Insect Adventures 1

Insect Adventures 1

Insect Adventures, by J. Henri Fabre and Louise Seymour Hasbrouck INSECT ADVENTURES Petty truths, I shall be told, those presented by the habits of a spider or a grasshopper. There are no petty truths today; there is but one truth, whose looking-glass to our uncertain eyes seems broken, though its every fragment, whether reflecting the evolution of a planet or the flight of a bee, contains the supreme law.                                                      MAURICE MAETERLINCK [Illustration: “What a day it was when I first became a herdsman of ducks!”]   INSECT ADVENTURES   BY   J. HENRI FABRE   _Selections from Alexander Teixeira de Mattos’   Translation of Fabre’s “Souvenirs Entomologiques”_   RETOLD FOR YOUNG PEOPLE   BY   LOUISE SEYMOUR HASBROUCK   ILLUSTRATED BY   ELIAS GOLDBERG   [Colophon]   NEW YORK   DODD, MEAD AND COMPANY   1917   COPYRIGHT, 1917,   By DODD, MEAD & COMPANY, Inc. PREFACE Jean Henri Fabre, author of the long series of “Souvenirs Entomologiques” from which these studies are taken, was a French school-teacher and scientist whose peculiar gift for the observation and description of insect life won for him the title of the “insects’ Homer.” A distinguished English critic says of him, “Fabre is the wisest man, and the best read in the book of nature, of whom the centuries have left us any record.” The fact that he was mainly self-taught, and that his life was an unending struggle with poverty and disappointment, increases our admiration for his wonderful achievements in natural science. A very interesting account of his early years, given by himself, will be found in Chapter XVII of this volume. The salaries of rural teachers and professors were extremely small in France during the last century, and Fabre, who married young, could barely support his large family. Nature study was not in the school curriculum, and it was years before he could devote more than scanty spare hours to the work. At the age of thirty-two, however, he published the first volume of his insect studies. It attracted the attention of scientists and brought him a prize from the French Institute. Other volumes were published from time to time, but some of Fabre’s fellow scientists were displeased because the books were too interesting! They feared, said Fabre, “lest a page that is read without fatigue should not always be the expression of the truth.” He defended himself from this extraordinary complaint in a characteristic way. “Come here, one and all of you,” he addressed his friends, the insects. “You, the sting-bearers, and you, the wing-cased armor-clads—take up my defense and bear witness in my favor. Tell of the intimate terms on which I live with you, of the patience with which I observe you, of the care with which I record your actions. Your evidence is unanimous; yes, my pages, though they bristle not with hollow formulas or learned smatterings, are the exact narrative of facts observed, neither more nor less; and whoso cares to question you in his turn will obtain the same replies. “And then, my dear insects, if you cannot convince these good people, because you do not carry the weight of tedium, I, in my turn, will say to them: “‘You rip up the animal and I study it alive; you turn it into an object of horror and pity, whereas I cause it to be loved; you labor in a torture-chamber and dissecting-room, I make my observation under the blue sky to the song of the cicadas; you subject cell and protoplasm to chemical tests, I study instinct in its loftiest manifestations; you pry into death, I pry into life.... I write above all for the young. I want to make them love the natural history which you make them hate; and that is why, while keeping strictly in the domain of truth, I avoid your scientific prose, which too often, alas, seems borrowed from some Iroquois idiom.’” Fabre, though an inspiring teacher, had no talent for pushing himself, and did not advance beyond an assistant professorship at a tiny salary. The other professors at Avignon, where he taught for twenty years, were jealous of him because his lectures on natural history attracted much attention, and nicknamed him “the Fly.” He was turned out of his house at short notice because the owners, two maiden ladies, had been influenced by his enemies, who considered his teachings in natural history irreligious. Many years later, the invaluable textbooks he had written were discontinued from use in the schools because they contained too much religion! A process which he invented for the extraction of dye from madder flowers, by which he hoped to make himself independent, proved unprofitable on account of the appearance on the market of the cheaper aniline dyes. Though unknown during most of his lifetime to the world at large, Fabre through his writings gained the friendship of several celebrated men. Charles Darwin called him the “incomparable observer.” The Minister of Education in France invited him to Paris and had him made