death in the midst of his triumphs; my mother’s
so quickly after; my sister and I, the sole offspring of Charles I, both
before we are women grown fallen into the hands of cowardly men, who use
us but as the stepping-stones of their ambition!" Joan fell back
exhausted on her chair, a burning tear trembling on her eyelid.

"This is the second time," said Bertrand reproachfully, "that I have
drawn my sword to avenge an insult offered to you, the second time I
return it by your orders to the scabbard. But remember, Joan, the third
time will not find me so docile, and then it will not be Robert of
Cabane or Charles of Durazzo that I shall strike, but him who is the
cause of all your misfortunes."

"Have mercy, Bertrand! do not you also speak these words; whenever this
horrible thought takes hold of me, let me come to you: this threat of
bloodshed that is drummed into my ears, this sinister vision that haunts
my sight; let me come to you, beloved, and weep upon your bosom, beneath
your breath cool my burning fancies, from your eyes draw some little
courage to revive my perishing soul. Come, I am quite unhappy enough
without needing to poison the future by an endless remorse. Tell me
rather to forgive and to forget, speak not of hatred and revenge; show
me one ray of hope amid the darkness that surrounds me; hold up my
wavering feet, and push me not into the abyss."

Such altercations as this were repeated as often as any fresh wrong
arose from the side of Andre or his party; and in proportion as the
attacks made by Bertrand and his friends gained in vehemence—and we must
add, in justice—so did Joan’s objections weaken. The Hungarian rule, as
it became more and more arbitrary and unbearable, irritated men’s minds
to such a point that the people murmured in secret and the nobles
proclaimed aloud their discontent. Andre’s soldiers indulged in a
libertinage which would have been intolerable in a conquered city: they
were found everywhere brawling in the taverns or rolling about
disgustingly drunk in the gutters; and the prince, far from rebuking
such orgies, was accused of sharing them himself. His former tutor, who
ought to have felt bound to drag him away from so ignoble a mode of
life, rather strove to immerse him in degrading pleasures, so as to keep
him out of business matters; without suspecting it, he was hurrying on
the denouement of the terrible drama that was being acted behind the
scenes at Castel Nuovo. Robert’s widow, Dona Sancha of Aragon, the good
and sainted lady whom our readers may possibly have forgotten, as her
family had done, seeing that God’s anger was hanging over her house, and
that no counsels, no tears or prayers of hers could avail to arrest it,
after wearing mourning for her husband one whole year, according to her
promise, had taken the veil at the convent of Santa Maria delta Croce,
and deserted the court and its follies and passions, just as the
prophets of old, turning their back on some accursed city, would shake
the dust from off their sandals and depart. Sandra’s retreat was a sad
omen, and soon the family dissensions, long with difficulty suppressed,
sprang forth to open view; the storm that had been threatening from afar
broke suddenly over the town, and the thunderbolt was shortly to follow.

On the last day of August 1344, Joan rendered homage to Americ, Cardinal
of Saint Martin and legate of Clement VI, who looked upon the kingdom of
Naples as being a fief of the Church ever since the time when his
predecessors had presented it to Charles of Anjou, and overthrown and
excommunicated the house of Suabia. For this solemn ceremony the church
of Saint Clara was chosen, the burial-place of Neapolitan kings, and but
lately the tomb of the grandfather and father of the young queen, who
reposed to right and left of the high altar. Joan, clad in the royal
robe, with the crown upon her head, uttered her oath of fidelity between
the hands of the apostolic legate in the presence of her husband, who
stood behind her simply as a witness, just like the other princes of the
blood. Among the prelates with their pontifical insignia who formed the
brilliant following of the envoy, there stood the Archbishops of Pisa,
Bari, Capua, and Brindisi, and the reverend fathers Ugolino, Bishop of
Castella, and Philip, Bishop of Cavaillon, chancellor to the queen. All
the nobility of Naples and Hungary were present at this ceremony, which
debarred Andre from the throne in a fashion at once formal and striking.
Thus, when they left the church the excited feelings of both parties
made a crisis imminent, and such hostile glances, such threatening words
were exchanged, that the prince, finding himself too weak to contend
against his enemies, wrote the same evening to his mother, telling her
that he was about to leave a country where from his infancy upwards he
had experienced nothing but deceit and disaster.

