the modern athens 13
After the King had witnessed the devotedness of the Athenian
authorities at the table, it was proper that he should see the devotion
of the people in the church; and here again was one of those scenes
which struck me, and must have struck him, very forcibly, as to the
difference of a free people, and fawning courtiers, corporation fools,
and party slaves.
Becoming preparations having been made, and the King having been
furnished with a perspective sketch of the church, and a written
programme of the service, it was agreed that the Very Reverend David
Lamont, D.D., Moderator and Spiritual Head upon Earth of the Kirk of
Scotland, should preach before him, in the name and stead of all his
willing and worshipping brethren, while the “men,” the “leaders,” and
the people, should demean themselves with that decorum, which the day,
the service, and the occasion required.
When the services of the Scottish kirk are performed in a becoming
manner, there is a feeling, a sublimity, and a heavenliness about them,
of which one who considers only their simple and unadorned structure
could form no adequate idea; and when I observed the still and unbroken
solemnity of the service, and the effect which it obviously had, not
only upon those who are accustomed to it, but upon those strangers
who, in whatever predilection they had for one religion more than
another, were wedded to the more artificial and gaudy ritual of another
church--a church which had been at enmity with the Scottish kirk from
the beginning, and which, in dislike to the system of sober equality
among the Scottish clergy, and the democratic nature of their church
establishment, have attempted to hold up their form of worship as cold,
meagre, incapable of stirring up devotion in the hearts of men, and,
by consequence, not so gratifying to the Almighty as the more costly
and complicated ceremonial of others,--I could not help believing that,
of all forms of religion, the simplest is decidedly the best, and that
if the object of the propagators of Christianity was nothing but the
cultivation of the minds and the improvement of the morals of society,
they would carefully avoid all artifice and all show. Those, indeed,
who have considered the correspondence that exists between the forms
of religious worship, and the intellectual culture of the great body
of the people, cannot have failed to observe, that pompous shows and
gaudy ceremonies have ever been the concomitants of general ignorance
and superstition, and that a plain and unadorned system of worship, has
uniformly been characteristic of an intelligent people.
Scotland is an eminent example of this; and whoever takes the
trouble to investigate the structure of Scottish society will, to a
certainty, find that for half their virtues, and more than half their
information, they are indebted to the presbyterian kirk. Nor is it by
any means difficult to find out the reason: A religion of shows and of
sounds,--of mummeries and of music,--must ever be a religion of the
senses. How gaudy soever the trappings, and how fine soever the music,
they can afford nothing more than a gratification of the senses at the
time. Forms cannot exist vividly but in matter, and when the string
of an instrument ceases to vibrate on the ear, the pleasure which it
affords, however sweet or however delightful, is at an end: they enter
not into reflection; they stimulate not the more rational and permanent
faculties of the mind; and, though they may be made to influence, and
influence powerfully, the passions, while they last, they leave no
lesson which can be useful as a general rule of life. Hence, though the
churches of Scotland be, compared with those of England, rude in the
extreme; though the sacred music of Scotland be often the untutored
attempt of nature, without the aid of flutes, hautboys, and violins, as
in the poorer churches of England, or the solemn notes of the organ,
as in the richer ones; and though the prayers of the Scottish preacher
are generally couched in terms less stately and sublime than those
of the service-book of the English church, yet we have the clearest
proof that can be given of the superior efficacy of the Scottish mode
of worship, in the superior veneration which the people of Scotland,
without any hope or even possibility of earthly reward from it, pay
to the rites and ordinances of religion, and especially to that most
beneficial of all religious institutions, the setting apart of the
sabbath as a day of calm tranquillity and holy meditation.
I know not whether the Author of these pages, or the Sovereign of these
realms, was the more delighted with the calm, sustained, and religious
air of the people of the Athens and of Scotland, as they both proceeded
from the palace of the Holyrood to the High Kirk, on the morning of
Sunday, the 25th of August. A countless multitude thronged the street,
and filled the windows and house-tops; they were habited in the neatest
and cleanest manner; and their profound silence formed a wonderful
contrast to the noise of their mirth upon the former occasions. There
was not a cheer, a shout, or even a whisper; but, as the King passed
along, the men lifted their hats, and the whole passed with the most
sustained but respectful reverence. They appeared to respect their
King, but to respect him less than they did the institutions of
their God, and the simple sublimity of that religion which their own
perseverance, faith, and courage, had gained them, in spite of the
efforts of courtiers and kings, by whom its integrity, and even its
existence, were menaced.
The extreme decorum of the people upon this day was the more
creditable, that it had been arranged by none of the authorities; and
those who formed the mass of the spectators were chiefly such as, on
account of their distances or their pursuits, could not obtain a sight
of their monarch upon any other day.
In the crowd I could distinguish a number, who, from their substantial
blue garments, their broad bonnets, their lank uncut hair, their great
staves, and their shoes dirty, as from a long journey, seemed to be
true whigs of the covenant, who looked upon the descendant of Brunswick
as a chosen one of Heaven’s appointment, whose ancestors had been
the means of preventing that civil and religious slavery which had
threatened them in 1715 and 1745.
