|
If only women would say what they mean to us! but they won't, so
what's the use of bothering one's head about it? They'll make themselves
and us unhappy for a twelvemonth together--lucky indeed if not for
ever--by petting and fretting over some jealous fancy or other, some
vague foolish suspicion, which, if they would but speak out frankly for
a moment, might be dispelled and settled with a good hearty kiss in half a
second. Our very unsuspiciousness, our masculine downrightness
and definiteness, make us slow to perceive their endless small tiffs
and crooked questions; slow to detect the real meaning that underlies
their unaccountable praise and blame of other people, given entirely from
the point of' view of their own marvellous subjective universe. The
question whether Cecca was handsome or otherwise was to Colin Churchill a
simple question of external aesthetics; he was as unprejudiced about it as
he would have been in judging a Greek torso or a modern Italian statue.
But to Minna it was mainly a question between her own heart and
Colin's. If she had only told him then and there her whole doubt
and trouble--confessed it, as a man would have confessed it, openly
and simply, and asked at once for a straightforward explanation, she
would have saved herself long weeks of misery and self-torture and
internal questionings. But she did not; and Colin, never doubting
her misapprehension, dropped the matter lightly as one of no
practical importance whatsoever.
So it came to pass that Minna let
that first day at Rome slip by without having come to any understanding at
all with Colin; and went home to Madame's still in doubt in her own troubled
little mind whether or not she was really and truly quite engaged to him. Did
he love her, or did he merely like her? Was she his sweetheart, or merely an
old friend whom he had known and confided in ever since those dim old days at
Wootton Mandeville? Minna could have cried her eyes out over that abstruse
and difficult personal question. And Colin never even knew that the
question had for one moment so much as once occurred to her.
'I may
have one more kiss before you go, little woman,' Colin said to her tenderly,
as she was on the point of leaving. Minna's eyes glistened brightly. 'One
more kiss, you know, dear, for old times' sake, Minna.' Minna's eyes filled
with tears, and she could hardly brush them away without his perceiving it.
It was only for old times' sake, then, for old times' sake, not for love and
the future. Oh, Colin, Colin, how bitter! how bitter!
'As a cousin,
Colin?' she murmured interrogatively.
Cohn laughed a gay little laugh.
'Strictly as a cousin,' he answered merrily, lingering far longer on her
lips, however, than the most orthodox cousinly affection could ever possibly
have sufficed to justify.
Minna sighed and jumped away hastily. That
night, in her own room, looking at Colin's photograph, and thinking of the
dreadful Italian woman, and all the dangers that beset her round about, she
muttered to herself ever so often, 'Strictly as a cousin, he said _strictly_
as a cousin--for old times' sake--strictly as a cousin.'
There was
only one real comfort left for her in all the dreary, gloomy, disappointing
outlook. At least that horrid high-born Miss Gwen Howard-Russell (ugh, what a
name!) had disappeared bodily altogether from off the circle of Cohn's
horizon.
CHAPTER XXXII. RE-ENTER GWEN.
|Lothrop
Audouin and Hiram Winthrop were strolling arm in arm together down the
Corso.
Audouin had just arrived from Paris, having crossed from America
only a week earlier.
Four years had made some difference in his
personal appearance; his beard and hair were getting decidedly grizzled, and
for the first time in his life Hiram noticed that his friend seemed to have
aged a great deal faster and more suddenly than he himself had. But
Audouin's carriage was still erect and very elastic; there was plenty of life
and youth about him yet, plenty even of juvenile fire and
originality.
'It's very disappointing certainly, Hiram,' he said, as they
turned into the great thoroughfare of the city together, 'this delay in
getting your talents recognised: but I have faith in you still; and to faith,
you know, as the Hebrew preacher said, all things are possible. The
great tardigrade world is hard to move; you need the pou sto of a sensation
to get in the thin edge of your Archimedean lever. But the recognition
will come, as sure as the next eclipse; meanwhile, my dear fellow, you
must go on working in faith, and I surmise that in the end you will
move mountains. If not Soracte just at once, my friend, well at any rate
to begin upon the Monte Testaccio.'
Hiram smiled half sadly. 'But I
haven't faith, you know, Mr. Audouin,' he answered, in as easy a tone as he
could well muster. 'I begin to regard myself in the dismal light of a
portentous failure. Like Peter, I feel myself sinking in the water, and have
no one to take me by the hand and lift me out of it.'
Audouin answered
only by an airy wave of his five delicate outspread fingers. 'And Miss
Russell?' he asked after half a second's pause. 'Has she come to Rome yet?
You know she said she would be here this winter.'
As he spoke, he looked
deep into Hiram's eyes with so much meaning that Hiram felt his face grow
hot, and thought to himself,'What a wonderful man Mr. Audouin is, really! In
spite of all my silence and reserve he has somehow managed to read my
innermost secret. How could he ever have known that Miss Russell's was the
hand I needed to lift me out of the Sea of Gennesaret!'