Those who know a mother’s heart will easily guess that Elizabeth of
Poland was no sooner aware of the danger that threatened her son than
she travelled to Naples, arriving there before her coming was suspected.
Rumour spread abroad that the Queen of Hungary had come to take her son
away with her, and the unexpected event gave rise to strange comments:
the fever of excitement now blazed up in another direction. The Empress
of Constantinople, the Catanese, her two daughters, and all the
courtiers, whose calculations were upset by Andre’s departure, hurried
to honour the arrival of the Queen of Hungary by offering a very cordial
and respectful reception, with a view to showing her that, in the midst
of a court so attentive and devoted, any isolation or bitterness of
feeling on the young prince’s part must spring from his pride, from an
unwarrantable mistrust, and his naturally savage and untrained
character. Joan received her husband’s mother with so much proper
dignity in her behaviour that, in spite of preconceived notions,
Elizabeth could not help admiring the noble seriousness and earnest
feeling she saw in her daughter-in-law. To make the visit more pleasant
to an honoured guest, fetes and tournaments were given, the barons vying
with one another in display of wealth and luxury. The Empress of
Constantinople, the Catanese, Charles of Duras and his young wife, all
paid the utmost attention to the mother of the prince. Marie, who by
reason of her extreme youth and gentleness of character had no share in
any intrigues, was guided quite as much by her natural feeling as by her
husband’s orders when she offered to the Queen of Hungary those marks of
regard and affection that she might have felt for her own mother. In
spite, however, of these protestations of respect and love, Elizabeth of
Poland trembled for her son, and, obeying a maternal instinct, chose to
abide by her original intention, believing that she should never feel
safe until Andre was far away from a court in appearance so friendly but
in reality so treacherous. The person who seemed most disturbed by the
departure, and tried to hinder it by every means in his power, was Friar
Robert. Immersed in his political schemes, bending over his mysterious
plans with all the eagerness of a gambler who is on the point of
gaining, the Dominican, who thought himself on the eve of a tremendous
event, who by cunning, patience, and labour hoped to scatter his enemies
and to reign as absolute autocrat, now falling suddenly from the edifice
of his dream, stiffened himself by a mighty effort to stand and resist
the mother of his pupil. But fear cried too loud in the heart of
Elizabeth for all the reasonings of the monk to lull it to rest: to
every argument he advanced she simply said that while her son was not
king and had not entire unlimited power, it was imprudent to leave him
exposed to his enemies. The monk, seeing that all was indeed lost and
that he could not contend against the fears of this woman, asked only
the boon of three days’ grace, at the end of which time, should a reply
he was expecting have not arrived, he said he would not only give up his
opposition to Andre’s departure, but would follow himself, renouncing
for ever a scheme to which he had sacrificed everything.

Towards the end of the third day, as Elizabeth was definitely making her
preparations for departure, the monk entered radiant. Showing her a
letter which he had just hastily broken open, he cried triumphantly—

"God be praised, madam! I can at last give you incontestable proofs of
my active zeal and accurate foresight."

Andre’s mother, after rapidly running through the document, turned her
eyes on the monk with yet some traces of mistrust in her manner, not
venturing to give way to her sudden joy.

"Yes, madam," said the monk, raising his head, his plain features
lighted up by his glance of intelligence—"yes, madam, you will believe
your eyes, perhaps, though you would never believe my words: this is not
the dream of an active imagination, the hallucination of a credulous
mind, the prejudice of a limited intellect; it is a plan slowly
conceived, painfully worked out, my daily thought and my whole life’s
work. I have never ignored the fact that at the court of Avignon your
son had powerful enemies; but I knew also that on the very day I
undertook a certain solemn engagement in the prince’s name, an
engagement to withdraw those laws that had caused coldness between the
pope and Robert; who was in general so devoted to the Church, I knew
very well that my offer would never be rejected, and this argument of
mine I kept back for the last. See, madam, my calculations are correct;
your enemies are put to shame and your son is triumphant."

Then turning to Andre, who was just corning in and stood dumbfounded at
the threshold on hearing the last words, he added—

"Come, my son, our prayers are at last fulfilled: you are king."

"King!" repeated Andre, transfixed with joy, doubt, and amazement.

"King of Sicily and Jerusalem: yes, my lord; there is no need for you to
read this document that brings the joyful, unexpected news. You can see
it in your mother’s tears; she holds out her arms to press you to her
bosom; you can see it in the happiness of your old teacher; he falls on
his knees at your feet to salute you by this title, which he would have
paid for with his own blood had it been denied to you much longer."

"And yet," said Elizabeth, after a moment’s mournful reflection, "if I
obey my presentiments, your news will make no difference to our plans
for departure."

"Nay, mother," said Andre firmly, "you would not force me to quit the
country to the detriment of my honour. If I have made you feel some of
the bitterness and sorrow that have spoiled my own young days because of
my cowardly enemies, it is not from a poor spirit, but because I was
powerless, and knew it, to take any sort of striking vengeance for their
secret insults, their crafty injuries, their underhand intrigues. It was
not because my arm wanted strength, but because my head wanted a crown.
I might have put an end to some of these wretched beings, the least
dangerous maybe; but it would have been striking in the dark; the
ringleaders would have escaped, and I should never have really got to
the bottom of their infernal plots. So I have silently eaten out my own
heart in shame and indignation. Now that my sacred rights are recognised
by the Church, you will see, my mother, how these terrible barons, the
queen’s counsellors, the governors of the kingdom, will lower their
heads in the dust: for they are threatened with no sword and no
struggle; no peer of their own is he who speaks, but the king; it is by
him they are accused, by the law they shall be condemned, and shall
suffer on the scaffold."

