2014년 12월 7일 일요일

FROM THE CAVES AND JUNGLES OF HINDOSTAN 7

FROM THE CAVES AND JUNGLES OF HINDOSTAN 7


The second act began with religious meditations and with mantrams,
which, by really pious people, must be repeated three times a day--at
sunrise, at noon and at sunset. Sham Rao loudly pronounced the names of
twenty-four gods, and each name was accompanied by a stroke of the bell.
Having finished he first shut his eyes and stuffed his ears with cotton,
then pressed his left nostril with two fingers of his left hand, and
having filled his lungs with air through the right nostril, pressed the
latter also. Then he tightly closed his lips, so that breathing became
impossible. In this position every pious Hindu must mentally repeat a
certain verse, which is called the Gayatri. These are sacred words which
no Hindu will dare to pronounce aloud. Even in repeating them mentally
he must take every precaution not to inhale anything impure.

I am bound by my word of honor never to repeat the whole of this prayer,
but I may quote a few unconnected sentences:

"Om... Earth... Heaven.... Let the adored light of.... [here follows a
name which must not be pronounced] shelter me. Let thy Sun, O thou only
One, shelter me, the unworthy... I shut my eyes, I shut my ears, I do
not breathe... in order to see, hear and breathe thee alone. Throw light
upon our thoughts [again the secret name]... "

It is curious to compare this Hindu prayer with the celebrated prayer
of Descartes' "Meditation III" in his L'Existence de Dieu. It runs as
follows, if I remember rightly:

"Now I shut my eyes, cover my ears, and dismiss all my five senses, I
will dwell on the thought of God alone, I will meditate on His quality
and look on the beauty of this wondrous radiancy."

After this prayer Sham Rao read many other prayers, holding with two
fingers his sacred Brahmanical thread. After a while began the ceremony
of "the washing of the gods." Taking them down from the altar, one after
the other, according to their rank, Sham Rao first plunged them in the
big font, in which he had just bathed himself, and then bathed them in
milk in a smaller bronze font by the altar. The milk was mixed up with
curds, butter, honey, and sugar, and so it cannot be said that this
cleansing served its purpose. No wonder we were glad to see that the
gods underwent a second bathing in the first font and then were dried
with a clean towel.

When the gods were arranged in their respective places, the Hindu traced
on them the sectarian signs with a ring from his left hand. He used
white sandal paint for the lingam and red for Gunpati and Surya. Then he
sprinkled them with aromatic oils and covered them with fresh flowers.
The long ceremony was finished by "the awakening of the gods." A small
bell was repeatedly rung under the noses of the idols, who, as the
Brahman probably supposed, all went to sleep during this tedious
ceremony.

Having noticed, or fancied, which often amounts to the same thing,
that they were wide awake, he began offering them his daily sacrifices,
lighting the incense and the lamps, and, to our great astonishment,
snapping his fingers from time to time, as if warning the idols to "look
out." Having filled the room with clouds of incense and fumes of burning
camphor, he scattered some more flowers over the altar and sat on the
small stool for a while, murmuring the last prayers. He repeatedly held
the palms of his hands over the flame of the tapers and rubbed his face
with them. Then he walked round the altar three times, and, having knelt
three times, retreated backwards to the door.

A little while before our host had finished his morning prayers the
ladies of the house came into the room. They brought each a small
stool and sat in a row murmuring prayers and telling the beads of their
rosaries.

The part played by the rosaries in India is as important as in all
Buddhist countries. Every god has his favorite flower and his favorite
material for a rosary. The fakirs are simply covered with rosaries. The
rosary is called mala and consists of one hundred and eight beads. Very
pious Hindus are not content to tell the beads when praying; they must
hide their hands during this ceremony in a bag called gomukha, which
means the cow's mouth.

We left the women to their prayers and followed our host to the cow
house. The cow symbolizes the "fostering earth," or Nature, and is
worshipped accordingly. Sham Rao sat down by the cow and washed her
feet, first with her own milk, then with water. He gave her some sugar
and rice, covered her forehead with powdered sandal, and adorned her
horns and four legs with chains of flowers. He burned some incense under
her nostrils and brandished a burning lamp over her head. Then he walked
three times round her and sat down to rest. Some Hindus walk round the
cow one hundred and eight times, rosary in hand. But our Sham Rao had
a slight tendency to freethinking, as we knew, and besides, he was too
much of an admirer of Haeckel. Having rested himself, he filled a cup
with water, put in it the cow's tail for a moment, and then drank it!