But how
self-contained and self-centred even the best of us are at bottom! for
Audouin only meant to change the subject, and the deep look in his eyes when
he spoke about Gwen to Hiram had reference entirely to his own heart and not
to his companion's.
'I haven't seen or heard anything of her yet,' Hiram
answered shyly, 'but the season has hardly begun so far, and I calculate we
may very probably find her at Rome in the course of the next
fortnight.'
'How he looks down and hesitates!' Audouin thought to himself
in turn as Hiram answered him. 'How on earth can he have succeeded in
discovering and recognising my unspoken secret?'
So we walk this world
together, cheek by jowl, yet all at cross purposes, each one thinking mainly
of himself, and at the same time illogically fancying that his neighbour is
not all equally engrossed on his own similarly important personality. We
imagine he is always thinking about us, but he is really doing quite
otherwise--thinking about himself exactly as we are.
They walked on a
few steps further in silence, each engaged in musing on his own thoughts, and
then suddenly a voice came from a jeweller's shop by the corner, 'Oh, papa,
just look! Mr. Audouin and his friend the painter.'
As Gwen
Howard-Russell uttered those simple words, two hearts went beating suddenly
faster on the pavement outside, each after its own fashion. Audouin heard
chiefly his own name, and thought to himself gladly, 'Then she has not
forgotten me.' Hiram heard chiefly the end of the sentence, and thought to
himself bitterly, 'And shall I never be more to her then than merely
that--"his friend the painter"?'
'Delighted to see you, Mr. Audouin,' the
colonel said stiffly, in a voice which at once belied its own spoken welcome.
'And you too, Mr.--ur--Mr. --------'
'Winthrop, papa,' Gwen suggested
blandly; and Hiram was grateful to her even for remembering
it.
'Winthrop, of course,' the colonel accepted with a decorous smile,
as who should gracefully concede that Hiram had no doubt a sort of right
in his own small way to some kind of cognomen or other. 'And are you
still painting, Mr. Winthrop?'
'I am,' Hiram answered shortly. [The
subject was one that did not interest him.] 'And you, Miss Russell? Have you
come here to spend the winter?'
'Oh yes,' Gwen replied, addressing
herself, however, rather to Audouin than to Hiram. 'You see we haven't
forgotten our promise. But we're not stopping at the hotel this time, we're
at the Villa Panormi--just outside the town, you know, on the road to the
Ponte Molle.
A cousin of ours, a dear stupid old
fellow----'
'Gwen, my dear! now really you know--the Earl of Beaminster,
Mr. Audouin.'
'Yes, that's his name; Lord Beaminster, and a dear old
stupid as ever was born, too, I can tell you. Well, he's taken the Villa
Panormi for the season; it belongs to some poor wretched creature of a Roman
prince, I believe (his grandfather was lackey to a cardinal), who's in want
of money dreadfully, and he lets it to my cousin to go and gamble away
the proceeds at Monte Carlo. It's just outside the Porta del Popolo, about
a mile off; and the gardens are really quite delightful. You must both
of you come there very often to see us.'
'But really, Gwen, we must
ask Beaminster first, you know, before we begin introducing our friends to
him,' the colonel interjected apologetically, casting down a furtive and
uneasy glance at Hiram's costume, which certainly displayed a most admired
artistic disorder. 'We ought to send him to call first at Mr.--ur--Winthrop's
studio.'
'Of course,' Gwen answered. 'And so he shall go this very
afternoon, if I tell him to. The dear old stupid always does whatever I order
him.'
'If we continue to take up the pavement in this way,' Audouin put
in gravely, 'we shall get taken up ourselves by the active and
intelligent police officers of a redeemed Italy. Which way are you going now,
Miss Russell? towards the Piazza? Then we'll go with you if you will
allow us.--Hiram, my dear fellow, if you'll permit me to suggest it,
it's very awkward walking four abreast on these narrow
Roman side-walks--pavements, I mean; forgive the Americanism, Miss
Russell. Yes, that's better so. And when did you and the colonel come to
Rome. Now tell me?'
In a moment, much to Hiram's chagrin, and the
colonel's too, Audouin had managed to lead the way, _tête-à-tête_ with Gwen,
shuffling off the two others to follow behind, and get along as best they
might in the background together. Now the colonel was not a
distinguished conversationalist, and Hiram was hardly in a humour for
talking, so after they had interchanged a few harmless conventionalities and
a mild platitude or two about the weather, they both relapsed into
moody silence, and occupied themselves by catching a scrap every now and
then of what Gwen and Audouin were saying in front of them.
'And that
very clever Mr. Churchill, too, Mr. Audouin! I hear he's getting on quite
wonderfully. Lord Beaminster bought one of his groups, you know, and brought
him into fashion--partly by my pushing, I must confess, to be quite
candid--and now, I'm told, he's commanding almost any price he chooses to ask
in the way of sculpture. We haven't seen him yet, of course, but I mean papa
and my cousin to look him up in his own quarters at the very earliest
opportunity.'