"O my beloved son," cried the queen in tears, "I never doubted your
noble feelings or the justice of your claims; but when your life is in
danger, to what voice can I listen but the voice of fear? what can move
my counsels but the promptings of love?"

"Mother, believe me, if the hands and hearts alike of these cowards had
not trembled, you would have lost your son long ago."

"It is not violence that I fear, my son, it is treachery."

"My life, like every man’s, belongs to God, and the lowest of sbirri may
take it as I turn the corner of the street; but a king owes something to
his people."

The poor mother long tried to bend the resolution of Andre by reason and
entreaties; but when she had spoken her last word and shed her last
tear, she summoned Bertram de Baux, chief-justice of the kingdom, and
Marie, Duchess of Durazzo. Trusting in the old man’s wisdom and the
girl’s innocence, she commended her son to them in the tenderest and
most affecting words; then drawing from her own hand a ring richly
wrought, and taking the prince aside, she slipped it upon his finger,
saying in a voice that trembled with emotion as she pressed him to her
heart—

"My son, as you refuse to come with me, here is a wonderful talisman,
which I would not use before the last extremity. So long as you wear
this ring on your finger, neither sword nor poison will have power
against you."

"You see then, mother," said the prince, smiling, "with this protection
there is no reason at all to fear for my life."

"There are other dangers than sword or poison," sighed the queen.

"Be calm, mother: the best of all talismans is your prayer to God for
me: it is the tender thought of you that will keep me for ever in the
path of duty and justice; your maternal love will watch over me from
afar, and cover me like the wings of a guardian angel."

Elizabeth sobbed as she embraced her son, and when she left him she felt
her heart was breaking. At last she made up her mind to go, and was
escorted by the whole court, who had never changed towards her for a
moment in their chivalrous and respectful devotion. The poor mother,
pale, trembling, and faint, leaned heavily upon Andre’s arm, lest she
should fall. On the ship that was to take her for ever from her son, she
cast her arms for the last time about his neck, and there hung a long
time, speechless, tearless, and motionless; when the signal for
departure was given, her women took her in their arms half swooning.
Andre stood on the shore with the feeling of death at his heart: his
eyes were fixed upon the sail that carried ever farther from him the
only being he loved in the world. Suddenly he fancied he beheld
something white moving a long way off: his mother had recovered her
senses by a great effort, and had dragged herself up to the bridge to
give a last signal of farewell: the unhappy lady knew too well that she
would never see her son again.

At almost the same moment that Andre’s mother left the kingdom, the
former queen of Naples, Robert’s widow, Dona Sancha, breathed her last
sigh. She was buried in the convent of Santa Maria delta Croce, under
the name of Clara, which she had assumed on taking her vows as a nun, as
her epitaph tells us, as follows:

"Here lies, an example of great humility, the body of the sainted sister
Clara, of illustrious memory, otherwise Sancha, Queen of Sicily and
Jerusalem, widow of the most serene Robert, King of Jerusalem and
Sicily, who, after the death of the king her husband, when she had
completed a year of widowhood, exchanged goods temporary for goods
eternal. Adopting for the love of God a voluntary poverty, and
distributing her goods to the poor, she took upon her the rule of
obedience in this celebrated convent of Santa Croce, the work of her own
hands, in the year 1344, on the gist of January of the twelfth
indiction, where, living a life of holiness under the rule of the
blessed Francis, father of the poor, she ended her days religiously in
the year of our Lord 1345, on the 28th of July of the thirteenth
indiction. On the day following she was buried in this tomb."

The death of Dona Sancha served to hasten on the catastrophe which was
to stain the throne of Naples with blood: one might almost fancy that
God wished to spare this angel of love and resignation the sight of so
terrible a spectacle, that she offered herself as a propitiatory
sacrifice to redeem the crimes of her family.




CHAPTER IV


Eight days after the funeral of the old queen, Bertrand of Artois came
to Joan, distraught, dishevelled, in a state of agitation and confusion
impossible to describe.

Joan went quickly up to her lover, asking him with a look of fear to
explain the cause of his distress.

"I told you, madam," cried the young baron excitedly, "you will end by
ruining us all, as you will never take any advice from me."

"For God’s sake, Bertrand, speak plainly: what has happened? What advice
have I neglected?"

"Madam, your noble husband, Andre of Hungary, has just been made King of
Jerusalem and Sicily, and acknowledged by the court of Avignon, so
henceforth you will be no better than his slave."

"Count of Artois, you are dreaming."

"No, madam, I am not dreaming: I have this fact to prove the truth of my
words, that the pope’s ambassadors are arrived at Capua with the bull
for his coronation, and if they do not enter Castel Nuovo this very
evening, the delay is only to give the new king time to make his
preparations."

