Soon the grubs get hungry for green food, and then the ruin of
the cabbages commences. What appetites they have! I served up to a herd of
these Caterpillars which I had in my laboratory a bunch of leaves picked from
among the biggest cabbages: two hours later nothing was left but the thick
middle veins. At this rate the cabbage bed will not last long.
The
gluttonous Caterpillars do nothing at all but eat, unless we except a curious
motion they sometimes indulge in. When several Caterpillars are grazing side
by side, you sometimes see all the heads in the row briskly lifted and as
briskly lowered, time after time, all together and as accurately as if they
were Prussian soldiers drilling. I do not know whether this is their way of
showing that they would fight, if necessary, or a sign of pleasure in the
eating and the warm sun. Anyhow, it is the only exercise they take until they
are full-grown and fat.
After a whole month of grazing, the
Caterpillars at last have enough. They begin to climb in every direction.
They walk about anyhow, with the front part of their bodies raised and
searching space. It is now the beginning of cold weather, and my Caterpillar
guests are in a small greenhouse. I leave the door of the house open. Soon
the whole crowd have disappeared.
I find them scattered all over the
neighboring walls, some thirty yards off. They are under ledges and eaves,
which will serve them as shelters through the winter. The Cabbage-caterpillar
is hardy and does not mind the cold.
In these shelters they weave
themselves hammock cocoons and turn into chrysales, from which next spring
the Moths will come.
[Illustration]
We may be interested in the
story of the Cabbage-caterpillar, but we know that there would be not enough
cabbages for us if he were allowed full sway. So we are not ill-pleased to
hear that there is still another insect who preys upon him and keeps him from
being too numerous. If the Cabbage-caterpillar is our enemy, this insect is
our friend. Yet she is so small, she works so discreetly, that the
gardener does not know her, has not even heard of her. If he were to see her
by accident, flitting around the plant which she protects, he would
take no notice of her, would not dream of the help she is giving him. I
am going to give the tiny midget her
deserts.
[Illustration]
Scientists call her by a name as long as
she is tiny. Part of the name is Microgaster. It is what I shall have to call
her, for she has no other that I know of. You must blame the wise scientists
who named her that, and not me.
How does she work? Well, we shall see.
In the spring, let us look about our kitchen-gardens. We can hardly help
noticing against the walls or on the withered grasses at the foot of the
hedges some very small yellow cocoons, heaped into masses the size of a
hazel-nut. Beside each group lies a Cabbage-caterpillar, sometimes dead and
always looking very tattered. These cocoons are the work of the Microgaster’s
family, hatched or on the point of hatching; they have been feeding on the
poor Caterpillar.
The little Microgaster or Midge is about the size of
a Gnat. When the Caterpillar-moth lays her orange eggs on the cabbage leaves,
the Midge hastens up and with a slender, horny prickle she possesses, lays
her egg _inside_ the film of the Moth’s egg. Often many Midges lay
their little eggs in the same Moth’s egg. Judging by the cocoons, there
are sometimes as many as sixty-five Midges to one Caterpillar.
As the
Caterpillar grows up, it does not seem to suffer; it feeds on the cabbage
leaves and, when that is done, makes its pilgrimage as usual to find the
place where it will weave its cocoon. It even begins this work; but it is
listless, it has no strength; it grows thin and dies. No wonder, with a host
of worms of the little Microgaster in its body, drinking its blood! The
Caterpillar has obligingly lived till just the time when the Microgaster’s
worms are ready to come out. They do so, and begin to weave their cocoons,
where they turn into Midges with the long
name.
[Illustration]
CHAPTER XV
THE GREAT
PEACOCK MOTH
It was an evening long to be remembered, when the Great
Peacock Moths came to my house. This Moth is magnificent, the largest in
Europe, clad in maroon velvet, with a necktie of white fur. The wings are
sprinkled with gray and brown, crossed by a faint zigzag and edged with
smoky white, and they have in the center a round patch, a great eye with
a black pupil and a many-colored iris containing black, white,
chestnut, and purple arcs. The Moth is hatched from a Caterpillar also
remarkable in appearance, being yellow with beads of turquoise-blue. It feeds
on almond leaves.
Well, on the morning of the sixth of May, a female
Great Peacock Moth came out of her cocoon in my presence, on the table of
my insect-laboratory. I at once caged her under a wire-gauze bell-jar.
I did not think much about the matter. I kept her on general
principles, for I am always on the lookout for something to happen.
I
was glad afterwards that I had done so. At nine o’clock in the evening, just
as the household is going to bed, there is a great stir in the room next to
mine. Little Paul, half-undressed, is rushing about, jumping and stamping,
knocking the chairs over like a mad thing. I hear him call me:
“Come,
quick!” he screams. “Come and see these Moths, big as birds! The room is full
of them!”