'Oh, a clever enough young artist, certainly, but not
really, Miss Russell, half so genuine an artist in feeling as my friend
Win-throp.'
Hiram could have fallen on his neck that moment for
that half-unconscious piece of kindly recommendation.
A few steps
further they reached the corner of the Via de' Condotti, and Gwen paused for
a second as she looked across the street, with a little sudden cry of
recognition. A handsome young man was coming round the corner from the Piazza
di Spagna, with a gipsy-looking girl leaning lightly on his arm, and talking
to him with much evident animation. It was Colin and Minna, going out
together on Minna's second holiday, to see the wonders of the Vatican and St.
Peter's.
'Mr. Churchill!' Gwen cried, coming forward cordially to meet
him. 'What a delightful rencontre! We were just talking of you.
And
here are other friends, you see, besides--Mr. Winthrop, my father, and Mr.
Audouin.' Minna stood half aside in a little embarrassment, wondering who on
earth the grand lady could be (she had penetration enough to recognise at
once that she _was_ a grand lady) talking so familiarly with our
Colin.
'Miss Howard-Russell!' Colin cried on his side, taking her hand
warmly. 'Then you've come back again! I'm so glad to see you! And you too,
Mr. Audouin; this is really a great pleasure.--Miss Russell, I owe you so
many thanks. It was you, I believe, who sent my first patron,
Lord Beaminster, to visit my studio.'
'Oh, don't speak of it, please,
Mr. Churchill. It's we who owe _you_ thanks rather, for the pleasure your
beautiful group of Autumn has given us. And dear stupid old Lord Beaminster
used to amuse everybody so much by telling them how he wanted you to put a
clock-dial in the place of the principal figure, until I managed at last to
laugh him out of it. I made his life a burden to him, I assure you, by
getting him to see how very ridiculous it was of him to try to spoil your
lovely composition.'
They talked for a minute or two longer at the street
corner, Gwen explaining once more to Colin how she and the colonel had come
as Lord Beaminster's guests to the Villa Panormi; and meanwhile poor
little Minna stood there out in the cold, growing redder every second, and
boiling over with indignation to think that that horrid Miss Howard-Russell
should have dropped down upon them from the clouds at the very wrong moment,
just on purpose to make barefaced love so openly to her Colin.
It was
Gwen herself, however, who first took notice of Minna, whom she saw standing
a little apart, and looking very much out of it indeed among so many
greetings of old acquaintances. 'And your friend?' she said to Colin kindly.
'You haven't introduced her to us yet. May we have the pleasure?' And she
took a step forward with womanly gentleness to relieve the poor girl from her
obvious embarrassment.
'Excuse me, Minna dear,' Colin said, taking her
hand and leading her forward quietly.
'My cousin, Miss Wroe: Miss
Howard-Bussell, Colonel Howard-Russell, Mr. Audouin, Mr.
Winthrop.'
Minna bowed to them all stiffly with cheeks burning, and then
fell back again at once angrily into her former position.
'And have
you come to Rome lately, Miss Wroe?' Gwen asked of her with genuine kindness.
'Are you here on a visit to your cousin, whose work we all admire so
greatly?'
'I came a week ago,' Minna answered defiantly, blurting out the
whole truth (lest she should seem to be keeping back anything) and
pitting her whole social nonentity, as it were, against the grand lady's
assured position.
'I came a week ago; and I'm a governess to a little
Russian girl here; and I'm going to stop all the winter.'
'That'll be
very nice for all of us,' Gwen put in softly, with a look that might almost
have disarmed Minna's hasty suspicions. 'And how exceedingly pleasant for you
to have your cousin here, too! I suppose it was partly on that account, now,
that you decided upon coming here?'
'It was,' Minna answered shortly,
without vouchsafing any further explanation.
'And where are you going
now, Mr. Churchill?' Gwen asked, seeing that Minna was clearly not in a
humour for conversation. 'Are you showing your cousin the sights of Rome, I
wonder?'
'Exactly what I am doing, Miss Russell. We're going now to see
the Vatican.'
'Oh, then, do let us come with you! I should like to go
too. I do love going through the galleries with an artist who can tell one
all about them!'
'But, Gwen, my dear, Beaminster's lunch
hour----
'Oh, bother Lord Beaminster's lunch hour, papa! Hire somebody to
go and tell him we've been detained and can't possibly be back by
lunch-time. I want to go and see the Vatican, and improve the opportunity of
making Miss Wroe's better acquaintance.' Minna bowed again with bitter
mock solemnity.