a Chevalier of the Legion of Honor, and presented him to the Emperor, Napoleon III. He was offered the post of tutor to the Prince Imperial, but preferred his country life and original researches, even though they meant continued poverty. At last, after forty years of drudgery, Fabre secured from his textbooks a small independent income, which released him from teaching and enabled him to buy at Serignan a house and garden of his own, and a small piece of waste ground, dedicated to thistles and insects—a “cursed ground,” he wrote, “which no one would have as a gift to sow with a pinch of turnip seed,” but “an earthly paradise for bees and wasps”—and, on that account, for him also. “It is a little late, O my pretty insects,” he adds—he was at this time over sixty; “I greatly fear the peach is offered to me only when I am beginning to have no teeth wherewith to eat it.” He lived, however, to spend many years at his chosen studies. During the last years of his life his fame spread, and in 1910, in his eighty-eighth year, some of his admirers arranged a jubilee celebration for him at Serignan. Many famous men attended, and letters and telegrams poured in from all parts of the world. He died five years later, at the age of ninety-two. CONTENTS CHAPTER                                                             PAGE       I My First Pond                                                 17      II The Caddis-Worm                                               31     III The Mason-Bees                                                37      IV Bees, Cats and Red Ants                                       49       V The Mining Bees                                               62      VI The Leaf-Cutting Bees                                         78     VII The Cotton-Bees and Resin-Bees                                85    VIII The Hairy Sand-Wasp                                           93      IX The Wasp and the Cricket                                     106       X The Fly-Hunting Wasp                                         113      XI Parasites                                                    125     XII Fly Scavengers                                               133    XIII The Pine Caterpillar                                         135     XIV The Cabbage Caterpillar                                      161      XV The Great Peacock Moths                                      167     XVI The Truffle-Hunting Beetle                                   171    XVII The Boy Who Loved Insects                                    177   XVIII The Banded Spider                                            199     XIX The Tarantula                                                209      XX The Clotho Spider                                            236     XXI The Spiders’ Telegraph-Wire                                  242    XXII The Crab Spider                                              248   XXIII The Labyrinth Spider                                         257    XXIV The Building of a Spider’s Web                               266     XXV The Geometry of a Spider’s Web                               276 ILLUSTRATIONS                                                                     PAGE   What a Day It Was When I First Became a Herdsman   of Ducks! (_Frontispiece_)                                           4   I Think of the King’s Crown of the Princesses’   Necklace                                                            25   The Flowers Which Deck the Mountain Streams   With Gold Supply Her With Sugary Liquid   and Pollen                                                          41   “Be Off, or You’ll Catch It!” Says the Doorkeeping Bee              73   What Pattern that She Carries in Her Mind Guides   Her Scissors?                                                       83   The Gorgeous Drama                                                 102   One Day, Bang!                                                     119   When Winter is Near They Will Build a Stronger Tent                139   They Proceed in Single File                                        146   The Fire Was Not Exactly Lit for Us                                183   Does She Help Them to Regain Their Place on Her Back?              226   The Slanting Cord Is a Telegraph Wire                              244   Like the Finish of a Fire-Works Display                            255 INSECT ADVENTURES [Illustration] CHAPTER I MY FIRST POND I am never tired of looking in a pond. What busy life there is in that green world! On the warm mud of the edges, the Frog’s little Tadpole basks and frisks in its black legions; down in the water, the orange-bellied Newt steers his way slowly with the broad rudder of his flat tail; among the reeds are stationed the little fleets of the Caddis-worms, half-protruding from their tubes, which are now a tiny bit of stick and again a tower of little shells. In the deep places, the Water-beetle dives, carrying with him his