I hurry in. The child has not exaggerated very much. The room
is full of giant Moths. Four are already caught and lodged in a bird-cage.
Many others are fluttering on the ceiling.
At this sight, I remember
my prisoner of the morning.
“Put on your things, laddie,” I say to my
son. “Leave your cage and come with me. We shall see something
interesting.”
We run downstairs to go to my study, which is in the right
wing of the house. In the kitchen I find the servant, who is also bewildered
by what is happening and stands flicking her apron at great Moths whom she
took at first for Bats. It seems that the Great Peacock has taken possession
of pretty nearly every part of the house.
We enter my study, candle in
hand. One of the windows had been left open, and what we see is unforgetable.
With a soft flick-flack the great Moths fly around the bell-jar, alight, set
off again, come back, fly up to the ceiling and down. They rush at the
candle, putting it out with a stroke of their wings; they descend on our
shoulders, clinging to our clothes, grazing our faces. The scene suggests a
wizard’s cave, with its whirl of Bats. Little Paul holds my hand tighter than
usual, to keep up his courage.
How many are there? About twenty in
this room. Add to these the number who have strayed into the other parts of
the house, and the total cannot be much short of forty. Forty lovers, who
have come to pay their respects to the bride born that morning—the princess
imprisoned in her tower!
Every night that week the Moths come to court
their princess. It is stormy weather, so dark one can hardly see one’s hand
before one’s face. Our house is difficult for them to reach. It is hidden by
tall plane-trees, pines, and cypresses; clusters of bushy shrubs make
a rampart a few steps away from the door. It is through this tangle,
in complete darkness, that the Great Peacock has to tack about to
reach his lady.
Under such conditions the Brown Owl would not dare
leave the hole in his tree. Yet the Moth goes forward without hesitating and
passes through without knocking against things. He steers his way
so skillfully that he arrives in a state of perfect freshness, with
his big wings unharmed, with not a scratch upon him. The darkness is
light enough for him.
With a view to his wedding, the one and only
object of his life, the Great Peacock is gifted with a wonderful talent. He
is able to discover the object of his desire in spite of distance, obstacles,
and darkness. For two or three evenings he is allowed a few hours to find his
mate. If he cannot find her, all is over. He dies.
The Great Peacock
knows nothing of eating. While so many other Moths, jolly companions one and
all, flit from flower to flower, dipping into the honeyed cups, he never
thinks of refreshment. No wonder he does not live long. Two or three
evenings, just time enough to allow the couple to meet, and that is all; the
big Moth has lived.
[Illustration]
CHAPTER
XVI
THE TRUFFLE-HUNTING BEETLE
Before we come to the Beetle, I
must first tell you about my friend, the Dog, who hunts truffles, which are
underground mushrooms. Dogs are quite often used for this purpose, and I have
had the good fortune on several occasions to go with a Dog who was a great
expert in this line. He was certainly nothing to look at, this artist whom I
was so anxious to see at work: just a Dog, placid and deliberate in his ways,
ugly, unkempt; the sort of Dog you would never have at your own
fireside. Talent and poverty often go hand in hand.
His master, a
celebrated truffle-gatherer in the village, was at first afraid that I wanted
to steal his secrets and set up a rival business, but when he found that I
only made drawings of mushrooms and set down lists of underground vegetable
things, he let me join his expeditions.
It was agreed between us that the
Dog should act as he pleased and receive a bit of bread as his reward after
each discovery, no matter whether the underground mushroom he discovered was
a real truffle, the kind people like to eat, or an uneatable one. In no case
was the master to drive the dog away from a spot where experience told him
there was nothing salable to be found. As far as my studies went, I did not
care whether the mushrooms were edible or not.
Conducted in this way,
the expedition was very successful. The busy Dog trotted along with his nose
to the wind, at a moderate pace. Every little while he stopped, questioned
the ground with his nostrils, scratched for a few seconds, without too much
excitement, then looked up at his master as if to say:
“Here we are,
here we are! On my word of honor as a Dog, there’s a truffle
here.”
And he spoke the truth. The master dug at the spot indicated. If
the trowel went astray, the Dog showed the man how to put it right
by sniffing at the bottom of the hole. The mushroom was always there.
A Dog’s nose cannot lie. But he made us gather all sorts of
underground mushrooms: the large and the small, the fresh and the decayed,
the scented and the unscented, the fragrant and those which were
the reverse. I was surprised at my collection, which included most of
the underground fungi of the neighborhood.