The queen bent her head as if a thunderbolt had fallen at her feet.

"When I told you before," said the count, with growing fury, "that we
ought to use force to make a stand against him, that we ought to break
the yoke of this infamous tyranny and get rid of the man before he had
the means of hurting you, you always drew back in childish fear, with a
woman’s cowardly hesitation."

Joan turned a tearful look upon her lover.

"God, my God!" she cried, clasping her hands in desperation, "am I to
hear for ever this awful cry of death! You too, Bertrand, you too say
the word, like Robert of Cabane, like Charles of Duras? Wretched man,
why would you raise this bloody spectre between us, to check with icy
hand our adulterous kisses? Enough of such crimes; if his wretched
ambition makes him long to reign, let him be king: what matters his
power to me, if he leaves me with your love?"

"It is not so sure that our love will last much longer."

"What is this, Bertrand? You rejoice in this merciless torture."

"I tell you, madam, that the King of Naples has a black flag ready, and
on the day of his coronation it will be carried before him."

"And you believe," said Joan, pale as a corpse in its shroud, "—you
believe that this flag is a threat?"

"Ay, and the threat begins to be put in execution."

The queen staggered, and leaned against a table to save herself from
falling.

"Tell me all," she cried in a choking voice; "fear not to shock me; see,
I am not trembling. O Bertrand, I entreat you!"

"The traitors have begun with the man you most esteemed, the wisest
counsellor of the crown, the best of magistrates, the noblest-hearted,
most rigidly virtuous——"

"Andrea of Isernia!"

"Madam, he is no more."

Joan uttered a cry, as though the noble old man had been slain before
her eyes: she respected him as a father; then, sinking back, she
remained profoundly silent.

"How did they kill him?" she asked at last, fixing her great eyes in
terror on the count.

"Yesterday evening, as he left this castle, on the way to his own home,
a man suddenly sprang out upon him before the Porta Petruccia: it was
one of Andre’s favourites, Conrad of Gottis chosen no doubt because he
had a grievance against the incorruptible magistrate on account of some
sentence passed against him, and the murder would therefore be put down
to motives of private revenge. The cowardly wretch gave a sign to two or
three companions, who surrounded the victim and robbed him of all means
of escape. The poor old man looked fixedly at his assassin, and asked
him what he wanted. ’I want you to lose your life at my hands, as I lost
my case at yours!’ cried the murderer, and leaving him no time to
answer, he ran him through with his sword. Then the rest fell upon the
poor man, who did not even try to call for help, and his body was
riddled with wounds and horribly mutilated, and then left bathed in its
blood."

"Terrible!" murmured the queen, covering her face.

"It was only their first effort; the proscription lists are already
full: Andre must needs have blood to celebrate his accession to the
throne of Naples. And do you know, Joan, whose name stands first in the
doomed list?"

"Whose?" cried the queen, shuddering from head to foot.

"Mine," said the count calmly.

"Yours!" cried Joan, drawing herself up to her full height; "are you to
be killed next! Oh, be careful, Andre; you have pronounced your own
death-sentence. Long have I turned aside the dagger pointing to your
breast, but you put an end to all my patience. Woe to you, Prince of
Hungary! the blood which you have spilt shall fall on your own head."

As she spoke she had lost her pallor; her lovely face was fired with
revenge, her eyes flashed lightning. This child of sixteen was terrible
to behold; she pressed her lover’s hand with convulsive tenderness, and
clung to him as if she would screen him with her own body.

"Your anger is awakened too late," said he gently and sadly; for at this
moment Joan seemed so lovely that he could reproach her with nothing.
"You do not know that his mother has left him a talisman preserving him
from sword and poison?"

"He will die," said Joan firmly; the smile that lighted up her face was
so unnatural that the count was dismayed, and dropped his eyes.

The next day the young Queen of Naples, lovelier, more smiling than
ever, sitting carelessly in a graceful attitude beside a window which
looked out on the magnificent view of the bay, was busy weaving a cord
of silk and gold. The sun had run nearly two-thirds of his fiery course,
and was gradually sinking his rays in the clear blue waters where
Posilippo’s head is reflected with its green and flowery crown. A warm,
balmy breeze that had passed over the orange trees of Sorrento and
Amalfi felt deliciously refreshing to the inhabitants of the capital,
who had succumbed to torpor in the enervating softness of the day. The
whole town was waking from a long siesta, breathing freely after a
sleepy interval; the Molo was covered with a crowd of eager people
dressed out in the brightest colours; the many cries of a festival,
joyous songs, love ditties sounded from all quarters of the vast
amphitheatre, which is one of the chief marvels of creation; they came
to the ears of Joan, and she listened as she bent over her work,
absorbed in deep thought. Suddenly, when she seemed most busily
occupied, the indefinable feeling of someone near at hand, and the touch
of something on her shoulder, made her start: she turned as though waked
from a dream by contact with a serpent, and perceived her husband,
magnificently dressed, carelessly leaning against the back of her chair.
For a long time past the prince had not come to his wife in this
familiar fashion, and to the queen the pretence of affection and
careless behaviour augured ill. Andre did not appear to notice the look
of hatred and terror that had escaped Joan in spite of herself, and
assuming the best expression of gentleness as that his straight hard
features could contrive to put on in such circumstances as these, he
smilingly asked—

"Why are you making this pretty cord, dear dutiful wife?"