extra supply of breath, an air-bubble at the tip of the wing-cases and, under the chest, a film of gas that gleams like a silver breast plate; on the surface, the ballet of those shimmering pearls, the Whirligigs, turns and twists about; hard by, there swims the troop of the Pond-skaters, who glide along with side-strokes like those which the cobbler makes when sewing. Here are the Water-boatmen, who swim on their backs with two oars spread crosswise, and the flat Water-scorpions; here, clad in mud, is the grub of the largest of our Dragon-flies, so curious because of its manner of moving: it fills its hinder parts, a yawning funnel, with water, spirts it out again and advances just so far as the recoil of its water cannon. There are plenty of peaceful Shellfish. At the bottom, the plump River-snails discreetly raise their lid, opening ever so little the shutters of their dwelling; on the level of the water, in the glades of the water-garden, the Pond-snails take the air. Dark Leeches writhe upon their prey, a chunk of Earthworm; thousands of tiny, reddish grubs, future Mosquitoes, go spinning around and twist and curve like so many graceful Dolphins. Yes, a stagnant pool, though but a few feet wide, hatched by the sun, is an immense world, a marvel to the child who, tired of his paper boat, amuses himself by noticing what is happening in the water. Let me tell what I remember of my first pond, which I explored when I was seven years old. We had nothing but the little house inherited by my mother, and its patch of garden. Our money was almost all gone. What was to be done? That was the stern question which father and mother sat talking over one evening. Do you remember Hop-o’-My-Thumb, who hid under the wood-cutter’s stool and listened to his parents overcome by want? I was like him. I also listened, pretending to sleep, with my elbows on the table. It was not blood-curdling designs that I heard but grand plans that set my heart rejoicing. [Illustration] “Suppose we breed some ducks,” says mother. “They sell very well in town. Henri would mind them and take them down to the brook. And we could feed them on the grease from the tallow-factory, which they say is excellent for ducks, and which we could buy for a small price.” “Very well,” says father, “let’s breed some ducks. There may be difficulties in the way; but we’ll have a try.” That night I had dreams of paradise: I was with my ducklings, clad in their yellow suits; I took them to the pond, I watched them have their bath, I brought them back again, carrying the more tired ones in a basket. A month or two after the little birds of my dreams were a reality. There were twenty-four of them. They had been hatched by two hens, of whom one, the big black one, was an inmate of the house, while the other was borrowed from a neighbor. To bring them up, the big, black hen is enough, so careful is she of her adopted family. At first everything goes perfectly: a tub with two fingers’ depth of water serves as a pond. On sunny days the ducklings bathe in it under the anxious eye of the hen. Two weeks later, the tub no longer satisfies. It contains neither cresses crammed with tiny Shellfish nor Worms and Tadpoles, dainty morsels both. The time has come for dives and hunts among the tangle of the water-weeds; and for us the day of trouble has also come. How are we, right up at the top of the hill, to get water enough for a pond for our broods? In summer, we have hardly water to drink! Near the house there is only a scanty spring from which four or five families besides ourselves draw their water with copper pails. By the time that the schoolmasters donkey has quenched her thirst and the neighbors have taken their provision for the day, the spring-basin is dry. We have to wait four-and-twenty hours for it to fill. No, there is no place there for ducklings. There is a brook at the foot of the hill, but to go down to it with the troop of ducklings is dangerous. On the way through the village we might meet murdering cats, or some surly dog might frighten and scatter the little band; and it would be a puzzling task to collect them all again. But there is still another spot, part way up the hill, where there is a meadow and a pond of some size. It is very quiet there, and the place can be reached by a deserted footpath. The ducklings will be well off. What a day it was when I first became a herdsman of ducks! Why must there be a drawback to such joys? Walking on the hard stones had given me a large and painful blister on the heel. If I had wanted to put on the shoes stowed away in the cupboard for Sundays and holidays, I could not. I had to go barefoot over the broken stones, dragging my leg and carrying high the injured heel. The ducks, too, poor little things, had sensitive soles to their feet; they limped, they quacked with fatigue. They would have refused to go any farther towards the pond if I had not, from time to time, called a halt under the shelter of an ash. [Illustration] We