After this he performed the rite of worshipping the sun and the sacred
plant tulsi. Unable to bring the god Surya from his heavenly altar and
wash him in the sacred font, Sham Rao contented himself by filling
his own mouth with water, standing on one leg, and spirting this water
towards the sun. Needless to say it never reached the orb of day, but,
very unexpectedly, sprinkled us instead.----


It is still a mystery to us why the plant tulsi, Royal Basilicum, is
worshipped. However, towards the end of September we yearly witnessed
the strange ceremony of the wedding of this plant with the god Vishnu,
notwithstanding that tulsi bears the title of Krishna's bride, probably
because of the latter being an incarnation of Vishnu. On these occasions
pots of this plant are painted and adorned with tinsel. A magical circle
is traced in the garden and the plant is put in the middle of it. A
Brahman brings an idol of Vishnu and begins the marriage ceremony,
standing before the plant. A married couple hold a shawl between the
plant and the god, as if screening them from each other, the Brahman
utters prayers, and young women, and especially unmarried girls, who are
the most ardent worshippers of tulsi, throw rice and saffron over the
idol and the plant. When the ceremony is concluded, the Brahman is
presented with the shawl, the idol is put in the shade of his wife,
the Hindus clap their hands, rend everyone's ears with the noise of
tom-toms, let off fireworks, offer each other pieces of sugar-cane, and
rejoice in every conceivable way till the dawn of the next day.




A Witch's Den



Our kind host Sham Rao was very gay during the remaining hours of
our visit. He did his best to entertain us, and would not hear of our
leaving the neighborhood without having seen its greatest celebrity,
its most interesting sight. A jadu wala--sorceress--well known in
the district, was just at this time under the influence of seven
sister-goddesses, who took possession of her by turns, and spoke their
oracles through her lips. Sham Rao said we must not fail to see her, be
it only in the interests of science.

The evening closes in, and we once more get ready for an excursion. It
is only five miles to the cavern of the Pythia of Hindostan; the road
runs through a jungle, but it is level and smooth. Besides, the jungle
and its ferocious inhabitants have ceased to frighten us. The timid
elephants we had in the "dead city" are sent home, and we are to mount
new behemoths belonging to a neighboring Raja. The pair, that stand
before the verandah like two dark hillocks, are steady and trust worthy.
Many a time these two have hunted the royal tiger, and no wild shrieking
or thunderous roaring can frighten them. And so, let us start!

The ruddy flames of the torches dazzle our eyes and increase the forest
gloom. Our surroundings seem so dark, so mysterious. There is something
indescribably fascinating, almost solemn, in these night-journeys in
the out-of-the-way corners of India. Everything is silent and deserted
around you, everything is dozing on the earth and overhead. Only the
heavy, regular tread of the elephants breaks the stillness of the night,
like the sound of falling hammers in the underground smithy of Vulcan.
From time to time uncanny voices and murmurs are heard in the black
forest.

"The wind sings its strange song amongst the ruins," says one of us,
"what a wonderful acoustic phenomenon!" "Bhuta, bhuta!" whisper the
awestruck torch-bearers. They brandish their torches and swiftly spin on
one leg, and snap their fingers to chase away the aggressive spirits.

The plaintive murmur is lost in the distance. The forest is once more
filled with the cadences of its invisible nocturnal life--the metallic
whirr of the crickets, the feeble, monotonous croak of the tree-frog,
the rustle of the leaves. From time to time all this suddenly stops
short and then begins again, gradually increasing and increasing.

Heavens! What teeming life, what stores of vital energy are hidden
under the smallest leaf, the most imperceptible blades of grass, in this
tropical forest! Myriads of stars shine in the dark blue of the sky, and
myriads of fireflies twinkle at us from every bush, moving sparks, like
a pale reflection of the far-away stars.

We left the thick forest behind us, and reached a deep glen, on three
sides bordered with the thick forest, where even by day the shadows are
as dark as by night. We were about two thousand feet above the foot of
the Vindhya ridge, judging by the ruined wall of Mandu, straight above
our heads. Suddenly a very chilly wind rose that nearly blew our torches
out. Caught in the labyrinth of bushes and rocks, the wind angrily shook
the branches of the blossoming syringas, then, shaking itself free, it
turned back along the glen and flew down the valley, howling, whistling
and shrieking, as if all the fiends of the forest together were joining
in a funeral song.

"Here we are," said Sham Rao, dismounting. "Here is the village; the
elephants cannot go any further."

"The village? Surely you are mistaken. I don't see anything but trees."

"It is too dark to see the village. Besides, the huts are so small,
and so hidden by the bushes, that even by daytime you could hardly find
them. And there is no light in the houses, for fear of the spirits."

"And where is your witch? Do you mean we are to watch her performance in
complete darkness?"

Sham Rao cast a furtive, timid look round him; and his voice, when he
answered our questions, was somewhat tremulous.

"I implore you not to call her a witch! She may hear you.... It is
not far off, it is not more than half a mile. Do not allow this short
distance to shake your decision. No elephant, and even no horse, could
make its way there. We must walk.... But we shall find plenty of light
there.... "

This was unexpected, and far from agreeable. To walk in this gloomy
Indian night; to scramble through thickets of cactuses; to venture in a
dark forest, full of wild animals--this was too much for Miss X----.
She declared that she would go no further. She would wait for us in the
howdah, on the elephant's back, and perhaps would go to sleep.

Narayan was against this parti de plaisir from the very beginning, and
now, without explaining his reasons, he said she was the only sensible
one among us.