"To hang you with, my lord," replied the queen, with a smile.

Andre shrugged his shoulders, seeing in the threat so incredibly rash
nothing more than a pleasantry in rather bad taste. But when he saw that
Joan resumed her work, he tried to renew the conversation.

"I admit," he said, in a perfectly calm voice, "that my question is
quite unnecessary: from your eagerness to finish this handsome piece of
work, I ought to suspect that it is destined for some fine knight of
yours whom you propose to send on a dangerous enterprise wearing your
colours. If so, my fair queen, I claim to receive my orders from your
lips: appoint the time and place for the trial, and I am sure beforehand
of carrying off a prize that I shall dispute with all your adorers."

"That is not so certain," said Joan, "if you are as valiant in war as in
love." And she cast on her husband a look at once seductive and
scornful, beneath which the young man blushed up to his eyes.

"I hope," said Andre, repressing his feelings, "I hope soon to give you
such proofs of my affection that you will never doubt it again."

"And what makes you fancy that, my lord?"

"I would tell you, if you would listen seriously."

"I am listening."

"Well, it is a dream I had last night that gives me such confidence in
the future."

"A dream! You surely ought to explain that."

"I dreamed that there was a grand fete in the town: an immense crowd
filled the streets like an overflowing torrent, and the heavens were
ringing with their shouts of joy; the gloomy granite facades were hidden
by hangings of silk and festoons of flowers; the churches were decorated
as though for some grand ceremony. I was riding side by side with you."
Joan made a haughty movement: "Forgive me, madam, it was only a dream: I
was on your right, riding a fine white horse, magnificently caparisoned,
and the chief-justice of the kingdom carried before me a flag unfolded
in sign of honour. After riding in triumph through the main
thoroughfares of the city, we arrived, to the sound of trumpets and
clarions, at the royal church of Saint Clara, where your grandfather and
my uncle are buried, and there, before the high altar, the pope’s
ambassador laid your hand in mine and pronounced a long discourse, and
then on our two heads in turn placed the crown of Jerusalem and Sicily;
after which the nobles and the people shouted in one voice, ’Long live
the King and Queen of Naples!’ And I, wishing to perpetuate the memory
of so glorious a day, proceeded to create knights among the most zealous
in our court."

"And do you not remember the names of the chosen persons whom you judged
worthy of your royal favours?"

"Assuredly, madam: Bertrand, Count of Artois."

"Enough, my lord; I excuse you from naming the rest: I always supposed
you were loyal and generous, but you give me fresh proof of it by
showing favour to men whom I most honour and trust. I cannot tell if
your wishes are likely soon to be realised, but in any case feel sure of
my perpetual gratitude."

Joan’s voice did not betray the slightest emotion; her look had became
kind, and the sweetest smile was on her lips. But in her heart Andre’s
death was from that moment decided upon. The prince, too much
preoccupied with his own projects of vengeance, and too confident in his
all-powerful talisman and his personal valour, had no suspicion that his
plans could be anticipated. He conversed a long time with his wife in a
chatting, friendly way, trying to spy out her secret, and exposing his
own by his interrupted phrases and mysterious reserves. When he fancied
that every cloud of former resentment, even the lightest, had
disappeared from Joan’s brow, he begged her to go with her suite on a
magnificent hunting expedition that he was organising for the 20th of
August, adding that such a kindness on her part would be for him a sure
pledge of their reconciliation and complete forgetfulness of the past.
Joan promised with a charming grace, and the prince retired fully
satisfied with the interview, carrying with him the conviction that he
had only to threaten to strike a blow at the queen’s favourite to ensure
her obedience, perhaps even her love.

But on the eve of the 20th of August a strange and terrible scene was
being enacted in the basement storey of one of the lateral towers of
Castel Nuovo. Charles of Durazzo, who had never ceased to brood secretly
over his infernal plans, had been informed by the notary whom he had
charged to spy upon the conspirators, that on that particular evening
they were about to hold a decisive meeting, and therefore, wrapped in a
black cloak, he glided into the underground corridor and hid himself
behind a pillar, there to await the issue of the conference. After two
dreadful hours of suspense, every second marked out by the beating of
his heart, Charles fancied he heard the sound of a door very carefully
opened; the feeble ray of a lantern in the vault scarcely served to
dispel the darkness, but a man coming away from the wall approached him
walking like a living statue. Charles gave a slight cough, the sign
agreed upon. The man put out his light and hid away the dagger he had
drawn in case of a surprise.