are there at last. The place could not be better for my birdlets: shallow, tepid water, with a few muddy knolls and little green islands. The pleasures of the bath begin at once. The ducklings clap their beaks and rummage here, there, and everywhere; they sift each mouthful, throwing out the clear water and swallowing the good bits. In the deeper parts they point their tails into the air and stick their heads under water. They are happy: and it is a blessed thing to see them at work. I too am enjoying the pond. What is this? On the mud lie some loose, knotted, soot-covered cords. One might take them for threads of wool like those which you pull out of an old ravelly stocking. Can some shepherdess, knitting a black sock and finding her work turn out badly, have begun all over again and, in her impatience, have thrown down the wool with all the dropped stitches? It really looks like it. I take up one of those cords in my hand. It is sticky and very loose; the thing slips through my fingers before they can catch hold of it. A few of the knots burst and shed their contents. What comes out is a black ball, the size of a pin’s head, followed by a flat tail. I recognize, on a very small scale, a familiar object: the Tadpole, the Frog’s baby. Here are some other creatures. They spin around on the surface of the water and their black backs gleam in the sun. If I lift a hand to seize them, that moment they disappear, I do not know where. It’s a pity; I should have liked much to see them closer and to make them wriggle in a little bowl which I should have put ready for them. Let us look at the bottom of the water, pulling aside those bunches of green string from which beads of air are rising and gathering into foam. There is something of everything underneath. I see pretty shells with compact whorls, flat as beans; I notice little worms carrying tufts and feathers; I make out some with flabby fins constantly flapping on their backs. What are they all doing there? What are their names? I do not know. And I stare at them for ever so long, held by the mystery of the waters. At the place where the pond dribbles into the near-by field, are some alder-trees; and here I make a glorious find. It is a Beetle—not a very large one, oh, no! He is smaller than a cherry-stone, but of an unutterable blue. The angels in paradise must wear dresses of that color. I put the glorious one inside an empty snail-shell, which I plug up with a leaf. I shall admire that living jewel at my leisure, when I get back. Other things call me away. The spring that feeds the pond trickles from the rock, cold and clear. The water first collects into a cup, the size of the hollow of one’s two hands, and then runs over in a stream. These falls call for a mill: that goes without saying. I build one with two bits of straw, crossed on an axis, and supported by flat stones set on edge. The mill is a great success. I am sorry I have no playmates but the ducklings to admire it. Let us contrive a dam to hold back the waters and form a pool. There are plenty of stones for the brickwork. I pick the most suitable; I break the larger ones. And, while collecting these blocks, suddenly I forget all about the dam which I meant to build. On one of the broken stones, in a hole large enough for me to put my fist into, something gleams like glass. The hollow is lined with facets gathered in sixes which flash and glitter in the sun. I have seen something like this in church, on the great saints’-days, when the light of the candles in the big chandelier kindles the stars in its hanging crystal. We children, lying, in summer, on the straw of the threshing-floor, have told one another stories of the treasures which a dragon guards underground. Those treasures now return to my mind: the names of precious stones ring out uncertainly but gloriously in my memory. I think of the king’s crown, of the princesses’ necklaces. In breaking stones, can I have found, but on a much richer scale, the thing that shines quite small in my mother’s ring? I want more such. The dragon of the subterranean treasures treats me generously. He gives me his diamonds in such quantities that soon I possess a heap of broken stones sparkling with magnificent clusters. He does more: he gives me his gold. The trickle of water from the rock falls on a bed of fine sand which it swirls into bubbles. If I bend over towards the light, I see something like gold-filings whirling where the fall touches the bottom. Is it really the famous metal of which twenty-franc pieces, so rare with us at home, are made? One would think so, from the glitter. [Illustration: “I think of the king’s crown, of the princesses’ necklace.”] I take a pinch of sand and place it in my palm. The brilliant particles are numerous, but so small that I have to pick them up with a straw moistened in my mouth. Let us drop this: they are too tiny and too bothersome to collect. The big, valuable lumps must be farther on, in the thickness of the rock. We’ll come back