celebrated crimes 50

celebrated crimes 50

The ceremony took place next day. Quennebert conducted his interesting bride to the altar, she hung with ornaments like the shrine of a saint, and, beaming all over with smiles, looked so ridiculous that the handsome bridegroom reddened to the roots of his hair with shame. Just as they entered the church, a coffin, on which lay a sword, and which was followed by a single mourner, who from his manners and dress seemed to belong to the class of nobles, was carried in by the same door. The wedding guests drew back to let the funeral pass on, the living giving precedence to the dead. The solitary mourner glanced by chance at Quennebert, and started as if the sight of him was painful. "What an unlucky meeting!" murmured Madame Rapally; "it is sure to be a bad omen." "It’s sure to be the exact opposite," said Quennebert smiling. The two ceremonies took place simultaneously in two adjoining chapels; the funeral dirges which fell on the widow’s ear full of sinister prediction seemed to have quite another meaning for Quennebert, for his features lost their look of care, his wrinkles smoothed themselves out, till the guests, among whom was Trumeau, who did not suspect the secret of his relief from suspense, began to believe, despite their surprise, that he was really rejoiced at obtaining legal possession of the charming Madame Rapally. As for her, she fleeted the daylight hours by anticipating the joyful moment when she would have her husband all to herself. When night came, hardly had she entered the nuptial chamber than she uttered a piercing shriek. She had just found and read a paper left on the bed by Trumeau, who before leaving had contrived to glide into the room unseen. Its contents were of terrible import, so terrible that the new-made wife fell unconscious to the ground. Quennebert, who, without a smile, was absorbed in reflections on the happiness at last within his grasp, heard the noise from the next room, and rushing in, picked up his wife. Catching sight of the paper, he also uttered a cry of anger and astonishment, but in whatever circumstances he found himself he was never long uncertain how to act. Placing Madame Quennebert, still unconscious, on the bed, he called her maid, and, having impressed on her that she was to take every care of her mistress, and above all to tell her from him as soon as she came to herself that there was no cause for alarm, he left the house at once. An hour later, in spite of the efforts of the servants, he forced his way into the presence of Commander de Jars. Holding out the fateful document to him, he said: "Speak openly, commander! Is it you who in revenge for your long constraint have done this? I can hardly think so, for after what has happened you know that I have nothing to fear any longer. Still, knowing my secret and unable to do it in any other way, have you perchance taken your revenge by an attempt to destroy my future happiness by sowing dissension and disunion between me and my wife?" The commander solemnly assured him that he had had no hand in bringing about the discovery. ’Then if it’s not you, it must be a worthless being called Trumeau, who, with the unerring instinct of jealousy, has run the truth to earth. But he knows only half: I have never been either so much in love or so stupid as to allow myself to be trapped. I have given you my promise to be discreet and not to misuse my power, and as long as was compatible with my own safety I have kept my word. But now you must see that I am bound to defend myself, and to do that I shall be obliged to summon you as a witness. So leave Paris tonight and seek out some safe retreat where no one can find you, for to-morrow I shall speak. Of course if I am quit for a woman’s tears, if no more difficult task lies before me than to soothe a weeping wife, you can return immediately; but if, as is too probable, the blow has been struck by the hand of a rival furious at having been defeated, the matter will not so easily be cut short; the arm of the law will be invoked, and then I must get my head out of the noose which some fingers I know of are itching to draw tight." "You are quite right, sir," answered the commander; "I fear that my influence at court is not strong enough to enable me to brave the matter out. Well, my success has cost me dear, but it has cured me for ever of seeking out similar adventures. My preparations will not take long, and to-morrow’s dawn will find me far from Paris." Quennebert bowed and withdrew, returning home to console his Ariadne. CHAPTER IX The accusation hanging over the head of Maitre Quennebert was a very serious one, threatening his life, if proved. But he was not uneasy; he knew himself in possession of facts which would enable him to refute it triumphantly. The platonic love of Angelique de Guerchi for the handsome Chevalier de Moranges had resulted, as we have seen, in no practical wrong to the Duc de Vitry. After her reconciliation with her lover, brought about by the eminently satisfactory explanations she was able to give of her conduct, which we have already laid before our readers, she did not consider it advisable to shut her heart to his pleadings much longer, and the consequence was that at the end of a year she found herself in a condition which it was necessary to conceal from everyone. To Angelique herself, it is true, the position was not new, and she felt neither grief nor shame, regarding the coming event as a means of making her future more secure by forging a new link in the chain which bound the duke to her. But he, sure that but for himself Angelique would never have strayed from virtue’s path, could not endure the thought of her losing her reputation and becoming an object for scandal to point her finger at; so that Angelique, who could not well seem less careful of her good name than he, was obliged to turn his song of woe into a duet, and consent to certain measures being taken. One evening, therefore, shortly before Maitre Quennebert’s marriage, the fair lady set out, ostensibly on a journey which was to last a fortnight or three weeks. In reality she only made a circle in a post-chaise