"Is it you, Master Nicholas?" asked the duke in a low voice.

"It is I, my lord."

"What is it?"

"They have just fixed the prince’s death for tomorrow, on his way to the
hunt."

"Did you recognise every conspirator?"

"Every one, though their faces were masked; when they gave their vote
for death, I knew them by their voices."

"Could you point out to me who they are?"

"Yes, this very minute; they are going to pass along at the end of this
corridor. And see, here is Tommaso Pace walking in front of them to
light their way."

Indeed, a tall spectral figure, black from head to foot, his face
carefully hidden under a velvet mask, walked at the end of the corridor,
lamp in hand, and stopped at the first step of a staircase which led to
the upper floors. The conspirators advanced slowly, two by two, like a
procession of ghosts, appeared for one moment in the circle of light
made by the torch, and again disappeared into shadow.

"See, there are Charles and Bertrand of Artois," said the notary; "there
are the Counts of Terlizzi and Catanzaro; the grand admiral and grand
seneschal, Godfrey of Marsan, Count of Squillace, and Robert of Cabane,
Count of Eboli; the two women talking in a low voice with the eager
gesticulations are Catherine of Tarentum, Empress of Constantinople, and
Philippa the Catanese, the queen’s governess and chief lady; there is
Dona Cancha, chamberwoman and confidante of Joan; and there is the
Countess of Morcone."

The notary stopped on beholding a shadow alone, its head bowed, with
arms hanging loosely, choking back her sobs beneath a hood of black.

"Who is the woman who seems to drag herself so painfully along in their
train?" asked the duke, pressing his companion’s arm.

"That woman," said the notary, "is the queen." "Ah, now I see," thought
Charles, breathing freely, with the same sort of satisfaction that Satan
no doubt feels when a long coveted soul falls at length into his power.

"And now, my lord," continued Master Nicholas, when all had returned
once more into silence and darkness, "if you have bidden me spy on these
conspirators with a view to saving the young prince you are protecting
with love and vigilance, you must hurry forward, for to-morrow maybe it
will be too late."

"Follow me," cried the duke imperiously; "it is time you should know my
real intention, and then carry out my orders with scrupulous exactness."

With these words he drew him aside to a place opposite to where the
conspirators had just disappeared. The notary mechanically followed
through a labyrinth of dark corridors and secret staircases, quite at a
loss how to account for the sudden change that had come over his
master—crossing one of the ante-chambers in the castle, they came upon
Andre, who joyfully accosted them; grasping the hand of his cousin Duras
in his affectionate manner, he asked him in a pressing way that would
brook no refusal, "Will you be of our hunting party to-morrow, duke?"

"Excuse me, my lord," said Charles, bowing down to the ground; "it will
be impossible for me to go to-morrow, for my wife is very unwell; but I
entreat you to accept the best falcon I have."

And here he cast upon the notary a petrifying glance.

The morning of the 20th of August was fine and calm—the irony of nature
contrasting cruelly with the fate of mankind. From break of day masters
and valets, pages and knights, princes and courtiers, all were on foot;
cries of joy were heard on every side when the queen arrived on a
snow-white horse, at the head of the young and brilliant throng. Joan
was perhaps paler than usual, but that might be because she had been
obliged to rise very early. Andre, mounted on one of the most fiery of
all the steeds he had tamed, galloped beside his wife, noble and proud,
happy in his own powers, his youth, and the thousand gilded hopes that a
brilliant future seemed to offer. Never had the court of Naples shown so
brave an aspect: every feeling of distrust and hatred seemed entirely
forgotten; Friar Robert himself, suspicious as he was by nature, when he
saw the joyous cavalcade go by under his window, looked out with pride,
and stroking his beard, laughed at his own seriousness.

Andre’s intention was to spend several days hunting between Capua and
Aversa, and only to return to Naples when all was in readiness for his
coronation. Thus the first day they hunted round about Melito, and went
through two or three villages in the land of Labore. Towards evening the
court stopped at Aversa, with a view to passing the night there, and
since at that period there was no castle in the place worthy of
entertaining the queen with her husband and numerous court, the convent
of St. Peter’s at Majella was converted into a royal residence: this
convent had been built by Charles II in the year of our Lord 1309.