later; we’ll blast the mountain. I break more stones. Oh, what a queer thing has just come loose, all in one piece! It is turned spiral-wise, like certain flat Snails that come out of the cracks of old walls in rainy weather. With its gnarled sides, it looks like a little ram’s-horn. How do things like that find their way into the stone? Treasures and curiosities make my pockets bulge with pebbles. It is late and the little ducklings have had all they want to eat. “Come along, youngsters,” I say to them, “let’s go home.” My blistered heel is forgotten in my excitement. The walk back is a delight, as I think of all the wonderful things I have found. But a sad disappointment is waiting for me when I reach home. My parents catch sight of my bulging pockets, with their disgraceful load of stones. The cloth has given way under the rough and heavy burden. “You rascal!” says father, at sight of the damage. “I send you to mind the ducks and you amuse yourself picking up stones, as though there weren’t enough of them all round the house! Make haste and throw them away!” Broken-hearted, I obey. Diamonds, gold-dust, petrified ram’s-horn, heavenly Beetle, are all flung on a rubbish-heap outside the door. [Illustration] Mother bewails her lot: “A nice thing, bringing up children to see them turn out so badly! You’ll bring me to my grave. Green stuff I don’t mind: it does for the rabbits. But stones, which ruin your pockets; poisonous animals, which’ll sting your hand: what good are they to you, silly? There’s no doubt about it; some one has thrown a spell over you!” Poor mother! She was right. A spell had been cast upon me—a spell which Nature herself had woven. In later years I found out that the diamonds of the duck-pool were rock-crystal, the gold-dust, mica; but the fascination of the pond held good for all that. It was full of secrets that were worth more to me than diamonds or gold. [Illustration] THE GLASS POND Have you ever had an indoor pond? Such a pond is easy to make and one can watch the life of the water in it even better than outdoors, where the ponds are too large and have too much in them. Besides, when out-of-doors, one is likely to be disturbed by passers-by. For my indoor pond, the blacksmith made me a framework of iron rods. The carpenter, who is also a glazier, set the framework on a wooden base and supplied it with a movable board as a lid; he then fixed thick panes of glass in the four sides. The bottom of the pond was made of tarred sheet iron, and had a trap to let the water out. The contrivance looked very well, standing on a little table in front of a sunny window. It held about ten or twelve gallons. I put in it first some limy incrustations with which certain springs in my neighborhood cover the dead clumps of rushes. It is light, full of holes, and looks a little like a coral reef. Moreover, it is covered with a short, green, velvety moss of tiny pond-weed. I count upon this pond-weed to keep the water healthy. How? Let us see. The living creatures in the pond fill the water, just as living people fill the air, with gases unfit to breathe. Somehow the pond must get rid of these gases, or its inhabitants will die. This is what the pond-weed does; it breathes in and burns up the unwholesome gases, changing them into a life-giving gas. If you will look at the pond when the sun is shining on it, you will see this change take place. How beautiful the water-weeds are! The green-carpeted reef is lit up with countless sparkling points and looks like a fairy lawn of velvet, studded with thousands of diamond pin-heads. From this exquisite jewelry pearls constantly break loose and are at once replaced by others; slowly they rise, like tiny globes of light. They spread on every side. It is a constant display of fireworks in the depth of the water. This is what is really happening: The weeds are decomposing—that is, separating into its elements—the unwholesome carbonic acid gas with which the water is filled; they keep the carbon to use in their own cells; they breathe out the oxygen in tiny bubbles, the pearls that you have seen. These partly dissolve in the water, making it healthful for the little water-creatures to breathe, and partly reach the surface, where they vanish in the air, making it good for us to breathe. No matter how often I see it, I cannot help being interested in this everyday marvel of a bundle of weeds purifying a stagnant pool; I look with a delighted eye upon the ceaseless spray of spreading bubbles; I see in imagination the prehistoric times when seaweed, the first-born of plants, produced the first atmosphere for living things to breathe at the time when the land of the continents was beginning to rise out of the oceans. What I see before my eyes, between the glass panes of my pond, tells me the story of the planet surrounding itself with pure air. [Illustration] CHAPTER II THE CADDIS-WORM [The caddis-worm is the grub of the caddis-fly, which is like a small moth and is often seen flitting