"You won't lose anything," he remarked, "by staying where you are. And I
only wish everyone would follow your example."

"What ground have you for saying so, I wonder?" remonstrated Sham Rao,
and a slight note of disappointment rang in his voice, when he saw that
the excursion, proposed and organized by himself, threatened to come to
nothing. "What harm could be done by it? I won't insist any more that
the 'incarnation of gods' is a rare sight, and that the Europeans hardly
ever have an opportunity of witnessing it; but, besides, the Kangalim
in question is no ordinary woman. She leads a holy life; she is a
prophetess, and her blessing could not prove harmful to any one. I
insisted on this excursion out of pure patriotism."

"Sahib, if your patriotism consists in displaying before foreigners the
worst of our plagues, then why did you not order all the lepers of your
district to assemble and parade before the eyes of our guests? You are a
patel, you have the power to do it."

How bitterly Narayan's voice sounded to our unaccustomed ears. Usually
he was so even-tempered, so indifferent to everything belonging to the
exterior world.

Fearing a quarrel between the Hindus, the colonel remarked, in a
conciliatory tone, that it was too late for us to reconsider our
expedition. Besides, without being a believer in the "incarnation of
gods," he was personally firmly convinced that demoniacs existed even in
the West. He was eager to study every psychological phenomenon, wherever
he met with it, and whatever shape it might assume.

It would have been a striking sight for our European and American
friends if they had beheld our procession on that dark night. Our way
lay along a narrow winding path up the mountain. Not more than
two people could walk together--and we were thirty, including the
torch-bearers. Surely some reminiscence of night sallies against the
confederate Southerners had revived in the colonel's breast, judging
by the readiness with which he took upon himself the leadership of our
small expedition. He ordered all the rifles and revolvers to be loaded,
despatched three torch-bearers to march ahead of us, and arranged us
in pairs. Under such a skilled chieftain we had nothing to fear from
tigers; and so our procession started, and slowly crawled up the winding
path.

It cannot be said that the inquisitive travelers, who appeared later on,
in the den of the prophetess of Mandu, shone through the freshness and
elegance of their costumes. My gown, as well as the traveling suits of
the colonel and of Mr. Y---- were nearly torn to pieces. The cactuses
gathered from us whatever tribute they could, and the Babu's disheveled
hair swarmed with a whole colony of grasshoppers and fireflies, which,
probably, were attracted thither by the smell of cocoa-nut oil. The
stout Sham Rao panted like a steam engine. Narayan alone was like his
usual self; that is to say, like a bronze Hercules, armed with a
club. At the last abrupt turn of the path, after having surmounted the
difficulty of climbing over huge, scattered stones, we suddenly found
ourselves on a perfectly smooth place; our eyes, in spite of our many
torches, were dazzled with light; and our ears were struck by a medley
of unusual sounds.

A new glen opened before us, the entrance of which, from the valley,
was well masked by thick trees. We understood how easily we might have
wandered round it, without ever suspecting its existence. At the bottom
of the glen we discovered the abode of the celebrated Kangalim.

The den, as it turned out, was situated in the ruin of an old Hindu
temple in tolerably good preservation. In all probability it was built
long before the "dead city," because during the epoch of the latter, the
heathen were not allowed to have their own places of worship; and the
temple stood quite close to the wall of the town, in fact, right under
it. The cupolas of the two smaller lateral pagodas had fallen long ago,
and huge bushes grew out of their altars. This evening, their branches
were hidden under a mass of bright colored rags, bits of ribbon, little
pots, and various other talismans; because, even in them, popular
superstition sees something sacred.

"And are not these poor people right? Did not these bushes grow
on sacred ground? Is not their sap impregnated with the incense of
offerings, and the exhalations of holy anchorites, who once lived and
breathed here?"

The learned, but superstitious Sham Rao would only answer our questions
by new questions.

But the central temple, built of red granite, stood unharmed by time,
and, as we learned afterwards, a deep tunnel opened just behind its
closely-shut door. What was beyond it no one knew. Sham Rao assured
us that no man of the last three generations had ever stepped over the
threshold of this thick iron door; no one had seen the subterranean
passage for many years. Kangalim lived there in perfect isolation, and,
according to the oldest people in the neighborhood, she had always lived
there. Some people said she was three hundred years old; others alleged
that a certain old man on his death-bed had revealed to his son that
this old woman was no one else than his own uncle. This fabulous uncle
had settled in the cave in the times when the "dead city" still counted
several hundreds of inhabitants. The hermit, busy paving his road to
Moksha, had no intercourse with the rest of the world, and nobody knew
how he lived and what he ate. But a good while ago, in the days when the
Bellati (foreigners) had not yet taken possession of this mountain, the
old hermit suddenly was transformed into a hermitess. She continues
his pursuits and speaks with his voice, and often in his name; but she
receives worshippers, which was not the practice of her predecessor.