While the grand seneschal was giving orders for supper and the
preparation of a room for Andre and his wife, the prince, who during the
whole day had abandoned himself entirely to his favourite amusement,
went up on the terrace to enjoy the evening air, accompanied by the good
Isolda, his beloved nurse, who loved him more even than his mother, and
would not leave his side for a moment. Never had the prince appeared so
animated and happy: he was in ecstasies over the beauty of the country,
the clear air, the scent of the trees around; he besieged his nurse with
a thousand queries, never waiting for an answer; and they were indeed
long in coming, for poor Isolda was gazing upon him with that appearance
of fascination which makes a mother absent-minded when her child is
talking: Andre was eagerly telling her about a terrible boar he had
chased that morning across the woods, how it had lain foaming at his
feet, and Isolda interrupted him to say he had a grain of dust in his
eye. Then Andre was full of his plans for the future, and Isolda stroked
his fair hair, remarking that he must be feeling very tired. Then,
heeding nothing but his own joy and excitement, the young prince hurled
defiance at destiny, calling by all his gods on dangers to come forward,
so that he might have the chance of quelling them, and the poor nurse
exclaimed, in a flood of tears, "My child, you love me no longer."

Out of all patience with these constant interruptions, Andre scolded her
kindly enough, and mocked at her childish fears. Then, paying no
attention to a sort of melancholy that was coming over him, he bade her
tell him old tales of his childhood, and had a long talk about his
brother Louis, his absent mother, and tears were in his eyes when he
recalled her last farewell. Isolda listened joyfully, and answered all
he asked; but no fell presentiment shook her heart: the poor woman loved
Andre with all the strength of her soul; for him she would have given up
her life in this world and in the world to come; yet she was not his
mother.

When all was ready, Robert of Cabane came to tell the prince that the
queen awaited him; Andre cast one last look at the smiling fields
beneath the starry heavens, pressed his nurse’s hand to his lips and to
his heart, and followed the grand seneschal slowly and, it seemed, with
some regret. But soon the brilliant lights of the room, the wine that
circulated freely, the gay talk, the eager recitals of that day’s
exploits served to disperse the cloud of gloom that had for a moment
overspread the countenance of the prince. The queen alone, leaning on
the table with fixed eyes and lips that never moved, sat at this strange
feast pale and cold as a baleful ghost summoned from the tomb to disturb
the joy of the party. Andre, whose brain began to be affected by the
draughts of wine from Capri and Syracuse, was annoyed at his wife’s
look, and attributing it to contempt, filled a goblet to the brim and
presented it to the queen. Joan visibly trembled, her lips moved
convulsively; but the conspirators drowned in their noisy talk the
involuntary groan that escaped her. In the midst of a general uproar,
Robert of Cabane proposed that they should serve generous supplies of
the same wine drunk at the royal table to the Hungarian guards who were
keeping watch at the approaches to the convent, and this liberality
evoked frenzied applause. The shouting of the soldiers soon gave witness
to their gratitude for the unexpected gift, and mingled with the
hilarious toasts of the banqueters. To put the finishing touch to
Andre’s excitement, there were cries on every side of "Long live the
Queen! Long live His Majesty the King of Naples!"

The orgy lasted far into the night: the pleasures of the next day were
discussed with enthusiasm, and Bertrand of Artois protested in a loud
voice that if they were so late now some would not rise early on the
morrow. Andre declared that, for his part, an hour or two’s rest would
be enough to get over his fatigue, and he eagerly protested that it
would be well for others to follow his example. The Count of Terlizzi
seemed to express some doubt as to the prince’s punctuality. Andre
insisted, and challenging all the barons present to see who would be up
first, he retired with the queen to the room that had been reserved for
them, where he very soon fell into a deep and heavy sleep. About two
o’clock in the morning, Tommaso Pace, the prince’s valet and first usher
of the royal apartments, knocked at his master’s door to rouse him for
the chase. At the first knock, all was silence; at the second, Joan, who
had not closed her eyes all night, moved as if to rouse her husband and
warn him of the threatened danger; but at the third knock the
unfortunate young man suddenly awoke, and hearing in the next room
sounds of laughter and whispering, fancied that they were making a joke
of his laziness, and jumped out of bed bareheaded, in nothing but his
shirt, his shoes half on and half off. He opened the door; and at this
point we translate literally the account of Domenico Gravina, a
historian of much esteem. As soon as the prince appeared, the
conspirators all at once fell upon him, to strangle him with their
hands; believing he could not die by poison or sword, because of the
charmed ring given him by his poor mother. But Andre was so strong and
active, that when he perceived the infamous treason he defended himself
with more than human strength, and with dreadful cries got free from his
murderers, his face all bloody, his fair hair pulled out in handfuls.
The unhappy young man tried to gain his own bedroom, so as to get some
weapon and valiantly resist the assassins; but as he reached the door,
Nicholas of Melazzo, putting his dagger like a bolt into the lock,
stopped his entrance. The prince, calling aloud the whole time and
imploring the protection of his friends, returned to the hall; but all
the doors were shut, and no one held out a helping hand; for the queen
was silent, showing no uneasiness about her husband’s death.