over our streams and ponds. There are about one hundred and fifty species of this fly in America.] Whom shall I lodge in my glass trough, kept always wholesome by the action of the water-weeds? I shall keep Caddis-worms, those insects which clothe themselves with little sticks and other materials. They are among the most ingenious of the self-clothing insects. The particular species of Caddis-worm I have chosen is found in muddy-bottomed, stagnant pools crammed with small reeds. It is the little grub that carries through the still waters a bundle of tiny fragments fallen from the reeds. Its sheath, a traveling house, is an elaborate piece of work, made of many different materials. The young worms, the beginners, start with a sort of deep basket in wicker-work, made of small, stiff roots, long steeped and peeled under water. The grub that has made a find of these fibers saws them with its jaws and cuts them into little straight sticks, which it fixes one by one to the edge of its basket, always crosswise. This pile of spikes is a fine protection, but hard to steer through the tangle of water-plants. Sooner or later the worm forsakes it, and builds with round bits of wood, browned by the water, often as wide as a thick straw and a finger’s breadth long, more or less—taking them as chance supplies them. It does not always use wood, however. If there are plenty of small, dead Pond-snails in the pond, all of the same size, the Caddis-worm makes a splendid patchwork scabbard; with a cluster of slender roots, reduced by rotting to their stiff, straight, woody axis, it manufactures pretty specimens of wicker-work like baskets. With grains of rice, which I gave the grubs in my glass pond as an experiment, they built themselves magnificent towers of ivory. Next to the sheaths of snail-shells, this was the prettiest thing I ever saw the Caddis-worms make. THE PIRATES’ ATTACK What is the use of these houses which the Caddis-worms carry about with them? I catch a glimpse of the reason for making them. My glass pond was at first occupied by a dozen Water-beetles, whose diving performances are so curious to watch. One day, meaning no harm and for want of a better place to put them, I fling among them a couple of handfuls of Caddis-worms. Blunderer that I am, what have I done! The pirate Water-beetles, hiding in the rugged corners of the rockwork, at once perceive the windfall. They rise to the surface with great strokes of their oars; they hasten and fling themselves upon the crowd of carpenter Caddis-worms. Each Beetle grabs a sheath by the middle and tries to rip it open by tearing off shells and sticks. While this is going on, the Caddis-worm, close-pressed, appears at the mouth of the sheath, slips out, and quickly escapes under the eyes of the Water-beetle, who appears to notice nothing. The brutal ripper of sheaths does not see the little worm, like a white sausage, that slips between his legs, passes under his fangs, and madly flees. He continues to tear away the outer case and to tug at the silken lining. When the breach is made, he is quite crestfallen at not finding what he expected. [Illustration] Poor fool! Your victim went out under your nose and you never saw it. The worm has sunk to the bottom and taken refuge in the mysteries of the rockwork. If things were happening in a larger, outdoor pond, it is clear that, with their clever way of removing themselves, most of the worms would escape scot-free. Fleeing to a distance and recovering from the sharp alarm, they would build themselves a new scabbard, and all would be over until the next attack, which would be foiled all over again by the very same trick! AN INSECT SUBMARINE Caddis-worms are able to remain on the level of the water indefinitely with no other support than their house; they can rest in unsinkable flotillas and can even shift their place by working the rudder. How do they do it? Do their sticks make a sort of raft? Can the shells contain a few bubbles of air and serve as floats? Let us see. I remove a number of Caddis-worms from their sheaths and put the sheaths in the water. Not one of them floats, neither those made of shells nor those of woody materials. The Worm also, when removed from its tube, is unable to float. This is how the Worm manages. When at rest, at the bottom of the pond, it fills the whole of the tube of its sheath. When it wishes to reach the top of the pond, it climbs up the reeds, dragging its house of sticks with it; then it sticks the front of its body out of the sheath, leaving a vacant space in the rear, like the vacuum in a pump when one draws out the piston. This promptly fills with air, enabling the Worm to float, sheath and all, just as the air in a life-preserver holds a person up in the water. The Caddis-worm does not need to cling to the grasses any longer. It can move about on the surface of the pond, in the glad sunlight. To be sure, it is not very talented as a boatman. But it can turn round, tack about and shift its place