Is it smell as we
understand it that guides the Dog in his search? I do not believe that it is,
otherwise he would not point out so many varieties which smell so very
different. He must perceive something that we cannot. It is a mistake to
compare everything by human standards. There are more sensations in the world
than we know of. Such secrets are known to insects better than to other
animals, like the Dog or the Pig, who also hunts truffles with its nose. We
will hear now about the Truffle-hunting
Beetle.
[Illustration]
This is a pretty little black Beetle, with
a pale and velvety belly, round as a cherry-stone and much the same size. By
rubbing the tip of its abdomen against the edge of its wing-cases it makes a
soft chirrup like that which little birds make when their mother comes with
their food. The male wears a graceful horn on his head.
I found these
Beetles in a certain pine-woods where there are plenty of mushrooms. It is a
pleasant place, where my whole family like to go in the mild days of autumn.
They find everything there: old Magpies’ nests, made of bundles of twigs;
Jays squabbling with each other, after filling their crops with acorns on the
oaks hard by; Rabbits suddenly starting out of a rosemary bush, showing their
little white upturned tails. There is lovely sand for the children to dig
tunnels in, sand that is easy to build into rows of huts which we thatch with
moss and top with a bit of reed by way of a chimney. And when we are there
we lunch off an apple to the sound of the Æolian harps of the
breezes softly sighing through the pine-needles!
Yes, for the children
it is a real paradise. The grown-ups also enjoy it, and one of my chief
enjoyments is watching my Truffle-beetle. His burrows may be seen here and
there. The door is left open and surrounded merely by a padding of sand. The
burrow is about nine inches deep, going straight down in very loose soil.
When I cut into it with a knife, I often find that it is empty. The insect
has left during the night, having finished its business there and gone to
settle elsewhere. The Truffle-beetle is a tramp, a night-walker, who leaves
his home whenever he feels like it and easily gets a new one. Sometimes I
do find the insect at the bottom of the pit, always alone, sometimes
a male, sometimes a female, never two at the same time. The burrow is
not a house for the family; it is a sort of bachelor house, dug for
comfort only for the solitary Beetle.
The Beetle in this house is
clutching a small mushroom, usually partly eaten. He will not part from it.
It is his treasure, his worldly goods. Scattered crumbs tell us that we have
caught him feasting.
When we take his prize away from him we find that it
is a sort of little underground mushroom, closely related to the
truffle.
This throws a light upon the habits of the Beetle and his reason
for making new burrows so often. In the calm of the twilight, the
little gadabout takes to the fields, chirruping softly as he goes,
cheering himself with song. He explores the soil, questions it as to
its contents, just as the Dog does when hunting for truffles. His sense
of smell tells him when the coveted morsel is underneath, covered by a
few inches of sand. Certain of the exact spot where the thing lies, he
digs straight down and never fails to reach it. As long as the
provisions last, he does not go out again. Blissfully he feeds at the bottom
of the well he has dug to reach the mushroom. He does not care whether
his door is open or not.
When he has eaten all his food, he moves,
looking for more, and to find it he digs a new burrow, which will be given up
in its turn. Thus he spends all autumn and the next spring, the seasons for
mushrooms, traveling from one of his little hotels to another.
This
truffle which the Beetle hunts appears to have no particular odor. How, then,
can he detect it from the ground over the place where it is buried? He is a
clever Beetle, and we do not know yet just how he manages
it.
[Illustration]
CHAPTER XVII
THE BOY WHO
LOVED INSECTS
Nowadays, people lay everything to heredity; that is,
they say that human beings and animals both receive their special talents
from their ancestors, who have perhaps been developing them through
many generations. I do not altogether agree with this theory. I am going
to tell you my own story to show that I did not inherit my passion
for insects from any of my ancestors.
Neither my grandfather nor my
grandmother on my mother’s side cared in the least about insects. I did not
know my grandfather, but I know that he had a hard time making a living, and
I am sure the only attention he paid to an insect, if he met it, was to crush
it under his foot. Grandmother, who could not even read, certainly cared
nothing about science or insects. If, sometimes, when rinsing her salad at
the tap, she found a Caterpillar on the lettuce leaves, with a start of
fright she would fling the loathsome thing away.
My other
grandparents, my father’s father and mother, I knew well. Indeed, I went to
live with them when I was five or six years old, because my father and mother
were too poor to take care of me. These grandparents lived on a
poverty-stricken farm away out in the country. They did not know how to read;
they had never opened a book in their lives. Grandfather knew a great deal
about cows and sheep, but nothing about anything else. How dumfounded he
would have been to learn that, in the distant future, one of his family would
spend his time studying insignificant insects! If he had guessed that that
lunatic was myself, seated at the table by his side, what a smack I should
have caught in the neck!