We had come too early, and the Pythia did not at first appear. But
the square before the temple was full of people, and a wild, though
picturesque, scene it was. An enormous bonfire blazed in the centre,
and round it crowded the naked savages like so many black gnomes, adding
whole branches of trees sacred to the seven sister-goddesses. Slowly
and evenly they all jumped from one leg to another to a tune of a single
monotonous musical phrase, which they repeated in chorus, accompanied
by several local drums and tambourines. The hushed trill of the latter
mingled with the forest echoes and the hysterical moans of two little
girls, who lay under a heap of leaves by the fire. The poor children
were brought here by their mothers, in the hope that the goddesses
would take pity upon them and banish the two evil spirits under whose
obsession they were. Both mothers were quite young, and sat on their
heels blankly and sadly staring at the flames. No one paid us the
slightest attention when we appeared, and afterwards during all our
stay these people acted as if we were invisible. Had we worn a cap of
darkness they could not have behaved more strangely.

"They feel the approach of the gods! The atmosphere is full of their
sacred emanations!" mysteriously explained Sham Rao, contemplating
with reverence the natives, whom his beloved Haeckel might have easily
mistaken for his "missing link," the brood of his " Bathybius Haeckelii."

"They are simply under the influence of toddy and opium!" retorted the
irreverent Babu.

The lookers-on moved as in a dream, as if they all were only
half-awakened somnambulists; but the actors were simply victims of St.
Vitus's dance. One of them, a tall old man, a mere skeleton with a long
white beard, left the ring and begun whirling vertiginously, with his
arms spread like wings, and loudly grinding his long, wolf-like teeth.
He was painful and disgusting to look at. He soon fell down, and was
carelessly, almost mechanically, pushed aside by the feet of the others
still engaged in their demoniac performance.

All this was frightful enough, but many more horrors were in store for
us.

Waiting for the appearance of the prima donna of this forest opera
company, we sat down on the trunk of a fallen tree, ready to ask
innumerable questions of our condescending host. But I was hardly
seated, when a feeling of indescribable astonishment and horror made me
shrink back.

I beheld the skull of a monstrous animal, the like of which I could not
find in my zoological reminiscences. This head was much larger than the
head of an elephant skeleton. And still it could not be anything but an
elephant, judging by the skillfully restored trunk, which wound down
to my feet like a gigantic black leech. But an elephant has no horns,
whereas this one had four of them! The front pair stuck from the flat
forehead slightly bending forward and then spreading out; and the
others had a wide base, like the root of a deer's horn, that gradually
decreased almost up to the middle, and bore long branches enough to
decorate a dozen ordinary elks. Pieces of the transparent amber-yellow
rhinoceros skin were strained over the empty eye-holes of the skull, and
small lamps burning behind them only added to the horror, the devilish
appearance of this head.

"What can this be?" was our unanimous question. None of us had ever met
anything like it, and even the colonel looked aghast.

"It is a Sivatherium," said Narayan. "Is it possible you never came
across these fossils in European museums? Their remains are common
enough in the Himalayas, though, of course, in fragments. They were
called after Shiva."

"If the collector of this district ever hears that this antediluvian
relic adorns the den of your--ahem!--witch," remarked the Babu, "it
won't adorn it many days longer."

All round the skull, and on the floor of the portico there were heaps
of white flowers, which, though not quite antediluvian, were totally
unknown to us. They were as large as a big rose; and their white petals
were covered with a red powder, the inevitable concomitant of every
Indian religious ceremony. Further on, there were groups of cocoa-nuts,
and large brass dishes filled with rice; and each adorned with a red
or green taper. In the centre of the portico there stood a queer-shaped
censer, surrounded with chandeliers. A little boy, dressed from head to
foot in white, threw into it handfuls of aromatic powders.

"These people, who assemble here to worship Kangalim," said Sham Rao,
"do not actually belong either to her sect or to any other. They are
devil-worshippers. They do not believe in Hindu gods, but live in small
communities; they belong to one of the many Indian races, which usually
are called the hill-tribes. Unlike the Shanars of Southern Travancore,
they do not use the blood of sacrificial animals; they do not build
separate temples to their bhutas. But they are possessed by the strange
fancy that the goddess Kali, the wife of Shiva, from time immemorial
has had a grudge against them, and sends her favorite evil spirits to
torture them. Save this little difference, they have the same beliefs as
the Shanars. God does not exist for them; and even Shiva is considered
by them as an ordinary spirit. Their chief worship is offered to the
souls of the dead. These souls, however righteous and kind they may
be in their lifetime, become after death as wicked as can be; they
are happy only when they are torturing living men and cattle. As the
opportunities of doing so are the only reward for the virtues they
possessed when incarnated, a very wicked man is punished by becoming
after his death a very soft-hearted ghost; he loathes his loss of
daring, and is altogether miserable. The results of this strange logic
are not bad, nevertheless. These savages and devil-worshippers are
the kindest and the most truth-loving of all the hill-tribes. They do
whatever they can to be worthy of their ultimate reward; because, don't
you see, they all long to become the wickedest of devils!...."

And put in good humor by his own wittiness, Sham Rao laughed till his
hilarity became offensive, considering the sacredness of the place.