slightly by using the front part of its body, which is out of the tube, as a rudder and paddle; and that is all it wishes to do. When it has had enough of the sun, and thinks it time to return to the quiet of the mud-bed at the bottom, it draws itself back into its sheath, expelling the air, and at once begins to sink. We have our submarines—the Caddis-worms have theirs. They can come out of the water, they can dip down and even stop at mid-depth by releasing gradually the surplus air. And this apparatus, so perfectly balanced, so skillful, requires no knowledge on the part of its maker. It comes into being of itself, in accordance with the plans of the universal harmony of things. [Illustration] CHAPTER III THE MASON-BEES At a school where I once taught, one subject in particular appealed to both master and pupils. This was open-air geometry, practical surveying. When May came, once every week we left the gloomy schoolroom for the fields. It was a regular holiday. We did our surveying on an untilled plain, covered with flowering thyme and rounded pebbles. There was room there for making every sort of triangle or polygon. Well, from the very first day, my attention was attracted by something suspicious. If I sent one of the boys to plant a stake, I would see him stop frequently on his way, bend down, stand up again, look about and stoop once more, neglecting his straight line and his signals. Another, who was told to pick up the arrows, would forget and take up a pebble instead; and a third, instead of measuring angles, would crumble a clod of earth between his fingers. [Illustration] Most of them were caught licking a bit of straw. The surveying suffered. What could the mystery be? I inquired; and everything was explained. The scholars had known for a long time what the master had not yet heard of, namely, that there was a big black Bee who made clay nests on the pebbles in the fields. These nests contained honey; and my surveyors used to open them and empty the cells with a straw. The honey, although rather strong-flavored, was most acceptable. I grew fond of it myself, and joined the nest-hunters, putting off the lesson until later. It was thus that I first made the acquaintance of the Mason-bee. The Bee herself is a magnificent insect, with dark-violet wings and a black-velvet dress. We have two kinds of Mason-bees in our district: this one, who builds by herself on walls or pebbles, and the Sicilian Mason-bee, who builds in colonies under sheds and roofs. Both use the same kind of material: hard clay, mixed with a little sand and kneaded into a paste with the Bee’s own saliva, forming, when dry, a sort of hard cement. Man’s masonry is formed of stones laid one above the other and cemented together with lime. The Mason-bee’s work can bear comparison with ours. Instead of stones, she uses big pieces of gravel. She chooses them carefully one by one, picks out the hardest bits, generally with corners, which, fitting one into the other, make a solid whole. She holds them together with layers of her mortar, sparingly applied. Thus the outside of her cell looks like a rough stone house; but the inside, which must be smooth in order not to hurt the Bee-baby’s tender skin, is covered with a coat of pure mortar. This inner whitewash, however, is not put on artistically, but in great splashes; and the grub takes care, after it has finished eating its honey, to make itself a cocoon and hang the walls of its room with silk. When the cell is finished, the Bee at once sets to work to provide food for it. The flowers round about, especially those of the yellow broom, which in May deck the pebbly borders of the mountain streams with gold, supply her with sugary liquid and pollen. She comes with her crop swollen with honey and her body yellowed underneath with pollen-dust. She dives headfirst into the cell; and for a few moments you see her jerk violently as she empties her crop of the honey-sirup. Afterwards, she comes out of the cell, only to go in again at once, but this time backwards. The Bee now brushes the lower side of her abdomen with her two hind-legs and rids herself of her load of pollen. Once more she comes out and once more goes in headfirst. It is a question of stirring the materials, with her jaws for a spoon, and making the whole into a smooth mixture. She does not do this after every journey; only once in a while, when she has gathered a good deal of food. When the cell is half full of food, she thinks there is enough. An egg must now be laid on top of the paste and the house must be closed. All this is done quickly. The cover is a lid of pure mortar, which the Bee builds by degrees, working from the outside to the center. Two days at most appeared to me to be enough for everything, provided that no bad weather—rain or merely clouds—came to interrupt the work. Then a second cell is built, with its back to the first and provisioned in the same manner. A third, a fourth, and so on follow, each supplied with honey and