So they all went to the Vatican, spoiling poor little
Minna's holiday that had begun so delightfully (for she and Colin had talked
quite like old times on their way from the Via Clementina), and tiring
themselves out with strolling up and down those eye-distracting corridors
and galleries. It was a queer game of cross questions and crooked
answers all round between them. Audouin, flashing gaily as of old,
and scintillating every now and then with little bits of crisp
criticism over pictures or statues, was trying all the time to get a good
talk with Gwen Howard-Russell, and to oust from her side the
unconscious Colin. Gwen, smiling benignly at Audouin's quaintly worded
sallies, was doing her best to call out Colin's opinions upon all the works
in the Vatican off-hand. Hiram, only anxious to avoid being bored by
the Colonel's vapid remarks upon the things he saw (he called Raphaels
and Guidos and Titians alike 'pretty, very pretty'), was chiefly
engaged in overhearing the conversation of the others. And Minna,
poor little Minna, to whom Colin paid as much assiduous attention as
the circumstances permitted, was longing all the time to steal away
and have a good cry about the horrid goings on of that abominable
Miss Howard-Russell.
From the minute Minna had seen Gwen, and heard
what manner of things Gwen had to say to Colin, she forgot straightway all
her fears about the Italian Cecca creature, and recognised at once with a
woman's instinct that her real danger lay in Gwen, and in Gwen only. It was
with Gwen that Colin was likely to fall in love; Gwen, with her grand
manners and her high-born face and her fine relations, and her
insinuating, intoxicating adulation. How she made up to him and praised him!
How she talked to him about his genius and his love of beauty! How she tried
to flatter him up before her own very face! Miss Gwen was beautiful; that
much Minna couldn't help grudgingly admitting. Miss Gwen had a delightful
self-possession and calmness about her that Minna would have given the world
to have rivalled. Miss Gwen had everything in her favour. No wonder Colin was
so polite and courteous to her; no wonder poor little trembling Minna was
really nowhere at all beside her. And then she had done Colin a great
service; she had recommended Lord Beaminster and many other patrons to go and
see his studio. Ah me! how sad little Minna felt that evening when she tried
to compare her own small chances with those of great, grand, self-possessed
Miss Howard-Russell! If only Cohn loved her! But he had as good as
said himself that he didn't love her--not worth speaking of: he had said
he kissed her 'strictly as a cousin.'
As Gwen and the colonel drove
back in a hired botto to the Villa Panormi in the cool of the evening, Gwen
said to her papa quite innocently, 'What a charming young man that delightful
Mr. Churchill is really! Did. you notice how kind and attentive he was to
that funny little cousin of his in the brown bonnet? Only a governess, you
know, come to Rome with a Russian family; and yet he made as much of her,
almost, as he did of you and me and Mr. Audouin! So thoughtful and good of
him, I call it; but there--he's always such a perfect gentleman. I dare say
that's the daughter of some washerwoman or somebody down at Wootton
Mandeville, and he pays her quite as much attention as if she were actually a
countess or a duchess.'
'You don't seem to remember, Gwen,' the
colonel answered grimly, 'that his own father was only a kitchen gardener,
and that he himself began life, I understand, as a common
stonecutter.'
'Nonsense!' Gwen replied energetically.
'_You_ seem
to forget on the other hand, papa, that he was born a great sculptor, and
that genius is after all the only true nobility.'
'It wasn't so when I
was a boy,' the colonel continued, with a grim smile; 'and I fancy it isn't
so yet, Gwen, in our own country, whatever these precious Yankee friends of
yours may choose to tell you.'
CHAPTER XXXIII.
CECCA.
|A fortnight later, Signora Cecca walked sulkily down the
narrow staircase of the handsome Englishman's little studio. Signora Cecca
was evidently indulging herself in the cheap luxury of a very bad humour.
To an Italian woman of Cecca's peculiarly imperious temperament,
indulgence in that congenial exercise of the spleen may be looked upon as a
real and genuine luxury. Cecca brooded over her love and her wrath and
her jealousy as thwarted children brood over their wrongs in the
solitude of the bedroom where they have been sent to expiate some small
everyday domestic offence in silence and loneliness. The handsome Englishman
had then a sweetheart, an innamorata, in his own country, clearly; and
now she had come to Rome, the perfidious creature, on purpose to visit
him. That was a contingency that Cecca had never for one moment counted
upon when she left her native village in Calabria and followed the unknown
sculptor obediently to Rome, where she rose at once to be the acknowledged
queen of the artists' models.
Not that Cecca had ever seriously thought,
on her own part, of marrying Colin. Mother of heaven, no! for the handsome
Englishman was a heretic and a foreigner; and to marry him would have been
utterly shocking to all Cecca's deepest and most ingrained moral and
religious feelings. For Cecca was certainly by no means devoid of principle.
She would have stuck a knife into you in a quarrel as soon as look at you:
she would have poisoned a rival remorselessly in cold blood under the
impelling influence of treacherous Italian jealousy without a moment's
hesitation, but she would have decidedly drawn a sharp line at positively
marrying a foreigner and a heretic. No, she didn't want to marry Colin.