round Paris, which she re-entered at one of the barriers, where the duke awaited her with a sedan-chair. In this she was carried to the very house to which de Jars had brought his pretended nephew after the duel. Angelique, who had to pay dearly for her errors, remained there only twenty-four hours, and then left in her coffin, which was hidden in a cellar under the palace of the Prince de Conde, the body being covered with quicklime. Two days after this dreadful death, Commander de Jars presented himself at the fatal house, and engaged a room in which he installed the chevalier. This house, which we are about to ask the reader to enter with us, stood at the corner of the rue de la Tixeranderie and the rue Deux-Portes. There was nothing in the exterior of it to distinguish it from any other, unless perhaps two brass plates, one of which bore the words MARIE LEROUX-CONSTANTIN, WIDOW, CERTIFIED MIDWIFE, and the other CLAUDE PERREGAUD, SURGEON. These plates were affixed to the blank wall in the rue de la Tixeranderie, the windows of the rooms on that side looking into the courtyard. The house door, which opened directly on the first steps of a narrow winding stair, was on the other side, just beyond the low arcade under whose vaulted roof access was gained to that end of the rue des Deux-Portes. This house, though dirty, mean, and out of repair, received many wealthy visitors, whose brilliant equipages waited for them in the neighbouring streets. Often in the night great ladies crossed its threshold under assumed names and remained there for several days, during which La Constantin and Claude Perregaud, by an infamous use of their professional knowledge, restored their clients to an outward appearance of honour, and enabled them to maintain their reputation for virtue. The first and second floors contained a dozen rooms in which these abominable mysteries were practised. The large apartment, which served as waiting and consultation room, was oddly furnished, being crowded with objects of strange and unfamiliar form. It resembled at once the operating-room of a surgeon, the laboratory of a chemist and alchemist, and the den of a sorcerer. There, mixed up together in the greatest confusion, lay instruments of all sorts, caldrons and retorts, as well as books containing the most absurd ravings of the human mind. There were the twenty folio volumes of Albertus Magnus; the works of his disciple, Thomas de Cantopre, of Alchindus, of Averroes, of Avicenna, of Alchabitius, of David de Plaine-Campy, called L’Edelphe, surgeon to Louis XIII and author of the celebrated book The Morbific Hydra Exterminated by the Chemical Hercules. Beside a bronze head, such as the monk Roger Bacon possessed, which answered all the questions that were addressed to it and foretold the future by means of a magic mirror and the combination of the rules of perspective, lay an eggshell, the same which had been used by Caret, as d’Aubigne tells us, when making men out of germs, mandrakes, and crimson silk, over a slow fire. In the presses, which had sliding-doors fastening with secret springs, stood Jars filled with noxious drugs, the power of which was but too efficacious; in prominent positions, facing each other, hung two portraits, one representing Hierophilos, a Greek physician, and the other Agnodice his pupil, the first Athenian midwife. For several years already La Constantin and Claude Perregaud had carried on their criminal practices without interference. A number of persons were of course in the secret, but their interests kept them silent, and the two accomplices had at last persuaded themselves that they were perfectly safe. One evening, however, Perregaud came home, his face distorted by terror and trembling in every limb. He had been warned while out that the suspicions of the authorities had been aroused in regard to him and La Constantin. It seemed that some little time ago, the Vicars-General had sent a deputation to the president of the chief court of justice, having heard from their priests that in one year alone six hundred women had avowed in the confessional that they had taken drugs to prevent their having children. This had been sufficient to arouse the vigilance of the police, who had set a watch on Perregaud’s house, with the result that that very night a raid was to be made on it. The two criminals took hasty counsel together, but, as usual under such circumstances, arrived at no practical conclusions. It was only when the danger was upon them that they recovered their presence of mind. In the dead of night loud knocking at the street door was heard, followed by the command to open in the name of the king. "We can yet save ourselves!" exclaimed surgeon, with a sudden flash of inspiration. Rushing into the room where the pretended chevalier was lying, he called out— "The police are coming up! If they discover your sex you are lost, and so am I. Do as I tell you." At a sign from him, La Constantin went down and opened the door. While the rooms on the first floor were being searched, Perregaud made with a lancet a superficial incision in the chevalier’s right arm, which gave very little pain, and bore a close resemblance to a sword-cut. Surgery and medicine were at that time so inextricably involved, required such apparatus, and bristled with such scientific absurdities, that no astonishment was excited by the extraordinary collection of instruments which loaded the tables and covered the floors below: even the titles of certain treatises which there had been no time to destroy, awoke no suspicion. Fortunately for the surgeon and his accomplice, they had only one patient—the chevalier—in their house when the descent was made. When the chevalier’s room was reached, the first thing which the officers of the law remarked were the hat, spurred boots, and sword of the patient. Claude Perregaud hardly looked up as the room was invaded; he only made a sign to those—who came in to be quiet, and went on dressing the wound. Completely taken in, the officer in command merely asked the name of the patient and the cause of the wound. La Constantin replied that it’ was the young Chevalier de Moranges, nephew of