"A year ago some business matters sent me to Tinevelli," continued he.
"Staying with a friend of mine, who is a Shanar, I was allowed to be
present at one of the ceremonies in the honor of devils. No European has
as yet witnessed this worship--whatever the missionaries may say; but
there are many converts amongst the Shanars, who willingly describe them
to the padres. My friend is a wealthy man, which is probably the reason
why the devils are especially vicious to him. They poison his cattle,
spoil his crops and his coffee plants, and persecute his numerous
relations, sending them sunstrokes, madness and epilepsy, over which
illnesses they especially preside. These wicked demons have settled in
every corner of his spacious landed property--in the woods, the ruins,
and even in his stables. To avert all this, my friend covered his land
with stucco pyramids, and prayed humbly, asking the demons to draw their
portraits on each of them, so that he may recognize them and worship
each of them separately, as the rightful owner of this, or that,
particular pyramid. And what do you think?.... Next morning all
the pyramids were found covered with drawings. Each of them bore an
incredibly good likeness of the dead of the neighborhood. My friend had
known personally almost all of them. He found also a portrait of his own
late father amongst the lot....."

"Well? And was he satisfied?"

"Oh, he was very glad, very satisfied. It enabled him to choose the
right thing to gratify the personal tastes of each demon, don't you
see? He was not vexed at finding his father's portrait. His father
was somewhat irascible; once he nearly broke both his son's legs,
administering to him fatherly punishment with an iron bar, so that
he could not possibly be very dangerous after his death. But another
portrait, found on the best and the prettiest of the pyramids, amazed
my friend a good deal, and put him in a blue funk. The whole district
recognized an English officer, a certain Captain Pole, who in his
lifetime was as kind a gentleman as ever lived."

"Indeed? But do you mean to say that this strange people worshipped
Captain Pole also?"

"Of course they did! Captain Pole was such a worthy man, such an honest
officer, that, after his death, he could not help being promoted to the
highest rank of Shanar devils. The Pe-Kovil, demon's house, sacred to
his memory, stands side by side with the Pe-Kovil Bhadrakali, which was
recently conferred on the wife of a certain German missionary, who also
was a most charitable lady and so is very dangerous now."

"But what are their ceremonies? Tell us something about their rites."

"Their rites consist chiefly of dancing, singing, and killing
sacrificial animals. The Shanars have no castes, and eat all kinds of
meat. The crowd assembles about the Pe-Kovil, previously designated by
the priest; there is a general beating of drums, and slaughtering of
fowls, sheep and goats. When Captain Pole's turn came an ox was killed,
as a thoughtful attention to the peculiar tastes of his nation. The
priest appeared, covered with bangles, and holding a wand on which
tinkled numberless little bells, and wearing garlands of red and white
flowers round his neck, and a black mantle, on which were embroidered
the ugliest fiends you can imagine. Horns were blown and drums rolled
incessantly. And oh, I forgot to tell you there was also a kind of
fiddle, the secret of which is known only to the Shanar priesthood. Its
bow is ordinary enough, made of bamboo; but it is whispered that the
strings are human veins.... When Captain Pole took possession of the
priest's body, the priest leapt high in the air, and then rushed on the
ox and killed him. He drank off the hot blood, and then began his
dance. But what a fright he was when dancing! You know, I am not
superstitious.... Am I?..."

Sham Rao looked at us inquiringly, and I, for one, was glad, at this
moment, that Miss X---- was half a mile off, asleep in the howdah.

"He turned, and turned, as if possessed by all the demons of Naraka. The
enraged crowd hooted and howled when the priest begun to inflict deep
wounds all over his body with the bloody sacrificial knife. To see him,
with his hair waving in the wind and his mouth covered with foam; to see
him bathing in the blood of the sacrificed animal, mixing it with his
own, was more than I could bear. I felt as if hallucinated, I fancied I
also was spinning round...."

Sham Rao stopped abruptly, struck dumb. Kangalim stood before us!

Her appearance was so unexpected that we all felt embarrassed. Carried
away by Sham Rao's description, we had noticed neither how nor whence
she came. Had she appeared from beneath the earth we could not have been
more astonished. Narayan stared at her, opening wide his big jet-black
eyes; the Babu clicked his tongue in utter confusion. Imagine a skeleton
seven feet high, covered with brown leather, with a dead child's tiny
head stuck on its bony shoulders; the eyes set so deep and at the same
time flashing such fiendish flames all through your body that you begin
to feel your brain stop working, your thoughts become entangled and your
blood freeze in your veins.

I describe my personal impressions, and no words of mine can do them
justice. My description is too weak.

Mr. Y---- and the colonel both grew pale under her stare, and Mr.
Y----made a movement as if about to rise.

Needless to say that such an impression could not last. As soon as the
witch had turned her gleaming eyes to the kneeling crowd, it vanished
as swiftly as it had come. But still all our attention was fixed on this
remarkable creature.