But she wanted to keep him to herself as her own private and
particular possession: she wanted to have him for her own without
external interference: she wanted to prevent all other women from having
anything to say or to do with her own magnificent handsome Englishman. He
needn't marry _her_, of course, but he certainly mustn't be allowed to go
and marry any other woman.
'If I were a jealous fool,' Cecca thought
to herself in her own vigorous Calabrian patois, 'I should run away and leave
him outright, and make Bazzoni's fortune all at once by letting him model
from me. But I'm not a jealous fool, and I don't want, as the proverb says,
to cut off my own right hand merely in order to fling it in the face of my
rival. The English signorina loves the handsome Englishman--that's certain.
Then, mother of God, the English signorina will have to pay for it.
Dear little Madonna della Guardia, help me to cook her stew for her, and
you shall have tapers, ever so many tapers, and a couple of masses too in
your own little chapel on the headland at Monteleone. There is no Madonna so
helpful at a pinch as our own Madonna della Guardia at Monteleone. Besides,
she isn't too particular. She will give you her aid on an emergency, and not
be so very angry with you after all, because you've had to go a little bit
out of your way, perhaps, to effect your purpose. Blood of St. Elmo, no: she
took candles from the good uncle when he shot the carabiniere who came to
take him up over the affair of the ransom of the American traveller; and she
protected him well for the candles too, and he has never been arrested for it
even to this very minute.
The English signorina had better look out,
by Bacchus, if she wants to meddle with Cecca Bianchelli and Madonna della
Guardia at Monteleone. Besides, she's nothing but a heretic herself, if it
comes to that, so what on earth, I should like to know, do the blessed saints
in heaven care for her?'
Signora Cecca stood still for a moment in the
middle of the Via Colonna, and asked herself this question passionately, with
a series of gesticulations which in England might possibly have excited
unfavourable attention. For example, she set her teeth hard together, and
drew an imaginary knife deliberately across the throat of an equally
imaginary aerial rival. But in Rome, where people are used to
gesticulations, nobody took the slightest notice of them.
'She has
been four times to the studio already,' Signora Cecca went on to herself,
resuming her homeward walk as quietly as if nothing at all had intervened to
diversify it: 'and every time she comes the handsome Englishman talks to her,
makes love to her, fondles her almost before my very eyes. And she, the
basilisk, she loves him too, though she pretends to be so very coy and
particular: she loves him: she cannot deceive me: I saw it at once, and I see
it still through all her silly transparent pretences. She cannot take in
Cecca Bianchelli and Madonna della Guardia at Monteleone. She loves him, the
Saracen, and she shall answer for it. No other woman but me shall ever dare
to love the handsome Englishman.
'The other English signorina, to be
sure, she loves him too: but then, pooh, I don't care for her, I don't mind
her, I'm not afraid of her. The Englishman doesn't love her, that's certain.
She's too cold and white-faced. He loves the little one. The little one is
prettier; she has life in her features; she might almost be an Italian girl,
only she's too insipid. She shall answer for his loving her. I hate her;
and the dear little Madonna shall have her candles.'
As she walked
along, a young man in a Roman workman's dress came up to her wistfully, and
looked in her face with a doubtful expression of bashful timidity. 'Good
morning, Signora Cecca,' he said, with curiously marked politeness. 'You come
from the Englishman's studio, I suppose? You have had a
sitting?'
Cecca looked up at him haughtily and coldly. 'You again,
Giuseppe,' she said, with a toss of her beautiful head and a curl of her lip
like a tragedy Cleopatra. 'And what do you want with me? You're
always bothering me now about something or other, on the strength of
some slight previous boyish acquaintance.'
The young man smiled her
back an angry smile, Italian fashion. 'It's Giuseppe now, I suppose,' he
said, with a sniff: 'it used to be Beppo down there yonder at Monteleone. I
shall have to take to calling you in your turn "Signora Francesca," I'm
thinking: you've grown too fine for me since you came to Rome and got among
your rich sculptor acquaintances. A grand trade indeed, to sit half the day,
half uncovered, in a studio for a pack of Englishmen to take your figure
and make statues of you! I liked you far better, myself, when you poured
the wine out long ago at the osteria by the harbour at
Monteleone.'
Cecca looked up at him once more haughtily. 'You did?' she
said. 'You did, did you? Well, that was all very well for a fellow like you,
only fit to tend a horse or chop up rotten olive roots for firewood. But
for me that sort of life didn't answer. I prefer Rome, and fame, and
art, and plenty.' And as she said the last words she clinked the cheap
silver bracelets that she wore upon her arm, and touched the thin gold
brooch that fastened up the light shawl thrown coquettishly across her
shapely shoulders.
'You don't,' Giuseppe answered boldly.