Commander de Jars, who had had an affair of honour that same night, and being sightly wounded had been brought thither by his uncle hardly an hour before. These questions and the apparently trustworthy replies elicited by them being duly taken down, the uninvited visitors retired, having discovered nothing to justify their visit. All might have been well had there been nothing the matter but the wound on the chevalier’s sword-arm. But at the moment when Perregaud gave it to him the poisonous nostrums employed by La Constantin were already working in his blood. Violent fever ensued, and in three days the chevalier was dead. It was his funeral which had met Quennebert’s wedding party at the church door. Everything turned out as Quennebert had anticipated. Madame Quennebert, furious at the deceit which had been practised on her, refused to listen to her husband’s justification, and Trumeau, not letting the grass grow under his feet, hastened the next day to launch an accusation of bigamy against the notary; for the paper which had been found in the nuptial camber was nothing less than an attested copy of a contract of marriage concluded between Quennebert and Josephine-Charlotte Boullenois. It was by the merest chance that Trumeau had come on the record of the marriage, and he now challenged his rival to produce a certificate of the death of his first wife. Charlotte Boullenois, after two years of marriage, had demanded a deed of separation, which demand Quennebert had opposed. While the case was going on she had retired to the convent of La Raquette, where her intrigue with de Jars began. The commander easily induced her to let herself be carried off by force. He then concealed his conquest by causing her to adopt male attire, a mode of dress which accorded marvellously well with her peculiar tastes and rather masculine frame. At first Quennebert had instituted an active but fruitless search for his missing wife, but soon became habituated to his state of enforced single blessedness, enjoying to the full the liberty it brought with it. But his business had thereby suffered, and once having made the acquaintance of Madame Rapally, he cultivated it assiduously, knowing her fortune would be sufficient to set him straight again with the world, though he was obliged to exercise the utmost caution and reserve in has intercourse with her, as she on her side displayed none of these qualities. At last, however, matters came to such a pass that he must either go to prison or run the risk of a second marriage. So he reluctantly named a day for the ceremony, resolving to leave Paris with Madame Rapally as soon as he had settled with his creditors. In the short interval which ensued, and while Trumeau was hugging the knowledge of the discovery he had made, a stroke of luck had brought the pretended chevalier to La Constantin. As Quennebert had kept an eye on de Jars and was acquainted with all his movements, he was aware of everything that happened at Perregaud’s, and as Charlotte’s death preceded his second marriage by one day, he knew that no serious consequences would ensue from the legal proceedings taken against him. He produced the declarations made by Mademoiselle de Guerchi and the commander, and had the body exhumed. Extraordinary and improbable as his defence appeared at first to be, the exhumation proved the truth of his assertions. These revelations, however, drew the eye of justice again on Perregaud and his partner in crime, and this time their guilt was brought home to them. They were condemned by parliamentary decree to "be hanged by the neck till they were dead, on a gallows erected for that purpose at the cross roads of the Croix-du-Trahoir; their bodies to remain there for twenty-four hours, then to be cut down and brought back to Paris, where they were to be exposed an a gibbet," etc., etc. It was proved that they had amassed immense fortunes in the exercise of their infamous calling. The entries in the books seized at their house, though sparse, would have led, if made public, to scandals, involving many in high places; it was therefore judged best to limit the accusation to the two deaths by blood-poisoning of Angelique de Querchi and Charlotte Boullenois. *JOAN OF NAPLES—1343-1382* CHAPTER I In the night of the 15th of January 1343, while the inhabitants of Naples lay wrapped in peaceful slumber, they were suddenly awakened by the bells of the three hundred churches that this thrice blessed capital contains. In the midst of the disturbance caused by so rude a call the first thought in the mind of all was that the town was on fire, or that the army of some enemy had mysteriously landed under cover of night and could put the citizens to the edge of the sword. But the doleful, intermittent sounds of all these fills, which disturbed the silence at regular and distant intervals, were an invitation to the faithful to pray for a passing soul, and it was soon evident that no disaster threatened the town, but that the king alone was in danger. Indeed, it had been plain for several days past that the greatest uneasiness prevailed in Castel Nuovo; the officers of the crown were assembled regularly twice a day, and persons of importance, whose right it was to make their way into the king’s apartments, came out evidently bowed down with grief. But although the king’s death was regarded as a misfortune that nothing could avert, yet the whole town, on learning for certain of the approach of his last hour, was affected with a sincere grief, easily understood when one learns that the man about to die, after a reign of thirty-three years, eight months, and a few days, was Robert of Anjou, the most wise, just, and glorious king who had ever sat on the throne of Sicily. And so he carried with him to the tomb the eulogies and regrets of all his subjects. Soldiers would speak with enthusiasm of the long wars he had waged with Frederic and Peter of Aragon, against Henry VII and Louis of Bavaria; and felt their hearts beat high, remembering the glories of campaigns in Lombardy and Tuscany; priests would gratefully extol his constant defence of the papacy against Ghibelline attacks, and the founding