Three hundred years old! Who can tell? Judging by her appearance, we
might as well conjecture her to be a thousand. We beheld a genuine
living mummy, or rather a mummy endowed with motion. She seemed to have
been withering since the creation. Neither time, nor the ills of life,
nor the elements could ever affect this living statue of death. The
all-destroying hand of time had touched her and stopped short. Time
could do no more, and so had left her. And with all this, not a single
grey hair. Her long black locks shone with a greenish sheen, and fell in
heavy masses down to her knees.

To my great shame, I must confess that a disgusting reminiscence flashed
into my memory. I thought about the hair and the nails of corpses
growing in the graves, and tried to examine the nails of the old woman.

Meanwhile, she stood motionless as if suddenly transformed into an ugly
idol. In one hand she held a dish with a piece of burning camphor, in
the other a handful of rice, and she never removed her burning eyes from
the crowd. The pale yellow flame of the camphor flickered in the wind,
and lit up her deathlike head, almost touching her chin; but she paid no
heed to it. Her neck, as wrinkled as a mushroom, as thin as a stick, was
surrounded by three rows of golden medallions. Her head was adorned with
a golden snake. Her grotesque, hardly human body was covered by a piece
of saffron-yellow muslin.

The demoniac little girls raised their heads from be-neath the leaves,
and set up a prolonged animal-like howl. Their example was followed by
the old man, who lay exhausted by his frantic dance.

The witch tossed her head convulsively, and began her invocations,
rising on tiptoe, as if moved by some external force.

"The goddess, one of the seven sisters, begins to take possession of
her," whispered Sham Rao, not even thinking of wiping away the big drops
of sweat that streamed from his brow. "Look, look at her!"

This advice was quite superfluous. We were looking at her, and at
nothing else.

At first, the movements of the witch were slow, unequal, somewhat
convulsive; then, gradually, they became less angular; at last, as if
catching the cadence of the drums, leaning all her long body forward,
and writhing like an eel, she rushed round and round the blazing
bonfire. A dry leaf caught in a hurricane could not fly swifter. Her
bare bony feet trod noiselessly on the rocky ground. The long locks of
her hair flew round her like snakes, lashing the spectators, who knelt,
stretching their trembling arms towards her, and writhing as if they
were alive. Whoever was touched by one of this Fury's black curls, fell
down on the ground, overcome with happiness, shouting thanks to the
goddess, and considering himself blessed for ever. It was not human hair
that touched the happy elect, it was the goddess herself, one of the
seven. Swifter and swifter fly her decrepit legs; the young, vigorous
hands of the drummer can hardly follow her. But she does not think
of catching the measure of his music; she rushes, she flies forward.
Staring with her expressionless, motionless orbs at something before
her, at something that is not visible to our mortal eyes, she hardly
glances at her worshippers; then her look becomes full of fire; and
whoever she looks at feels burned through to the marrow of his bones.
At every glance she throws a few grains of rice. The small handful seems
inexhaustible, as if the wrinkled palm contained the bottomless bag of
Prince Fortunatus.

Suddenly she stops as if thunderstruck.

The mad race round the bonfire had lasted twelve minutes, but we looked
in vain for a trace of fatigue on the deathlike face of the witch. She
stopped only for a moment, just the necessary time for the goddess to
release her. As soon as she felt free, by a single effort she jumped
over the fire and plunged into the deep tank by the portico. This time,
she plunged only once; and whilst she stayed under the water, the
second sister-goddess entered her body. The little boy in white produced
another dish, with a new piece of burning camphor, just in time for the
witch to take it up, and to rush again on her headlong way.

The colonel sat with his watch in his hand. During the second obsession
the witch ran, leaped, and raced for exactly fourteen minutes. After
this, she plunged twice in the tank, in honor of the second sister; and
with every new obsession the number of her plunges increased, till it
became six.

It was already an hour and a half since the race began. All this time
the witch never rested, stopping only for a few seconds, to disappear
under the water.

"She is a fiend, she cannot be a woman!" exclaimed the colonel, seeing
the head of the witch immersed for the sixth time in the water.

"Hang me if I know!" grumbled Mr. Y----, nervously pulling his beard.
"The only thing I know is that a grain of her cursed rice entered my
throat, and I can't get it out!"

"Hush, hush! Please, do be quiet!" implored Sham Rao. "By talking you
will spoil the whole business!"

I glanced at Narayan and lost myself in conjectures. His features, which
usually were so calm and serene, were quite altered at this moment, by a
deep shadow of suffering. His lips trembled, and the pupils of his eyes
were dilated, as if by a dose of belladonna. His eyes were lifted over
the heads of the crowd, as if in his disgust he tried not to see what
was before him, and at the same time could not see it, engaged in a deep
reverie, which carried him away from us, and from the whole performance.

"What is the matter with him?" was my thought, but I had no time to ask
him, because the witch was again in full swing, chasing her own shadow.