'You
are not happy here, Cecca mia, as you were at Monteleone. You worry your
heart out about your Englishman, and he does not love you. What does he think
of you or care for you? You are to him merely a model, a thing to mould clay
from; no more than the draperies and the casts that he works with so
carelessly in his studio. And it is for that that you throw me over--me,
Beppo, who loved you always so dearly at Monteleone.'
Cecca looked at him
and laughed lightly. '_You_, Beppo!' she cried, as if amused and surprised.
'You, my friend! You thought to marry Cecca Bianchelli! Oh no, little
brother; that would be altogether too ridiculous. There is no model in Rome,
do you know, who has such a figure or earns so much money as I
do.'
'But you loved me once, or at least you said so, Signora
Francesca.'
'And you should hear how the excellencies admire me, and call
me beautiful, Signor Giuseppe.'
'Cecca, Cecca, you know I have come to
Rome for your sake only. I don't want you to love me, I only want to see you
and be near you. Won't you let me come and see you this
evening?'
'Very sorry, Signor Giuseppe. It would have given me the
deepest satisfaction, but I have a prior engagement. A painter of
my acquaintance takes me to the Circo Beale.'
'But, Cecca,
Cecca!'
'Well, Beppo?'
'Ah, that is good, "Beppo." You relent
then, Signora?'
'As between old friends, Signor Giuseppe, one may use the
diminutive.'
'And you will let me come then tomorrow night and see you
for half an hour--for half an hour only, Cecca?'
'Well, you were a
good friend of mine once, and I have need of you for a project of my own, at
the moment. Yes, you may come if you like, Beppo.'
'Ten thousand thanks,
Signora. You are busy, I will not keep you. Good evening,
Cecca.'
'Good evening, my friend. You are a good fellow after all, Beppo.
Good evening.'
CHAPTER XXXIV. HIRAM SEES
LAND.
|Upon my word,' Gwen Howard-Russell thought to herself in the
gardens of the Villa Panormi, 'I really can't understand that young Mr.
Churchill. He's four years older, and he ought to be four years wiser now,
than when we were last at Rome, but he's actually just as stupid and as
dull of comprehension as ever; he positively doesn't see when a girl's
in love with him. He must be utterly bound up in his sculpture and
his artistic notions, that's what it is, or else he'd surely discover what
one was driving at when one gives him every possible sort of opportunity. One
would have thought he'd have seen lots of society during these four winters
that he's been comparatively famous, and that he would have found out what
people mean when they say such things to him. But he hasn't, and I declare
he's really more polite and attentive even now to that little governess
cousin of his, with the old-fashioned bonnet, than he is to me myself, in
spite of everything.'
For it had never entered into Gwen's heart to think
that Colin might possibly be in love himself with the little gipsy-faced
governess cousin.
'Cousin Dick,' Gwen said a few minutes later to Lord
Beaminster, 'I've asked Mr. Churchill and my two Americans to come up and
have a cup of tea with us this afternoon out here in the
garden.'
'Certainly, my dear,' the earl answered, smiling with all his
false teeth most amiably; 'the house is your own, you know. (And, by
George, she makes it so, certainly without asking me. But who on earth
could ever be angry with such a splendid high-spirited creature?) Bring
your Americans here by all means, and give that man with the outlandish
name plenty of tea, please, to keep him quiet. By Jove, Gwen, I never
can understand for the life of me what the dickens the fellow's
talking about.'
In due time the guests arrived, and Gwen, who had
determined by this time to play a woman's last card, took great care during
the whole afternoon to talk as much as possible to Hiram and as little as
possible to Colin Churchill. She was determined to let him think he had a
rival; that is the surest way of making a man discover whether he really
cares for a woman or otherwise.
'Oh yes, I've been to Mr. Winthrop's
studio,' she said in answer to Audouin's inquiry, 'and we admired so much a
picture of a lake with such a funny name to it, didn't we, papa? It was
really beautiful, Mr. Winthrop. I've never seen anything of yours that I've
been pleased with so much. Don't you think it splendid, Mr.
Audouin?'
'A fine picture in its way--yes, certainly, Miss Russell; but
not nearly so good, to my thinking, as the Capture of Babylon he's now
working on.'
'You think so, really? Well, now, for my part I like the
landscape better. There's so much more originality and personality in it, I
fancy. Mr. Winthrop, which do you yourself like the best of your
performances?'
Hiram blushed with pleasure. Gwen had never before taken
so much notice of him. 'I'm hardly a good judge myself,' he faltered out
timidly. 'I wouldn't for worlds pit my own small opinion, of course, against
Mr. Audouin's. I'm trying my best at the Capture of Babylon,
naturally, but I don't seem to satisfy my own imaginary standard in
historical painting, somehow, nearly as well as in external nature. For my
own part, I like the landscapes best. I quite agree with you, Miss
Russell, that Lake Chattawauga is about my high-water mark.'