of convents, hospitals, and churches throughout his kingdom; in the world of letters he was regarded as the most learned king in Christendom; Petrarch, indeed, would receive the poet’s crown from no other hand, and had spent three consecutive days answering all the questions that Robert had deigned to ask him on every topic of human knowledge. The men of law, astonished by the wisdom of those laws which now enriched the Neapolitan code, had dubbed him the Solomon of their day; the nobles applauded him for protecting their ancient privileges, and the people were eloquent of his clemency, piety, and mildness. In a word, priests and soldiers, philosophers and poets, nobles and peasants, trembled when they thought that the government was to fall into the hands of a foreigner and of a young girl, recalling those words of Robert, who, as he followed in the funeral train of Charles, his only son, turned as he reached the threshold of the church and sobbingly exclaimed to his barons about him, "This day the crown has fallen from my head: alas for me! alas for you!" Now that the bells were ringing for the dying moments of the good king, every mind was full of these prophetic words: women prayed fervently to God; men from all parts of the town bent their steps towards the royal palace to get the earliest and most authentic news, and after waiting some moments, passed in exchanging sad reflections, were obliged to return as they had come, since nothing that went on in the privacy of the family found its way outside—the castle was plunged in complete darkness, the drawbridge was raised as usual, and the guards were at their post. Yet if our readers care to be present at the death of the nephew of Saint Louis and the grandson of Charles of Anjou, we may conduct them into the chamber of the dying man. An alabaster lamp suspended from the ceiling serves to light the vast and sombre room, with walls draped in black velvet sewn with golden fleur-de-lys. Near the wall which faces the two entrance doors that at this moment are both shut close, there stands beneath a brocaded canopy an ebony bed, supported on four twisted columns carved with symbolic figures. The king, after a struggle with a violent paroxysm, has fallen swooning in the arms of his confessor and his doctor, who each hold one of his dying hands, feeling his pulse anxiously and exchanging looks of intelligence. At the foot of the bed stands a woman about fifty years of age, her hands clasped, her eyes raised to heaven, in an attitude of resigned grief: this woman is the queen, No tears dim her eyes: her sunken cheek has that waxen yellow tinge that one sees on the bodies of saints preserved by miracle. In her look is that mingling of calm and suffering that points to a soul at once tried by sorrow and imbued with religion. After the lapse of an hour, while no movement had disturbed the profound silence which reigned about the bed of death, the king trembled slightly; opened his eyes, and endeavoured feebly to raise his head. They thanking the physician and priest with a smile, who had both hastened to arrange his pillows, he begged the queen to come near, and told her in a low voice that he would speak with her a moment alone. The doctor and confessor retired, deeply bowing, and the king followed them with his eyes up to the moment when one of the doors closed behind them. He passed his hand across his brow, as though seeking to collect his thoughts, and rallying all his forces for the supreme effort, pronounced these words: "What I must say to you, Sancha, has no concern with those two good persons who were here a moment ago: their task is ended. One has done all for my body that human science could teach him, and all that has come of it is that my death is yet a little deferred; the other has now absolved me of all my sins, and assured me of God’s forgiveness, yet cannot keep from me those dread apparitions which in this terrible hour arise before me. Twice have you seen me battling with a superhuman horror. My brow has been bathed in sweat, my limbs rigid, my cries have been stifled by a hand of iron. Has God permitted the Evil Spirit to tempt me? Is this remorse in phantom shape? These two conflicts I have suffered have so subdued my strength that I can never endure a third. Listen then, my Sandra, for I have instructions to give you on which perhaps the safety of my soul depends." "My lord and my master," said the queen in the most gentle accents of submission, "I am ready to listen to your orders; and should it be that God, in the hidden designs of His providence, has willed to call you to His glory while we are plunged in grief, your last wishes shall be fulfilled here on earth most scrupulously and exactly. But," she added, with all the solicitude of a timid soul, "pray suffer me to sprinkle drops of holy water and banish the accursed one from this chamber, and let me offer up some part of that service of prayer that you composed in honour of your sainted brother to implore God’s protection in this hour when we can ill afford to lose it." Then opening a richly bound book, she read with fervent devotion certain verses of the office that Robert had written in a very pure Latin for his brother Louis, Bishop of Toulouse, which was in use in the Church as late as the time of the Council of Trent. Soothed by the charm of the prayers he had himself composed, the king was near forgetting the object of the interview he had so solemnly and eagerly demanded and letting himself lapse into a state of vague melancholy, he murmured in a subdued voice, "Yes, yes, you are right; pray for me, for you too are a saint, and I am but a poor sinful man." "Say not so, my lord," interrupted Dona Sancha; "you are the greatest, wisest, and most just king who has ever sat upon the throne of Naples." "But the throne is usurped," replied Robert in a voice of gloom; "you know that the kingdom belonged to my elder brother, Charles Martel; and since Charles was on the throne of Hungary, which he inherited from his mother, the kingdom of Naples devolved by right upon his eldest son, Carobert, and not on me, who am the third in rank of the family. And I have suffered