But with the seventh goddess the programme was slightly changed. The
running of the old woman changed to leaping. Sometimes bending down to
the ground, like a black panther, she leaped up to some worshipper, and
halting before him touched his forehead with her finger, while her long,
thin body shook with inaudible laughter. Then, again, as if shrinking
back playfully from her shadow, and chased by it, in some uncanny game,
the witch appeared to us like a horrid caricature of Dinorah, dancing
her mad dance. Suddenly she straightened herself to her full height,
darted to the portico and crouched before the smoking censer, beating
her forehead against the granite steps. Another jump, and she was quite
close to us, before the head of the monstrous Sivatherium. She knelt
down again and bowed her head to the ground several times, with the
sound of an empty barrel knocked against something hard.

We had hardly the time to spring to our feet and shrink back when she
appeared on the top of the Sivatherium's head, standing there amongst
the horns.

Narayan alone did not stir, and fearlessly looked straight in the eyes
of the frightful sorceress.

But what was this? Who spoke in those deep manly tones? Her lips were
moving, from her breast were issuing those quick, abrupt phrases, but
the voice sounded hollow as if coming from beneath the ground.

"Hush, hush!" whispered Sham Rao, his whole body trembling. "She is
going to prophesy!.... " "She?" incredulously inquired Mr. Y----. "This
a woman's voice? I don't believe it for a moment. Someone's uncle must
be stowed away somewhere about the place. Not the fabulous uncle she
inherited from, but a real live one!..."

Sham Rao winced under the irony of this supposition, and cast an
imploring look at the speaker.

"Woe to you! woe to you!" echoed the voice. "Woe to you, children of
the impure Jaya and Vijaya! of the mocking, unbelieving lingerers round
great Shiva's door! Ye, who are cursed by eighty thousand sages! Woe to
you who believe not in the goddess Kali, and you who deny us, her Seven
divine Sisters! Flesh-eating, yellow-legged vultures! friends of the
oppressors of our land! dogs who are not ashamed to eat from the same
trough with the Bellati!" (foreigners).

"It seems to me that your prophetess only foretells the past," said Mr.
Y----, philosophically putting his hands in his pockets. "I should say
that she is hinting at you, my dear Sham Rao."

"Yes! and at us also," murmured the colonel, who was evidently beginning
to feel uneasy.

As to the unlucky Sham Rao, he broke out in a cold sweat, and tried to
assure us that we were mistaken, that we did not fully understand her
language.

"It is not about you, it is not about you! It is of me she speaks,
because I am in Government service. Oh, she is inexorable!"

"Rakshasas! Asuras!" thundered the voice. "How dare you appear before
us? how dare you to stand on this holy ground in boots made of a cow's
sacred skin? Be cursed for etern----"

But her curse was not destined to be finished. In an instant the
Hercules-like Narayan had fallen on the Sivatherium, and upset the whole
pile, the skull, the horns and the demoniac Pythia included. A second
more, and we thought we saw the witch flying in the air towards the
portico. A confused vision of a stout, shaven Brahman, suddenly emerging
from under the Sivatherium and instantly disappearing in the hollow
beneath it, flashed before my dilated eyes.

But, alas! after the third second had passed, we all came to the
embarrassing conclusion that, judging from the loud clang of the door
of the cave, the representative of the Seven Sisters had ignominiously
fled. The moment she had disappeared from our inquisitive eyes to her
subterranean domain, we all realized that the unearthly hollow voice we
had heard had nothing supernatural about it and belonged to the Brahman
hidden under the Sivatherium--to someone's live uncle, as Mr. Y---- had
rightly supposed.

Oh, Narayan! how carelessly.... how disorderly the worlds rotate around
us.... I begin to seriously doubt their reality. From this moment I
shall earnestly believe that all things in the universe are nothing but
illusion, a mere Maya. I am becoming a Vedantin.... I doubt that in the
whole universe there may be found anything more objective than a Hindu
witch flying up the spout.----


Miss X---- woke up, and asked what was the meaning of all this
noise. The noise of many voices and the sounds of the many retreating
footsteps, the general rush of the crowd, had frightened her. She
listened to us with a condescending smile, and a few yawns, and went to
sleep again.

Next morning, at daybreak, we very reluctantly, it must be owned, bade
good-bye to the kind-hearted, good-natured Sham Rao. The confoundingly
easy victory of Narayan hung heavily on his mind. His faith in the holy
hermitess and the seven goddesses was a good deal shaken by the shameful
capitulation of the Sisters, who had surrendered at the first blow from
a mere mortal. But during the dark hours of the night he had had time to
think it over, and to shake off the uneasy feeling of having unwillingly
misled and disappointed his European friends.

Sham Rao still looked confused when he shook hands with us at parting,
and expressed to us the best wishes of his family and himself.

As to the heroes of this truthful narrative, they mounted their
elephants once more, and directed their heavy steps towards the high
road and Jubbulpore.




God's Warrior



The direction of our pilgrimage of self-improvement lay towards the
north-west, as was previously decided. We were very impatient to see
these status in statu of Anglo-India, but.... Do what you may, there
always will be a but.

We left the Jubbulpore line several miles from Nassik; and, to return to
it, we had to go back to Akbarpur, then travel by doubtful Local-Board
roads to the station Vanevad and take the train of Holkar's line, which
joins the Great Indian Peninsular Railway.