But the nurse Isolda, terrified by the shouting of her beloved son and
lord, leapt from her bed and went to the window, filling the house with
dreadful cries. The traitors, alarmed by the mighty uproar, although the
place was lonely and so far from the centre of the town that nobody
could have come to see what the noise was, were on the point of letting
their victim go, when Bertrand of Artois, who felt he was more guilty
than the others, seized the prince with hellish fury round the waist,
and after a desperate struggle got him down; then dragging him by the
hair of his head to a balcony which gave upon the garden, and pressing
one knee upon his chest, cried out to the others—

"Come here, barons: I have what we want to strangle him with."

And round his neck he passed a long cord of silk and gold, while the
wretched man struggled all he could. Bertrand quickly drew up the knot,
and the others threw the body over the parapet of the balcony, leaving
it hanging between earth and sky until death ensued. When the Count of
Terlizzi averted his eyes from the horrid spectacle, Robert of Cabane
cried out imperiously—

"What are you doing there? The cord is long enough for us all to hold:
we want not witnesses, we want accomplices!"

As soon as the last convulsive movements of the dying man had ceased,
they let the corpse drop the whole height of the three storeys, and
opening the doors of the hall, departed as though nothing had happened.

Isolda, when at last she contrived to get a light, rapidly ran to the
queen’s chamber, and finding the door shut on the inside, began to call
loudly on her Andre. There was no answer, though the queen was in the
room. The poor nurse, distracted, trembling, desperate, ran down all the
corridors, knocked at all the cells and woke the monks one by one,
begging them to help her look for the prince. The monks said that they
had indeed heard a noise, but thinking it was a quarrel between soldiers
drunken perhaps or mutinous, they had not thought it their business to
interfere. Isolda eagerly, entreated: the alarm spread through the
convent; the monks followed the nurse, who went on before with a torch.
She entered the garden, saw something white upon the grass, advanced
trembling, gave one piercing cry, and fell backward.

The wretched Andre was lying in his blood, a cord round his neck as
though he were a thief, his head crushed in by the height from which he
fell. Then two monks went upstairs to the queen’s room, and respectfully
knocking at the door, asked in sepulchral tones—

"Madam, what would you have us do with your husband’s corpse?"

And when the queen made no answer, they went down again slowly to the
garden, and kneeling one at the head, the other at the foot of the dead
man, they began to recite penitential psalms in a low voice. When they
had spent an hour in prayer, two other monks went up in the same way to
Joan’s chamber, repeating the same question and getting no answer,
whereupon they relieved the first two, and began themselves to pray.
Next a third couple went to the door of this inexorable room, and coming
away perturbed by their want of success, perceived that there was a
disturbance of people outside the convent, while vengeful cries were
heard amongst the indignant crowd. The groups became more and more
thronged, threatening voices were raised, a torrent of invaders
threatened the royal dwelling, when the queen’s guard appeared, lance in
readiness, and a litter closely shut, surrounded by the principal barons
of the court, passed through the crowd, which stood stupidly gazing.
Joan, wrapped in a black veil, went back to Castel Nuovo, amid her
escort; and nobody, say the historians, had the courage to say a word
about this terrible deed.




CHAPTER V


The terrible part that Charles of Durazzo was to play began as soon as
this crime was accomplished. The duke left the corpse two whole days
exposed to the wind and the rain, unburied and dishonoured, the corpse
of a man whom the pope had made King of Sicily and Jerusalem, so that
the indignation of the mob might be increased by the dreadful sight. On
the third he ordered it to be conveyed with the utmost pomp to the
cathedral of Naples, and assembling all the Hungarians around the
catafalque, he thus addressed them, in a voice of thunder:—

"Nobles and commoners, behold our king hanged like a dog by infamous
traitors. God will soon make known to us the names of all the guilty:
let those who desire that justice may be done hold up their hands and
swear against murderers bloody persecution, implacable hatred,
everlasting vengeance."

It was this one man’s cry that brought death and desolation to the
murderers’ hearts, and the people dispersed about the town, shrieking,
"Vengeance, vengeance!"

Divine justice, which knows naught of privilege and respects no crown,
struck Joan first of all in her love. When the two lovers first met,
both were seized alike with terror and disgust; they recoiled trembling,
the queen seeing in Bertrand her husband’s executioner, and he in her
the cause of his crime, possibly of his speedy punishment. Bertrand’s
looks were disordered, his cheeks hollow, his eyes encircled with black
rings, his mouth horribly distorted; his arm and forefinger extended
towards his accomplice, he seemed to behold a frightful vision rising
before him. The same cord he had used when he strangled Andre, he now
saw round the queen’s neck, so tight that it made its way into her
flesh: an invisible force, a Satanic impulse, urged him to strangle with
his own hands the woman he had loved so dearly, had at one time adored
on his knees. The count rushed out of the room with gestures of
desperation, muttering incoherent words; and as he shewed plain signs of
mental aberration, his father, Charles of Artois, took him away, and
they went that same evening to their palace of St. Agatha, and there
prepared a defence in case they should be attacked.

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