myself to be crowned in my nephew’s stead, though he was the only lawful-king; I have put the younger branch in the place of the elder, and for thirty-three years I have stifled the reproaches of my conscience. True, I have won battles, made laws, founded churches; but a single word serves to give the lie to all the pompous titles showered upon me by the people’s admiration, and this one word rings out clearer in my ears than all the flattery of courtiers, all the songs of poets, all the orations of the crowd:—I am an usurper!" "Be not unjust towards yourself, my lord, and bear in mind that if you did not abdicate in favour of the rightful heir, it was because you wished to save the people from the worst misfortunes. Moreover," continued the queen, with that air of profound conviction that an unanswerable argument inspires, "you have remained king by the consent and authority of our Holy Father the sovereign pontiff, who disposes of the throne as a fief belonging to the Church." "I have long quieted my scruples thus," replied the dying man, "and the pope’s authority has kept me silent; but whatever security one may pretend to feel in one’s lifetime, there yet comes a dreadful solemn hour when all illusions needs must vanish: this hour for me has come, and now I must appear before God, the one unfailing judge." "If His justice cannot fail, is not His mercy infinite?" pursued the queen, with the glow of sacred inspiration. "Even if there were good reason for the fear that has shaken your soul, what fault could not be effaced by a repentance so noble? Have you not repaired the wrong you may have done your nephew Carobert, by bringing his younger son Andre to your kingdom and marrying him to Joan, your poor Charles’s elder daughter? Will not they inherit your crown?" "Alas!" cried Robert, with a deep sigh, "God is punishing me perhaps for thinking too late of this just reparation. O my good and noble Sandra, you touch a chord which vibrates sadly in my heart, and you anticipate the unhappy confidence I was about to make. I feel a gloomy presentiment—and in the hour of death presentiment is prophecy—that the two sons of my nephew, Louis, who has been King of Hungary since his father died, and Andre, whom I desired to make King of Naples, will prove the scourge of my family. Ever since Andre set foot in our castle, a strange fatality has pursued and overturned my projects. I had hoped that if Andre and Joan were brought up together a tender intimacy would arise between the two children; and that the beauty of our skies, our civilisation, and the attractions of our court would end by softening whatever rudeness there might be in the young Hungarian’s character; but in spite of my efforts all has tended to cause coldness, and even aversion, between the bridal pair. Joan, scarcely fifteen, is far ahead of her age. Gifted with a brilliant and mobile mind, a noble and lofty character, a lively and glowing fancy, now free and frolicsome as a child, now grave and proud as a queen, trustful and simple as a young girl, passionate and sensitive as a woman, she presents the most striking contrast to Andre, who, after a stay of ten years at our court, is wilder, more gloomy, more intractable than ever. His cold, regular features, impassive countenance, and indifference to every pleasure that his wife appears to love, all this has raised between him and Joan a barrier of indifference, even of antipathy. To the tenderest effusion his reply is no more than a scornful smile or a frown, and he never seems happier than when on a pretext of the chase he can escape from the court. These, then, are the two, man and wife, on whose heads my crown shall rest, who in a short space will find themselves exposed to every passion whose dull growl is now heard below a deceptive calm, but which only awaits the moment when I breathe my last, to burst forth upon them." "O my God, my God!" the queen kept repeating in her grief: her arms fell by her side, like the arms of a statue weeping by a tomb. "Listen, Dona Sandra. I know that your heart has never clung to earthly vanities, and that you only wait till God has called me to Himself to withdraw to the convent of Santa Maria delta Croce, founded by yourself in the hope that you might there end your days. Far be it from me to dissuade you from your sacred vocation, when I am myself descending into the tomb and am conscious of the nothingness of all human greatness. Only grant me one year of widowhood before you pass on to your bridal with the Lord, one year in which you will watch over Joan and her husband, to keep from them all the dangers that threaten. Already the woman who was the seneschal’s wife and her son have too much influence over our grand-daughter; be specially careful, and amid the many interests, intrigues, and temptations that will surround the young queen, distrust particularly the affection of Bertrand d’Artois, the beauty of Louis of Tarentum; and the ambition of Charles of Durazzo." The king paused, exhausted by the effort of speaking; then turning on his wife a supplicating glance and extending his thin wasted hand, he added in a scarcely audible voice: "Once again I entreat you, leave not the court before a year has passed. Do you promise me?" "I promise, my lord." "And now," said Robert, whose face at these words took on a new animation, "call my confessor and the physician and summon the family, for the hour is at hand, and soon I shall not have the strength to speak my last words." A few moments later the priest and the doctor re-entered the room, their faces bathed, in tears. The king thanked them warmly for their care of him in his last illness, and begged them help to dress him in the coarse garb of a Franciscan monk, that God, as he said, seeing him die in poverty, humility, and penitence, might the more easily grant him pardon. The confessor and doctor placed upon his naked feet the sandals worn by mendicant friars, robed him in a Franciscan frock, and tied the rope about his waist. Stretched thus upon his bed, his brow surmounted by his scanty locks, with his long white beard, and his hands crossed upon his breast, the King of Naples looked