“The idea of wasting one’s time with that
nonsense!” he would have thundered.
Grandmother, dear soul, was too
busy with washing the clothes, minding the children, seeing to the meals of
the household, spinning, attending to the chickens, curds and whey, butter,
and pickles, to think of anything else. Sometimes, in the evenings, she used
to tell us stories, as we sat around the fire, about the Wolf who lived on
the moors. I should have very much liked to see this Wolf, the hero of so
many tales that made our flesh creep, but I never did. I owe a great deal to
you, dear grandmother; it was in your lap that I found consolation for
my first sorrows. You have handed down to me, perhaps, a little of
your physical vigor, a little of your love for work; but certainly you
did not give me my love for insects.
Nor did either of my own parents.
My mother was quite illiterate; my father had been to school as a child, he
knew how to read and write a little, but he was too busy making a living to
have room for any other cares. A good cuff or two when he saw me pinning an
insect to a cork was all the encouragement I received from him.
And
yet I began to observe, to inquire into things, when I was still almost a
baby. My first memories of this tendency will amuse you. One day when I was
five or six years old I was standing on the moor in front of our farm, clad
in a soiled frieze frock flapping against my bare heels: I remember the
handkerchief hanging from my waist by a bit of string,—a handkerchief, I am
sorry to say, often lost and replaced by the back of my sleeve.
My
face was turned toward the sun. The dazzling splendor fascinated me. No Moth
was ever more attracted by the light of the lamp. As I stood there, I was
asking myself a question. With what was I enjoying the glorious radiance,
with my mouth or my eyes? Reader, do not smile: this was true scientific
curiosity. I opened my mouth wide and closed my eyes: the glory disappeared.
I opened my eyes and shut my mouth: the glory reappeared. I repeated the
performance, with the same result. The question was solved: I had learned by
deduction that I see the sun with my eyes. Oh, what a discovery! That
evening, I told the whole house about it. Grandmother smiled lovingly at my
simplicity: the others laughed at it.
[Illustration]
Another
find. At nightfall, amidst the neighboring bushes, a sort of jingle attracted
my attention, sounding very faintly and softly through the evening silence.
Who is making that noise? Is it a little Bird chirping in his nest? We must
look into the matter and that quickly. True, there is a Wolf, who comes out
of the woods at this time, so they tell me. Let’s go all the same, but not
too far: just there, behind that clump of gloom.
I stand on the
lookout for long, but all in vain. At the faintest sound of movement in the
brushwood, the jingle ceases. I try again next day and the day after. This
time, my stubborn watch succeeds. Whoosh! A grab of my hand and I hold the
singer. It is not a Bird; it is a kind of Grasshopper whose hind-legs my
playfellows have taught me to like; a poor reward for my long hiding. The
best part of the business is not the two haunches with the shrimpy flavor,
but what I have just learned. I now know, from personal observation, that the
Grasshopper sings. I did not tell of my discovery, for fear of the same
laughter that had greeted my story about the sun.
Oh, what pretty
flowers, in a field close to the house! They seem to smile at me with their
great violet eyes. Later on, I see, in their place, bunches of big red
cherries. I taste them. They are not nice and they have no stones. What can
those cherries be? At the end of the summer, grandfather comes with a spade
and turns my field topsy-turvy. From underground there comes, by the
basketful and sackful, a sort of round root. I know that root; it abounds in
the house; time after time I have cooked it in the peat-stove. It is the
potato. Its violet flower and its red fruit are pigeonholed for good and all
in my memory.
With an ever-watchful eye for animals and plants, the
future observer, the little six-year-old monkey, practiced by himself, all
unawares. He went to the flower, he went to the insect, even as the Large
White Butterfly goes to the cabbage and the Red Admiral to the thistle.
He looked and inquired, drawn by a curiosity whereof heredity did not
know the secret.
A little later on I am back in the village, in my
father’s house. I am now seven years old; and it is high time that I went to
school. Nothing could have turned out better; the master is my godfather.
What shall I call the room in which I was to become acquainted with the
alphabet? It would be difficult to find the exact word, because the room
served for every purpose. It was at once a school, a kitchen, a bedroom,
a dining-room and, at times, a chicken-house and a piggery.
Palatial schools were not dreamed of in those days; any wretched hovel
was thought good enough.
A broad fixed ladder led to the floor above.
Under the ladder stood a big bed in a boarded recess. What was there
upstairs? I never quite knew. I would see the master sometimes bring down an
armful of hay for the Ass, sometimes a basket of potatoes which the housewife
emptied into the pot in which the little porkers’ food was cooked. It must
have been a sort of loft, a storehouse of provisions for man and
beast. Those two rooms were all there were in the whole
dwelling.