('Lake
Chattawauga!' the earl interjected pensively--but nobody took the slightest
notice of him. 'Lake Chattawauga! Do you really mean to say you've painted
the picture of a place with such a name as Lake Chattawauga? I should suppose
it must be somewhere or other over in America.')
'I'm so glad to hear
you say so,' Gwen answered cordially, 'because one's always wrong, you know,
in matters of art criticism; and it's such a comfort to hear that one may be
right now and again if only by accident. I liked Lake Chattawauga quite
immensely; I don't know when I've seen a picture that pleased me so much, Mr.
Winthrop.--What do you say, Mr. Churchill?'
'I think you and Winthrop
are quite right, Miss Russell. His landscapes are very, very pretty, and I
wish he'd devote himself to them entirely, and give up historical painting
and figure subjects altogether.'
('The first time I ever noticed a trace
of professional jealousy in young Churchill,' thought Audouin to himself
sapiently. 'He doesn't want Hiram, apparently, to go on with the one thing
which is certain to lead him in the end to fame and fortune.')
'And
there was a lovely little sketch of a Tyrolese waterfall,' Gwen began again
enthusiastically. 'Wasn't it exquisite, papa? You know you said you'd so much
like to buy it for the dining-room.'
Hiram flushed again. 'I'm so glad
you liked my little things,' he said, trembling with delight. 'I didn't think
you cared in the least for any of my work, Miss Russell. I was afraid you
weren't at all interested in the big canvases.'
'Not like your work,
Mr. Winthrop!' Gwen cried, with half a glance aside at Colin. 'Oh yes, I've
always admired it most sincerely! Why, don't you remember, our friendship
with you and Mr. Audouin began just with my admiring a little water-colour
you were making the very first day I ever saw you, by the Lake of the
Thousand Islands?' (Hiram nodded a joyful assent. Why, how could he ever
possibly forget it?) 'And then you know there was that beautiful little
sketch of the Lago Albano, that you gave me the day I was leaving Italy last.
I have it hung up in our drawing-room at home in England, and I think it's
one of the very prettiest pictures I ever looked at.'
Hiram could have
cried like a child that moment with the joy and excitement of a long pent-up
nature.
And so, through all that delightful afternoon, Gwen kept leading
up, without intermission, to Hiram Winthrop. Hiram himself hardly
knew what on earth to make of it. Gwen was very kind and polite to
him to-day--that much was certain; and that, at least, was quite enough to
secure Hiram an unwonted amount of genuine happiness. How he hugged himself
over her kindly smiles and appreciative criticisms! How he fancied in his
heart, with tremulous hesitation, that she really was beginning to care just
a little bit for him, were it ever so little! In short, for the moment, he
was in the seventh heaven, and he felt happier than he had ever felt before
in his whole poor, wearisome, disappointed lifetime.
When they were
going away, Gwen said once to Hiram (holding his hand in hers just a second
longer than was necessary too, he fancied), 'Now, remember, you must come
again and see us very soon, Mr. Winthrop--and you too, Mr. Audouin. We want
you both to come as often as you're able, for we're quite dull out here in
the country, so far away from the town and the Corso.' But she never said a
single word of that sort to Cohn Churchill, who was standing close beside
them, and heard it all, and thought to himself, 'I wonder whether Miss
Russell has begun to take a fancy at last to our friend Winthrop? He's a good
fellow, and after all she couldn't do better if she were to search diligently
through the entire British peerage.' So utterly had Gwen's wicked little ruse
failed of its deceitful, jealous intention.
But as they walked
Rome-ward together, to the Porta del Popolo, Audouin said at last musingly to
Hiram, 'Miss Russell was in a very gracious mood this afternoon, wasn't she,
my dear fellow?'
He looked at Hiram so steadfastly while he said it that
Hiram almost blushed again, for he didn't like to hear the subject
mentioned, however guardedly, before a third person like Colin Churchill.
'Yes,' he answered shyly, 'she spoke very kindly indeed about my
little landscapes. I had no idea before that she really thought anything
about them. And how good of her, too, to keep my water-colour of the
Lago Albano in her own drawing-room!'
Audouin smiled a gently cynical
little Bostonian smile, and answered nothing.
'How strangely one-sided
and egotistic we are, after all!' he thought to himself quietly as he walked
along. 'We think each of ourselves, and never a bit of other people. Hiram
evidently fancied that Miss Russell--Gwen--why not call her so?--wanted _him_
to come again to the Villa Panormi. A moment's reflection might have shown
him that she couldn't possibly have asked _me_, without at the same time
asking _him_ also! And it was very clever of her, too, to invite him first,
so as not to make the invitation look quite too pointed. She was
noticeably kind to Hiram to-day, because he's my protégé. But Hiram, with all
his strong, good qualities, is not keen-sighted--not deep enough to
fathom the profound abysses of a woman's diplomacy! I don't believe even
now he sees what she was driving at. But _I_ know: I feel certain I know;
I can't be mistaken. It was a very good sign, too, a very good sign,
that though she asked me (and of course Hiram with me) to come often
to the villa, she didn't think in the least of asking that young
fellow Churchill. It's a terribly presumptuous thing to fancy you have won
such a woman's heart as Gwen Howard-Russell's; but I imagine I must be
right this time. I don't believe I can possibly be mistaken any longer.