Meanwhile, the Bagh caves were quite close to us, not more than fifty
miles off, to the east from Mandu. We were undecided whether to leave
them alone or go back to the Nerbudda. In the country situated on the
other side of Kandesh, our Babu had some "chums," as everywhere else in
India; the omnipresent Bengali Babus, who are always glad to be of
some service to you, are scattered all over Hindostan, like the Jews in
Russia. Besides, our party was joined by a new member.

The day before we had received a letter from Swami Dayanand, carried to
us by a traveling Sannyasi. Dayanand informed us that the cholera was
increasing every day in Hardwar, and that we must postpone making his
acquaintance personally till the end of May, either in Dehra-Dun, at the
foot of Himalaya, or in Saharanpur, which attracts every tourist by its
charming situation.

The Sannyasi brought us also a nosegay from the Swami, a nosegay of the
most extraordinary flowers, which are totally unknown in Europe. They
grow only in certain Himalayan valleys; they possess the wonderful
capacity of changing their color after midday, and do not look dead even
when faded. The Latin name of this charming plant is Hibiscus mutabilis.
At night they are nothing but a large knot of pressed green leaves,
but from dawn till ten o'clock the flowers open and look like large
snow-white roses; then, towards twelve o'clock, they begin to redden,
and later in the afternoon they look as crimson as a peony. These
flowers are sacred to the Asuras, a kind of fallen angels in Hindu
mythology, and to the sun-god Surya. The latter deity fell in love with
an Asuri at the beginning of creation, and since then is constantly
caught whispering words of fiery love to the flower that shelters her.
But the Asura is a virgin; she gives herself entirely to the service
of the goddess Chastity, who is the patroness of all the ascetic
brotherhoods. The love of Surya is vain, Asura will not listen to him.
But under the flaming arrows of the enamoured god she blushes and in
appearance loses her purity. The natives call this plant lajjalu, the
modest one.

We were spending the night by a brook, under a shadowy fig-tree. The
Sannyasi, who had made a wide circuit to fulfil Dayanand's request, made
friends with us; and we sat up late in the night, listening whilst he
talked about his travels, the wonders of his native country, once so
great, and about the heroic deeds of old Runjit-Sing, the Lion of the
Punjab.

Strange, mysterious beings are found sometimes amongst these traveling
monks. Some of them are very learned; read and talk Sanskrit; know all
about modern science and politics; and, nevertheless, remain faithful to
their ancient philosophical conceptions. Generally they do not wear any
clothes, except a piece of muslin round the loins, which is insisted
upon by the police of the towns inhabited by Europeans. They wander from
the age of fifteen, all their lives, and die generally very aged. They
live never giving a thought to the morrow, like the birds of heaven, and
the lilies of the field. They never touch money, and are contented with
a handful of rice. All their worldly possessions consist of a small dry
pumpkin to carry water, a rosary, a brass cup and a walking stick.
The Sannyasis and the Swamis are usually Sikhs from the Punjab, and
monotheists. They despise idol-worshipers, and have nothing to do with
them, though the latter very often call themselves by their names.

Our new friend was a native of Amritsar, in the Punjab, and had been
brought up in the "Golden Temple," on the banks of Amrita-Saras, the
"Lake of Immortality." The head Guru, or instructor, of Sikhs resides
there. He never crosses the boundaries of the temple. His chief
occupation is the study of the book called Adigrantha, which belongs to
the sacred literature of this strange bellicose sect. The Sikhs respect
him as much as the Tibetans respect their Dalai-Lama. The Lamas in
general consider the latter to be the incarnation of Buddha, the Sikhs
think that the Maha-Guru of Amritsar is the incarnation of Nanak, the
founder of their sect. Nevertheless, no true Sikh will ever say that
Nanak was a deity; they look on him as a prophet, inspired by the spirit
of the only God. This shows that our Sannyasi was not one of the
naked travelling monks, but a true Akali; one of the six hundred
warrior-priests attached to the Golden Temple, for the purpose of
serving God and protecting the temple from the destructive Mussulmans.
His name was Ram-Runjit-Das; and his personal appearance was in perfect
accordance with his title of "God's warrior." His exterior was very
remarkable and typical; and he looked like a muscular centurion of
ancient Roman legions, rather than a peaceable servant of the altar.
Ram-Runjit-Das appeared to us mounted on a magnificent horse, and
accompanied by another Sikh, who respectfully walked some distance
behind him, and was evidently passing through his noviciate. Our Hindu
companions had discerned that he was an Akali, when he was still in the
distance. He wore a bright blue tunic without sleeves, exactly like that
we see on the statues of Roman warriors. Broad steel bracelets protected
his strong arms, and a shield protruded from behind his back. A blue,
conical turban covered his head, and round his waist were many steel
circlets. The enemies of the Sikhs assert that these sacred sectarian belts become more dangerous in the hand of an experienced "God's warrior," than any other weapon.

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