[Illustration: “The fire was not exactly lit for
us.”]
To return to the lower one, the schoolroom: a window faces south,
the only window in the house, a low, narrow window whose frame you
can touch at the same time with your head and both your shoulders.
This sunny opening is the only lively spot in the dwelling; it
overlooks the greater part of the village, which straggles along the slopes
of a slanting valley. In the window-recess is the master’s little
table.
The opposite wall contains a niche in which stands a gleaming
copper pail full of water. Here the parched children can relieve their
thirst when they please, with a cup left within their reach. At the top
of the niche are a few shelves bright with pewter plates, dishes,
and drinking-vessels, which are taken down from their sanctuary on
great occasions only.
More or less everywhere, at any spot which the
light touches, are crudely colored pictures pasted on the walls. Against the
far wall stands the large fireplace. In the middle is the hearth, but, on
the right and left, are two breast-high recesses, half wood and half
stone. Each of them is a bed, with a mattress stuffed with chaff of
winnowed corn. Two sliding planks serve as shutters and close the chest if
the sleeper would be alone. These beds are used by the favored ones of
the house, the two boarders. They must lie snug in there at night,
with their shutters closed, when the north wind howls at the mouth of
the dark valley and sends the snow awhirl. The rest is occupied by
the hearth and its accessories: the three-legged stools; the
salt-box, hanging against the wall to keep its contents dry; the heavy
shovel which it takes two hands to wield; lastly, the bellows like those
with which I used to blow out my cheeks in grandfather’s house. They
are made of a mighty branch of pine, hollowed throughout its length with
a red-hot iron. One blows through this channel. With a couple of
stones for supports, the master’s bundle of sticks and our own logs blaze
and flicker, each of us having to bring a log of wood in the morning, if
he would share in the treat.
For that matter, the fire was not exactly
lit for us, but, above all, to warm a row of three pots in which simmered the
Pigs’ food, a mixture of potatoes and bran. That, in spite of our each giving
a log, was the real object of the brushwood-fire. The two boarders, on
their stools, in the best places, and we others sitting on our heels,
formed a semicircle around those big kettles, full to the brim and
giving off little jets of steam, with puff-puff-puffing sounds. The
bolder among us, when the master was not looking, would dig a knife into
a well-cooked potato and add it to their bit of bread; for I must
say that, if we did little work in my school, at least we did a deal
of eating. It was the regular custom to crack a few nuts and nibble at
a crust while writing our page or setting out our rows of
figures.
[Illustration]
We, the smaller ones, in addition to the
comfort of studying with our mouths full, had every now and then two other
delights, which were quite as good as cracking nuts. The back-door gave upon
the yard where the Hen, surrounded by her brood of Chicks, scratched, while
the little Pigs, of whom there were a dozen, wallowed in their stone trough.
This door would open sometimes to let one of us out, a privilege which
we abused, for the sly ones among us were careful not to close it
on returning. Forthwith, the porkers would come running in, one after
the other, attracted by the smell of the boiled potatoes. My bench,
the one where the youngsters sat, stood against the wall, under the
copper pail, and was right in the way of the Pigs. Up they came trotting
and grunting, curling their little tails; they rubbed against our
legs; they poked their cold pink snouts into our hands in search of a
scrap of crust; they questioned us with their sharp little eyes to learn
if we happened to have a dry chestnut for them in our pockets. When
they had gone the round, some this way and some that, they went back to
the farmyard, driven away by a friendly flick of the master’s
handkerchief.
Next came the visit of the Hen, bringing her velvet-coated
Chicks to see us. All of us eagerly crumbled a little bread for our
pretty visitors. We vied with one another in calling them to us and
tickling with our fingers their soft and downy backs.
What could we
learn in such a school as that! Each of the younger pupils had, or rather was
supposed to have, in his hands a little penny book, the alphabet, printed on
gray paper. It began, on the cover, with a Pigeon, or something like it. Next
came a cross, with the letters in their order. But, if the little book was to
be of any use, the master should have shown us something about it. For this,
the worthy man, too much taken up with the big ones, had not the time. He
gave us the book only to make us look like scholars. We were to study it on
our bench, to decipher it with the help of our next neighbor, in case he
might know one or two of the letters. Our studying came to nothing,
being every moment disturbed by a visit to the potatoes in the stew-pots,
a quarrel among playmates about a marble, the grunting invasion of
the little Pigs or the arrival of the Chicks.