The convergence of the evidences is really quite too
overwhelming.'
CHAPTER XXXV. MAN PROPOSES.
|Ten days
had passed, and during those ten days Gwen had met both Hiram and Colin on
two or three occasions. Each time she saw them together she was careful to
talk a great deal more with the young American than with his English
companion. At last, one Sunday afternoon, both the young men 'had gone out to
the Villa Panormi with Audouin, for a cup of afternoon tea in the garden; and
after tea was over, they had stolen away in pairs down the long alleys of
oranges, and among the broken statues and tazzas filled with flowers upon the
mouldering balustraded Italian terraces. 'Come with me, Mr. Winthrop,' Gwen
cried gaily to Hiram (with a side glance at Colin once more to see how he
took it). 'I want to show you such a lovely spot for one of your pretty
little watercolour sketches--a bower of clematis, with such great prickly
pears and aloes for the foreground, that I'm sure you'll fall in love with
the whole picture the moment you see it.'
Hiram followed her gladly
down to the arbour, a little corner at the bottom of the garden, rather
English than Italian in its first conception, but thickly overgrown with
tangled masses of sub-tropical vegetation. It's very pretty,' he said,
'certainly very pretty. Just the sort of thing that Mr. Audouin would
absolutely revel in.'
'Shall I call him?' Gwen asked, going to the door
of the arbour and looking about her carelessly. 'He must be somewhere or
other hereabout.'
'Oh no, don't, Miss Russell,' Hiram answered hastily.
'He's having a long talk with Churchill about art, from what I overheard.
Don't disturb them. Mr. Audouin has a wonderful taste in art, you know: I
love to hear him talk about it in his own original pellucid
fashion.'
'You're very fond of him, aren't you?' Gwen asked, looking at
him with her big beautiful eyes. 'Is he any relation of yours?' 'Relation!'
Hiram cried, 'oh dear no, Miss Bussell. But he's been so kind to me, so
very kind to me! You can't imagine how much I owe to Mr. Audouin.'
He
said it so earnestly, and seemed to want so much to talk about him, that Gwen
sat down upon the stone seat in the little arbour and answered with womanly
interest, 'Tell me all about it, then, Mr. Winthrop. I should like to hear
how you came to pick up with him.'
Thus encouraged, Hiram, to his own
immense astonishment, let loose the floodgates of his pent-up speech, and
began to narrate the whole story of his lonely childhood, and of his first
meeting with Audouin in the primeval woods of Geauga County. He was flattered
that Gwen should have asked him indirectly for his history: more flattered
still to find that she listened to his hasty reminiscences with evident
attention. He told her briefly about his early attempts at drawing in the
blackberry bottom; how the deacon had regarded his artistic impulses as so
many proofs of original sin; how he had followed the trappers out into
the frozen woodland; how he had met Audouin there by accident; and
how Audouin had praised his drawings and encouraged him in his
fancies, being the first human being he had ever known who cared at all for
any of these things. 'And when you spoke so kindly about my poor
little landscape the other day, Miss Russell,' he added, looking down
and hesitating, 'I felt more happy than I had ever felt before since
that day so long ago, in the woods away over yonder in America.'
But
Gwen only smiled back a frank smile of unaffected sympathy, and answered
warmly, 'I'm so glad you think so much of my criticism, I'm sure, Mr.
Winthrop.'
Then Hiram went on and told her how he had worked and
struggled at school and college, and at the block-cutting establishment; and
how he had longed to go to England and be an artist; and how he had never
got the opportunity. And then he spoke of the first day he had ever
seen Gwen herself by the Lake of the Thousand Islands.
Till that
moment it hadn't struck Gwen how very earnest Hiram's voice was gradually
growing; but as he came to that first chance meeting at Alexandria Bay, she
couldn't help observing that his lips began to tremble a little, and that his
words were thick with emotion. For a second she thought she ought to rise up
and suggest that they should join the others over yonder in the garden: but
then she changed her mind again, and felt sure she must be mistaken. The
young American artist could never mean to have the boldness to propose to her
on the strength of so little encouragement. And besides, his story was really
so interesting, and she was so very anxious to hear out the rest of it
to the very end. 'And so you liked England immensely?' she asked him, when he
reached in due course that part of his simple straightforward confidences.
'Iwonder you didn't stop there and take regularly to landscape painting.' |
|
댓글 없음:
댓글 쓰기