an egg and closed before the foundations of the next are laid. [Illustration: “The flowers which deck the mountain streams with gold supply her with sugary liquid and pollen.”] When all the cells are finished, the Bee builds a thick cover over the group, to protect her grub-babies from damp, heat and cold. This cover is made of the usual mortar, but on this occasion with no small stones in it. The Bee applies it pellet by pellet, trowelful by trowelful, to the depth of about a third of an inch over the cluster of cells, which disappear entirely under the clay covering. When this is done, the nest has the shape of a rough dome, equal in size to half an orange. One would take it for a round lump of mud which had been thrown and half crushed against a stone and had then dried where it was. This outer covering dries as quickly as the cement we use in our houses; and the nest is soon almost as hard as a stone. Instead of building a brand-new nest on a hitherto unoccupied bowlder, the Mason-bee of the Walls is always glad to make use of old nests built the year before. These need only a little repair to put them in good condition. The Bee who has chosen one of these nests looks about to see what parts need repairing, tears off the strips of cocoon hanging from the walls, removes the fragments of clay that fell from the ceiling when the young Bee of the preceding year bored her way through it, gives a coat of mortar to parts that need it, mends the opening a little, and that is all. She then goes about storing honey and laying her egg, as she would in a new cell. When all the cells, one after the other, are thus furnished, the Bee puts a few touches on the outer dome of cement, if it needs them; and she is through. From one and the same nest there come out several inhabitants, brothers and sisters, the males with a bright brick-red fleece, and the female of a splendid velvety black, with dark-violet wings. They are all the children of the Bee who built or repaired and furnished the cells. The male Bees lead a careless existence, never work, and do not return to the clay houses except for a brief moment to woo the ladies; they have nothing to do with the housekeeping or the new nests. What they want is the nectar in the flower-cups, not mortar to build with. There are left the sisters, who will be the mothers of the next family. As sisters, they all have equal rights to the nest. They do not go by this rule, however. The nest belongs to the one who first takes possession of it. If any of the others or any neighbors dispute her ownership, she fights them until they have the worst of it and fly away, leaving her in peace. AN ENEMY OF THE MASON-BEE All is not smooth sailing after the Mason-bee has finished building her dome of cells. It is then that a certain Stelis-wasp, much smaller than the Mason-bee, appears, looks carefully at the outside of the Mason-bee’s home, and makes up her mind, weak and small as she is, to introduce her eggs into this cement fortress. Everything is most carefully closed: a layer of rough plaster, at least two fifths of an inch thick, entirely covers the cells, which are each of them sealed with a thick mortar plug. The plaster is almost as hard as a rock. Never mind! The little insect is going to reach the honey in those cells. She pluckily sets to. Atom by atom, she drives a hole in the plaster and scoops out a shaft just large enough to let her through; she reaches the lid of the cell and gnaws it till she catches sight of the honey. It is a slow and painful process, in which the feeble Wasp wears herself out. I find it hard to break the plaster with the point of my knife. How much harder, then, for the insect, with her tiny pincers! When she reaches the honey, the Stelis-wasp slips through and, on the surface of the provisions, side by side with the Mason-bee’s, she lays a number of her own eggs. The honey-food will be the common property of all the new arrivals, the Stelis-wasp’s grubs as well as the Mason-bee’s. The next thing for the parasite Wasp to do is to wall up the opening she has made, so that other robbers cannot get in. At the foot of the nest, the Wasp collects a little red earth; she makes it into mortar by wetting it with saliva; and with the pellets thus prepared she fills up the entrance shaft as neatly as if she were a master-mason. The mortar, being red, shows up against the Bee’s house, which is white; so when we see the red speck on the pale background of the Bee’s nest we know a Stelis-wasp has been that way. As a result of the Stelis’ action, the poor Bee-baby will starve to death. The Wasp’s grubs mature first and eat up all the food. [Illustration] THE BEE HERSELF TURNED BURGLAR Sometimes, when a Mason-bee has stayed too long among the flowers, getting honey for her cell, she finds the cell closed when she returns home. A neighbor Bee has taken the opportunity to lay her eggs there, after finishing the building and stocking it with provisions. The real Bee-owner is shut out.