The big ones used to
write. They had the benefit of the small amount of light in the room, by the
narrow window, and of the large and only table with its circle of seats. The
school supplied nothing, not even a drop of ink; every one had to come with a
full set of utensils. The inkhorn of those days was a long cardboard box
divided into two parts. The upper compartment held the pens, made of goose-
or turkey-quill trimmed with a penknife; the lower contained, in a tiny well,
ink made of soot mixed with vinegar.
The master’s great business was
to mend the pens—and then to trace at the head of the white page a line of
strokes, single letters, or words, according to the scholar’s capabilities.
When that is over keep an eye on the work of art which is coming to adorn the
copy! With what undulating movements of the wrist does the master’s hand,
resting on the little finger, prepare and plan its flight! All at once the
hand starts off, flies, whirls; and lo and behold, under the line of
writing is unfurled a garland of circles, spirals, and flourishes, framing
a bird with outspread wings, the whole, if you please, in red ink,
the only kind worthy of such a pen. Large and small, we stood awestruck
in the presence of these marvels.
What was read at my school? At most,
in French, a few selections from sacred history. Latin came oftener, to teach
us to sing vespers properly.
And history, geography? No one ever heard
of them. What difference did it make to us whether the earth was round or
square! In either case, it was just as hard to make it bring forth
anything.
And grammar? The master troubled his head very little about
that; and we still less. And arithmetic? Yes, we did a little of this, but
not under that learned name. We called it sums. On Saturday evening,
to finish up the week, there was a general orgy of sums. The top
boys stood up and, in a loud voice, recited the multiplication table up
to twelve times. When this recital was over, the whole class, the
little ones included, took it up in chorus, creating such an uproar
that Chicks and porkers took to flight if they happened to be
there.
When all is said, our master was an excellent man who could have
kept school very well but for his lack of one thing; and that was time.
He managed the property of an absentee landlord. He had under his care
an old castle with four towers, which had become so many pigeon-houses; he
directed the getting-in of the hay, the walnuts, the apples and the oats. We
used to help him during the summer. Lessons at that time were less dull. They
were often given on the hay or on the straw; oftener still, lesson-time was
spent in cleaning out the dove-cot or stamping on the Snails that had sallied
in rainy weather from their fortresses, the tall box borders of the garden
belonging to the castle.
Our master was a barber. With his light hand,
which was so clever at beautifying our copies with curlicue birds, he shaved
the notabilities of the place: the mayor, the parish-priest, the notary. Our
master was a bell-ringer. A wedding or a christening interrupted the lessons;
he had to ring a peal. A gathering storm gave us a holiday; the great
bell must be tolled to ward off the lightning and the hail. Our master was
a choir-singer. Our master wound up and regulated the village-clock.
This was his proudest duty. Giving a glance at the sun, to tell the
time more or less nearly, he would climb to the top of the steeple, open
a huge cage of rafters and find himself in a maze of wheels and
springs whereof the secret was known to him alone.
With such a school
and such a master and such examples, what will become of my natural tastes,
as yet so undeveloped? In those surroundings, they seem bound to perish,
stifled forever. Yet no, the germ has life; it works in my veins, never to
leave them again. It finds food everywhere, down to the cover of my penny
alphabet, beautified with a crude picture of a Pigeon which I study much
more eagerly than the A B C. Its round eye, with its circlet of dots,
seems to smile upon me. Its wing, of which I count the feathers one by
one, tells me of flights on high, among the beautiful clouds; it carries
me to the beeches raising their smooth trunks above a mossy carpet
studded with white mushrooms that look like eggs, dropped by some
wandering hen; it takes me to the snow-clad peaks where the birds leave
the starry print of their red feet. He is a fine fellow, my
Pigeon-friend; he consoles me for the woes hidden behind the cover of my
book. Thanks to him, I sit quietly on my bench and wait more or less till
school is over.
School out-of-doors has other charms. When the master
takes us to kill the Snails in the box borders, I do not always do so. My
heel sometimes hesitates before coming down upon the handful which I have
gathered. They are so pretty! Just think, there are yellow ones and pink,
white ones and brown, all with dark spiral streaks. I fill my pockets
with the handsomest, so as to feast my eyes on them at my
leisure.
[Illustration]
On hay-making days in the master’s field,
I strike up an acquaintance with the Frog. Flayed and stuck at the end of a
split stick, he serves as bait to tempt the Crayfish to come out of his
retreat by the brook-side. On the alder-trees I catch the Hoplia, the
splendid Beetle who pales the azure of the heavens. I pick the narcissus and
learn to gather, with the tip of my tongue, the tiny drop of honey that
lies right at the bottom of the cleft corolla. I also learn that
too-long indulgence in this feast brings a headache; but this discomfort in
no way impairs my admiration for the glorious white flower, which wears
a narrow red collar at the throat of its funnel.