As seemed to be the case with all parts of the ceremony which were left
to the awkward and inexperienced official men of the Athens, the King’s
accommodation, or at least his attendance in church, was by no means
what it ought to have been. He had brought a hundred pounds to give to
the poor, and he had some difficulty in getting it disposed of; and,
delighted with the unassisted vocal music, which was really very good,
he wished to join in the psalm, but he was unacquainted with the book,
and there was nobody to point out the place for him. Still, judging
from appearance as well as from all that I could hear afterwards, the
King was better pleased with the stillness and solemnity of the Sunday
than he had been with the shows of the other days. One reason of this
no doubt was, that, on the Sunday, the King was not so belumbered by
the aspiring loyalists thrusting themselves not only between him and
the people, but between him and his own ease, comfort, and pleasure,
as they had done in all those acts of the drama, of which themselves
formed a leading or conspicuous part; and, as he had formerly expressed
his high approbation of the appearance, and, which sounded more strange
in the ears of a southern visitor, of the cleanliness of the Scottish
people, he had an equal opportunity of complimenting them upon their
decorum.
After the King had paraded, and dined, and heard sermon, there remained
no further lion of Athens to afflict him but the theatre; which was
arranged for his reception, as well as an Athenian theatre could be
expected to be arranged for such a purpose, on the evening of Friday,
the 27th of August.
The people of the Athens never have been able, and probably never will
be able, to support a respectable theatrical establishment. The genius
of the Scottish people generally is not theatrical. There are still
many sects of religionists among them by whom the stage is denounced as
a “tabernacle of Satan.” This is by no means confined to the provinces,
or to the more austere or fanatical classes of dissenters; for, at the
time when “I, and the King,” visited the Athens, her celebrated, and
most deservedly-celebrated preacher, of the presbyterian establishment,
was denouncing the sinfulness of stage-plays, both from the pulpit
and the press; and though some of the courtly persons whom fashion
had induced to became churchwardens or elders of his congregation,
threatened to rebuke or leave him, because, in the true spirit of John
Knox, he had preached a homily on kingly duties, in which there was not
much of flattery, while the King was in the Athens, yet they let him
denounce the theatre as he pleased.
The more aspiring cast of the Athenians lay claim to very superlative
taste in theatrical matters, as indeed they do in every thing; and
hence, they pretend that they do not patronise the theatre, because
they cannot find a company of players, who come at all up to their
standard of histrionic perfection; and they appeal for proof to the
fact, that when any of the grand stars or comets of the London boards
come to them for a night or two, they throng the theatre with their
persons, and threaten to break it down with their plaudits. All this,
however, proves nothing, but that they are unable to support a theatre,
and that the crowding to see a strange actor for a night or two arises
not from taste but from curiosity. The fact is, that, though England
has produced the very best dramatic poet that ever lived, and some
of the best dramatic performers, yet that the drama, as a matter of
sentiment and feeling, and, as it were, of constitutional necessity,
does not tally with the spirit even of the English people; and, as the
Scotch have all the business habits of the English, together with a
much greater degree of starchedness of character, and incapability of
purse, the theatre cannot possibly flourish among them.
The London theatres, excepting in the case of occasional and accidental
runs upon a particular piece, or a particular actor, are uniformly
miserable speculations for the proprietors; and it will be found,
that even the poor support which the theatres in London get, is given
them, not by the people of London so much as by that vast concourse
of strangers who feel at a loss how to spend their evenings. Before
the people, either of the Athens, or of any other part of the British
dominions, can become theatrical, they must have a little more
relaxation from hard labour than they can at present command. The
national debt, and the immense public establishments, are the real
causes why there are not only no Shakspeares now, but why the heroes
of the old Shakspeare have given place to the wooden or real horses of
a more buffooning race. The people must not only work, but work hard,
during the live-long day; and when they have an hour which they can
snatch from the abridged civilities of social life, for the purpose of
looking at a theatrical exhibition, they very naturally prefer that
which costs them no labour of thought, and which makes them laugh,
to that which would impose upon them fatigue of the mind in addition
to fatigue of the body. To say, therefore, that the Athens does not
support the theatre, because she cannot find a _corps dramatique_ that
comes up to her taste, has no surer a foundation than any other of
those airy structures which she builds as the monuments of her glory.
None of the fine arts, as a matter of abstract study and speculation,
and apart from its contributing to the general comforts of life, can
ever prosper in such a state of society as that of England at the
present day; and if they languish in the British metropolis, where
there is the greatest abundance both of money and of idle people, what
must they do among a people who are comparatively so poor and so
plodding as those of the Athens? If a London merchant, who goes to his
place of business at one, and leaves it at three, does not encourage
the drama, and the other fine arts; what can be expected from an
Athenian special pleader, who drudges at Stair and Erskine, and thumbs
Morison’s Dictionary of Decisions, from grey dawn to dark midnight,
except during the hours that he is occupied in gossiping in the large
hall of the parliament-house, or wrangling in the little courts, and
less niches? It is true, that Mr. Clark, now Lord Eldin, could adorn
his brief with drawings, even in those places,--that the Unknown, who
is only a copying machine in his official capacity, can spin a chapter,
or correct a proof sheet,--and that Jeffery has sometimes been caught
writing an article for the Edinburgh Review, during the time that some
long-winded proser was darkening the case on the other side; but still
all this is done more as matter of business than of pleasure; and
would, in almost all cases, be let alone, were it not for the fee that it produces.
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