like one of those aged anchorites who spend their lives in mortifying the flesh, and whose souls, absorbed in heavenly contemplation, glide insensibly from out their last ecstasy into eternal bliss. Some time he lay thus with closed eyes, putting up a silent prayer to God; then he bade them light the spacious room as for a great solemnity, and gave a sign to the two persons who stood, one at the head, the other at the foot of the bed. The two folding doors opened, and the whole of the royal family, with the queen at their head and the chief barons following, took their places in silence around the dying king to hear his last wishes. His eyes turned toward Joan, who stood next him on his right hand, with an indescribable look of tenderness and grief. She was of a beauty so unusual and so marvellous, that her grandfather was fascinated by the dazzling sight, and mistook her for an angel that God had sent to console him on his deathbed. The pure lines of her fine profile, her great black liquid eyes, her noble brow uncovered, her hair shining like the raven’s wing, her delicate mouth, the whole effect of this beautiful face on the mind of those who beheld her was that of a deep melancholy and sweetness, impressing itself once and for ever. Tall and slender, but without the excessive thinness of some young girls, her movements had that careless supple grace that recall the waving of a flower stalk in the breeze. But in spite of all these smiling and innocent graces one could yet discern in Robert’s heiress a will firm and resolute to brave every obstacle, and the dark rings that circled her fine eyes plainly showed that her heart was already agitated by passions beyond her years. Beside Joan stood her younger sister, Marie, who was twelve or thirteen years of age, the second daughter of Charles, Duke of Calabria, who had died before her birth, and whose mother, Marie of Valois, had unhappily been lost to her from her cradle. Exceedingly pretty and shy, she seemed distressed by such an assembly of great personages, and quietly drew near to the widow of the grand seneschal, Philippa, surnamed the Catanese, the princesses’ governess, whom they honoured as a mother. Behind the princesses and beside this lady stood her son, Robert of Cabane, a handsome young man, proud and upright, who with his left hand played with his slight moustache while he secretly cast on Joan a glance of audacious boldness. The group was completed by Dona Cancha, the young chamberwoman to the princesses, and by the Count of Terlizzi, who exchanged with her many a furtive look and many an open smile. The second group was composed of Andre, Joan’s husband, and Friar Robert, tutor to the young prince, who had come with him from Budapesth, and never left him for a minute. Andre was at this time perhaps eighteen years old: at first sight one was struck by the extreme regularity of his features, his handsome, noble face, and abundant fair hair; but among all these Italian faces, with their vivid animation, his countenance lacked expression, his eyes seemed dull, and something hard and icy in his looks revealed his wild character and foreign extraction. His tutor’s portrait Petrarch has drawn for us: crimson face, hair and beard red, figure short and crooked; proud in poverty, rich and miserly; like a second Diogenes, with hideous and deformed limbs barely concealed beneath his friar’s frock. In the third group stood the widow of Philip, Prince of Tarentum, the king’s brother, honoured at the court of Naples with the title of Empress of Constantinople, a style inherited by her as the granddaughter of Baldwin II. Anyone accustomed to sound the depths of the human heart would at one glance have perceived that this woman under her ghastly pallor concealed an implacable hatred, a venomous jealousy, and an all-devouring ambition. She had her three sons about her—Robert, Philip, and Louis, the youngest. Had the king chosen out from among his nephews the handsomest, bravest, and most generous, there can be no doubt that Louis of Tarentum would have obtained the crown. At the age of twenty-three he had already excelled the cavaliers of most renown in feats of arms; honest, loyal, and brave, he no sooner conceived a project than he promptly carried it out. His brow shone in that clear light which seems to serve as a halo of success to natures so privileged as his; his fine eyes, of a soft and velvety black, subdued the hearts of men who could not resist their charm, and his caressing smile made conquest sweet. A child of destiny, he had but to use his will; some power unknown, some beneficent fairy had watched over his birth, and undertaken to smooth away all obstacles, gratify all desires. Near to him, but in the fourth group, his cousin Charles of Duras stood and scowled. His mother, Agnes, the widow of the Duke of Durazzo and Albania, another of the king’s brothers, looked upon him affrighted, clutching to her breast her two younger sons, Ludovico, Count of Gravina, and Robert, Prince of Morea. Charles, pale-faced, with short hair and thick beard, was glancing with suspicion first at his dying uncle and then at Joan and the little Marie, then again at his cousins, apparently so excited by tumultuous thoughts that he could not stand still. His feverish uneasiness presented a marked contrast with the calm, dreamy face of Bertrand d’Artois, who, giving precedence to his father Charles, approached the queen at the foot of the bed, and so found himself face to face with Joan. The young man was so absorbed by the beauty of the princess that he seemed to see nothing else in the room. As soon as Joan and Andre, the Princes of Tarentum and Durazzo, the Counts of Artois, and Queen Sancha had taken their places round the bed of death, forming a semicircle, as we have just described, the vice-chancellor passed through the rows of barons, who according to their rank were following closely after the princes of the blood; and bowing low before the king, unfolded a parchment sealed with the royal seal, and read in a solemn voice, amid a profound silence: "Robert, by the grace of God King of Sicily and Jerusalem, Count of Provence, Forcalquier, and