When we go to beat
the walnut-trees, the barren grass-plots provide me with Locusts spreading
their wings, some into a blue fan, others into a red. And thus the country
school, even in the heart of winter, furnished continuous food for my
interest in things. My passion for animals and plants made progress of
itself.
What did not make progress was my acquaintance with my
letters, greatly neglected in favor of the Pigeon. I was still at the
same stage, hopelessly behindhand with the alphabet, when my father, by
a chance inspiration, brought me home from the town what was to give me a
start along the road of reading. It was a large print, price three cents,
colored and divided into compartments in which animals of all sorts taught
the A B C by means of the first letters of their names. You began with the
sacred beast, the Donkey, whose name, _Ane_, with a big initial, taught me
the letter A. The _Bœuf_, the Ox, stood for B; the _Canard_, the Duck, told
me about C; the _Dindon_, the Turkey, gave me the letter D. And so on with
the rest. A few compartments, it is true, were lacking in clearness. I had no
friendly feeling for the Hippopotamus, the Kamichi, or Horned Screamer, and
the Zebu, who aimed at making me say H, K, and Z. No matter; father came to
my aid in hard cases; and I made such rapid progress that, in a few days, I
was able to turn in good earnest the pages of my little Pigeon-book,
hitherto so undecipherable. I was initiated; I knew how to spell. My
parents marveled. I can explain this unexpected progress to-day. Those
speaking pictures, which brought me amongst my friends the beasts, were
in harmony with my tastes. I have the animals to thank for teaching me
to read. Animals forever!
Luck favored me a second time. As a reward
for learning to read, I was given La Fontaine’s Fables, in a popular, cheap
edition, crammed with pictures, small, I admit, and very inaccurate, but
still delightful. Here were the Crow, the Fox, the Wolf, the Magpie,
the Frog, the Rabbit, the Donkey, the Dog, the Cat; all persons of
my acquaintance. The glorious book was immensely to my taste, with
its skimpy illustrations in which the animals walked and talked. As
to understanding what it said, that was another story! Never mind, my
lad! Put together syllables that say nothing to you as yet; they will
speak to you later and La Fontaine will always remain your friend.
I
come to the time when I was ten years old and at Rodez College. I was well
thought of in the school, for I cut a good figure in composition and
translation. In that classical atmosphere, there was talk of Procas, King of
Alba, and of his two sons, Numitor and Amulius. We heard of Cynœgirus, the
strong-jawed man, who, having lost his two hands in battle, seized and held a
Persian galley with his teeth, and of Cadmus the Phœnician, who sowed a
dragon’s teeth as though they were beans and gathered his harvest in the
shape of a host of armed men, who killed one another as they rose up from the
ground. The only one who survived the slaughter was one as tough as leather,
presumably the son of the big back grinder-tooth.
Had they talked to
me about the man in the moon, I could not have been more startled. I made up
for it with my animals. While admiring Cadmus and Cynœgirus, I hardly ever
failed, on Sundays and Thursdays, to go and see if the cowslip or the yellow
daffodil was making its appearance in the meadows, if the Linnet was hatching
on the juniper-bushes, if the Cockchafers were plopping down from the
wind-shaken poplars.
By easy stages I came to Virgil and was very much
smitten with Melibœus, Corydon, Menalcas, Damœtas and the rest of them.
Within the frame in which the characters moved were exquisite details
concerning the Bee, the Cicada, the Turtle-dove, the Crow, the Nanny-goat,
and the golden broom. A real delight were these stories of the fields,
sung in sonorous verse; and the Latin poet left a lasting impression on
my classical recollections.
Then, suddenly, good-by to my studies,
good-by to Tityrus and Menalcas. Ill-luck is swooping down on us,
relentlessly. Hunger threatens us at home. And now, boy, put your trust in
God; run about and earn your penn’orth of potatoes as best you can. Life is
about to become a hideous inferno. Let us pass quickly over this
phase.
[Illustration]
During this sad time, my love for the
insects ought to have gone under. Not at all. I still remember a certain Pine
Cockchafer met for the first time. The plumes on her antennæ, her pretty
pattern of white spots on a dark-brown ground, were as a ray of sunshine in
the gloomy wretchedness of the day.
To cut a long story short: good
fortune, which never abandons the brave, brought me to the primary normal
school at Vaucluse, where I was certain of food: dried chestnuts and
chick-peas. The principal, a man of broad views, soon came to trust his new
assistant. He left me practically a free hand so long as I satisfied the
school curriculum, which was very modest in those days. I was a little ahead
of my fellow-pupils. I took advantage of this to get some order into my
vague knowledge of plants and animals. While a dictation lesson was
being corrected around me, I would examine, in the recesses of my desk,
the oleander’s fruit, the snap-dragon’s seed-vessel, the Wasp’s sting
and the Ground-beetle’s wing-case.
With this foretaste of natural
science, picked up haphazard and secretly, I left school more deeply in love
than ever with insects and flowers. And yet I had to give it all up. Natural
history could not bring me anywhere. The schoolmasters of the time despised
it; Latin, Greek, and mathematics were the subjects to study.
So I
flung myself with might and main into higher mathematics: a hard battle, if
ever there was one, without teachers, face to face for days on end with
abstruse problems. Next I studied the physical sciences in the same manner,
with an impossible laboratory, the work of my own hands. I went against my
feelings: I buried my natural-history books at the bottom of my
trunk.
And so, in the end, I am sent to teach physics and chemistry at
Ajaccio College. This time, the temptation is too much for me. The sea,
with its wonders, the beach, covered with beautiful shells, the
myrtles, arbutus, and other trees; all this paradise of gorgeous nature is
more attractive than geometry and trigonometry. I give up. I divide my
spare time into two parts. The larger part is devoted to mathematics,
by which I expect to make my way in the world; the other is spent,
with much misgiving, in botanizing and looking for the treasures of the
sea.
We never know what will happen to us. Mathematics, on which I spent
so much time in my youth, has been of hardly any good to me; and
animals, which I avoided as much as ever I could, are the consolation of my
old age.
I met two famous scientists in Ajaccio: Requien, a well-known
botanist, and Moquin-Tandom, who gave me my first lesson in natural history.
He stayed at my house, as the hotel was full. The day before he left
he said to me:
“You interest yourself in shells. That is something,
but it is not enough. You must look into the animal itself. I will show you
how it’s done.”
He took a sharp pair of scissors from the family
work-basket and a couple of needles, and showed me the anatomy of a snail in
a soup-plate filled with water. Gradually he explained and sketched the
organs which he spread before my eyes. This was the only, the
never-to-be-forgotten lesson in natural history that I ever received in my
life.
It is time to finish this story about myself. It shows that from
early childhood I have felt drawn towards the things of nature. I have
the gift of observation. Why and how? I do not know.
We have all of
us, men and animals, some special gift. One child takes to music, another is
always modeling things out of clay; another is quick at figures. It is the
same way with insects. One kind of Bee can cut leaves; another builds clay
houses, Spiders know how to make webs. These gifts exist because they exist,
and that is all any one can say. In human beings, we call the special gift
genius. In an insect, we call it instinct. Instinct is the animal’s
genius.
CHAPTER XVIII
THE BANDED SPIDER
In the
disagreeable season of the year, when the insect has nothing to do and
retires to winter quarters, an observer who looks in the sunny nooks, grubs
in the sand, lifts the stones, or searches the brushwood, will often find
something very interesting, a real work of art. Happy are they who can
appreciate such treasures! I wish them all the joys they have brought me and
will continue to bring me, in spite of the vexations of life, which grow ever
more bitter as the years follow their swift downward course.
Should
the seekers rummage among the wild grasses in the willow-beds and thickets, I
wish them the delight of finding the wonderful object that, at this moment,
lies before my eyes. It is the work of a Spider, the nest of the Banded
Spider.
In bearing and coloring, this Spider is among the handsomest that
I know. On her fat body, nearly as large as a hazel-nut, are
alternate yellow, black, and silver sashes, to which she owes her name of
Banded. Her eight long legs, with their dark-brown and pale-brown
rings, surround her body like the spokes of a wheel.
Any small prey
suits her; and, as long as she can find supports for her web, she settles
wherever the Locust hops, wherever the Fly hovers, wherever the Dragon-fly
dances or the Butterfly flits. Usually, because of the greater abundance of
game there, she spreads her web across some brooklet, from bank to bank,
among the rushes. She also stretches it sometimes in the thickets of
evergreen oak, on the slopes with the scrubby grass, dear to
Grasshoppers.
Her hunting-weapon is a large upright web, whose outer
boundary is fastened to the neighboring branches by a number of moorings.
Her web is like that of the other weaving Spiders. Straight threads run
out like spokes of a wheel from a central point. Over these runs a continuous
spiral thread, forming chords, or cross-bars, from the center to the
circumference. It is magnificently large and magnificently
symmetrical.
In the lower part of the web, starting from the center, a
thick wide ribbon descends zigzag-wise across the spokes. This is the
Spider’s trademark, the way she signs her work of art. Also, the strong
silk zigzag gives greater firmness to the
web. |
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