Piedmont, Vicar of the Holy Roman Church, hereby nominates and declares his sole heiress in the kingdom of Sicily on this side and the other side of the strait, as also in the counties of Provence, Forcalquier, and Piedmont, and in all his other territories, Joan, Duchess of Calabria, elder daughter of the excellent lord Charles, Duke of Calabria, of illustrious memory. "Moreover, he nominates and declares the honourable lady Marie, younger daughter of the late Duke of Calabria, his heiress in the county of Alba and in the jurisdiction of the valley of Grati and the territory of Giordano, with all their castles and dependencies; and orders that the lady thus named receive them in fief direct from the aforesaid duchess and her heirs; on this condition, however, that if the duchess give and grant to her illustrious sister or to her assigns the sum of 10,000 ounces of gold by way of compensation, the county and jurisdiction aforesaid—shall remain in the possession of the duchess and her heirs. "Moreover, he wills and commands, for private and secret reasons, that the aforesaid lady Marie shall contract a marriage with the very illustrious prince, Louis, reigning King of Hungary. And in case any impediment should appear to this marriage by reason of the union said to be already arranged and signed between the King of Hungary and the King of Bohemia and his daughter, our lord the king commands that the illustrious lady Marie shall contract a marriage with the elder son of the mighty lord Don Juan, Duke of Normandy, himself the elder son of the reigning King of France." At this point Charles of Durazzo gave Marie a singularly meaning look, which escaped the notice of all present, their attention being absorbed by the reading of Robert’s will. The young girl herself, from the moment when she first heard her own name, had stood confused and thunderstruck, with scarlet cheeks, not daring to raise her eyes. The vice-chancellor continued: "Moreover, he has willed and commanded that the counties of Forcalquier and Provence shall in all perpetuity be united to his kingdom, and shall form one sole and inseparable dominion, whether or not there be several sons or daughters or any other reason of any kind for its partition, seeing that this union is of the utmost importance for the security and common prosperity of the kingdom and counties aforesaid. "Moreover, he has decided and commanded that in case of the death of the Duchess Joan—which God avert!—without lawful issue of her body, the most illustrious lord Andre, Duke of Calabria, her husband, shall have the principality of Salerno, with the title, fruits, revenues, and all the rights thereof, together with the revenue of 2000 ounces of gold for maintenance. "Moreover, he has decided and ordered that the Queen above all, and also the venerable father Don Philip of Cabassole, Bishop of Cavaillon, vice-chancellor of the kingdom of Sicily, and the magnificent lords Philip of Sanguineto, seneschal of Provence, Godfrey of Marsan, Count of Squillace, admiral of the kingdom, and Charles of Artois, Count of Aire, shall be governors, regents, and administrators of the aforesaid lord Andre and the aforesaid ladies Joan and Marie, until such time as the duke, the duchess, and the very illustrious lady Marie shall have attained their twenty-fifth year," etc. etc. When the vice-chancellor had finished reading, the king sat up, and glancing round upon his fair and numerous family, thus spoke: "My children, you have heard my last wishes. I have bidden you all to my deathbed, that you may see how the glory of the world passes away. Those whom men name the great ones of the earth have more duties to perform, and after death more accounts to render: it is in this that their greatness lies. I have reigned thirty-three years, and God before whom I am about to appear, God to whom my sighs have often arisen during my long and painful life, God alone knows the thoughts that rend my heart in the hour of death. Soon shall I be lying in the tomb, and all that remains of me in this world will live in the memory of those who pray for me. But before I leave you for ever, you, oh, you who are twice my daughters, whom I have loved with a double love, and you my nephews who have had from me all the care and affection of a father, promise me to be ever united in heart and in wish, as indeed you are in my love. I have lived longer than your fathers, I the eldest of all, and thus no doubt God has wished to tighten the bonds of your affection, to accustom you to live in one family and to pay honour to one head. I have loved you all alike, as a father should, without exception or preference. I have disposed of my throne according to the law of nature and the inspiration of my conscience: Here are the heirs of the crown of Naples; you, Joan, and you, Andre, will never forget the love and respect that are due between husband and wife, and mutually sworn by you at the foot of the altar; and you, my nephews all; my barons, my officers, render homage to your lawful sovereigns; Andre of Hungary, Louis of Tarentum, Charles of Durazzo, remember that you are brothers; woe to him who shall imitate the perfidy of Cain! May his blood fall upon his own head, and may he be accursed by Heaven as he is by the mouth of a dying man; and may the blessing of the Father, the Son, and the Holy Spirit descend upon that man whose heart is good, when the Lord of mercy shall call to my soul Himself!" The king remained motionless, his arms raised, his eyes fixed on heaven, his cheeks extraordinarily bright, while the princes, barons, and officers of the court proffered to Joan and her husband the oath of fidelity and allegiance. When it was the turn of the Princes of Duras to advance, Charles disdainfully stalked past Andre, and bending his knee before the princess, said in a loud voice, as he kissed her hand— "To you, my queen, I pay my homage." All looks were turned fearfully towards the dying man, but the good king no longer heard. Seeing him fall back rigid and motionless, Dona Sancha burst into sobs, and cried in a voice choked with tears— "The king is dead; let us pray for his soul." At the very same moment all the princes hurried from the room, and every passion hitherto suppressed in the presence of the king now found its vent like a mighty torrent breaking through its banks. "Long live Joan!" Robert of Cabane, Louis of Tarentum, and Bertrand of Artois were the first to exclaim, while the prince’s tutor, furiously breaking through the crowd and apostrophising the various members of the council of regency, cried aloud in varying tones of passion, "Gentlemen, you have forgotten the king’s wish already; you must cry, ’Long live Andre!’ too;" then, wedding example to precept, and himself making more noise than all the barons together, he cried in a voice of thunder— "Long live the King of Naples!" But there was no echo to his cry, and Charles of Durazzo, measuring the Dominican with a terrible look, approached the queen, and taking her by the hand, slid back the curtains of the balcony, from which was seen the square and the town of Naples. So far as the eye could reach there stretched an immense crowd, illuminated by streams of light, and thousands of heads were turned upward towards Castel Nuovo to gather any news that might be announced. Charles respectfully drawing back and indicating his fair cousin with his hand, cried out— "People of Naples, the King is dead: long live the Queen!" "Long live Joan, Queen of Naples!" replied the people, with a single mighty cry that resounded through every quarter of the town. The events that on this night had followed each other with the rapidity of a dream had produced so deep an impression on Joan’s mind, that, agitated by a thousand different feelings, she retired to her own rooms, and shutting herself up in her chamber, gave free vent to her grief. So long as the conflict of so many ambitions waged about the tomb, the young queen, refusing every consolation that was offered her, wept bitterly for the death of her grandfather, who had loved her to the point of weakness. The king was buried with all solemnity in the church of Santa Chiara, which he had himself founded and dedicated to the Holy Sacrament, enriching it with magnificent frescoes by Giotto and other precious relics, among which is shown still, behind the tribune of the high altar, two columns of white marble taken from Solomon’s temple. There still lies Robert, represented on his tomb in the dress of a king and in a monk’s frock, on the right of the monument to his son Charles, the Duke of Calabria. CHAPTER II As soon as the obsequies were over, Andre’s tutor hastily assembled the chief Hungarian lords, and it was decided in a council held in the presence of the prince and with his consent, to send letters to his mother, Elizabeth of Poland, and his brother, Louis of Hungary, to make known to them the purport of Robert’s will, and at the same time to lodge a complaint at the court of Avignon against the conduct of the princes and people of Naples in that they had proclaimed Joan alone Queen of Naples, thus overlooking the rights of her husband, and further to demand for him the pope’s order for Andre’s coronation. Friar Robert, who had not only a profound knowledge of the court intrigues, but also the experience of a philosopher and all a monk’s cunning, told his pupil that he ought to profit by the depression of spirit the king’s death had produced in Joan, and ought not to suffer her favourites to use this time in influencing her by their seductive counsels. But Joan’s ability to receive consolation was quite as ready as her grief had at first been impetuous; the sobs which seemed to be breaking her heart ceased all at once; new thoughts, more gentle, less lugubrious, took possession of the young queen’s mind; the trace of tears vanished, and a smile lit up her liquid eyes like the sun’s ray following on rain. This change, anxiously awaited, was soon observed by Joan’s chamberwoman: she stole to the queen’s room, and falling on her knees, in accents of flattery and affection, she offered her first congratulations to her lovely mistress. Joan opened her arms and held her in a long embrace, for Dona Cancha was far more to her than a lady-in-waiting; she was the companion of infancy, the depositary of all her secrets, the confidante of her most private thoughts. One had but to glance at this young girl to understand the fascination she could scarcely fail to exercise over the queen’s mind. She had a frank and smiling countenance, such as inspires confidence and captivates the mind at first sight. Her face had an irresistible charm, with clear blue eyes, warm golden hair, mouth bewitchingly turned up at the corners, and delicate little chin. Wild, happy, light of heart, pleasure and love were the breath of her being; her dainty refinement, her charming inconstancies, all made her at sixteen as lovely as an angel, though at heart she was corrupt. The whole court was at her feet, and Joan felt more affection for her than for her own sister. "Well, my dear Cancha," she murmured, with a sigh, "you find me very sad and very unhappy!" "And you find me, fair queen," replied the confidante, fixing an admiring look on Joan,—"you find me just the opposite, very happy that I can lay at your feet before anyone else the proof of the joy that the people of Naples are at this moment feeling. Others perhaps may envy you the crown that shines upon your brow, the throne which is one of the noblest in the world, the shouts of this entire town that sound rather like worship than homage; but I, madam, I envy you your lovely black hair, your dazzling eyes, your more than mortal grace, which make every man adore you." "And yet you know, my Cancha, I am much to be pitied both as a queen and as a woman: when one is fifteen a crown is heavy to wear, and I have not the liberty of the meanest of my subjects—I mean in my affections; for before I reached an age when I could think I was sacrificed to a man whom I can never love." "Yet, madam," replied Cancha in a more insinuating voice, "in this court there is a young cavalier who might by virtue of respect, love, and devotion have made you forget the claims of this foreigner, alike unworthy to be our king and to be your husband." The queen heaved a heavy sigh.