Legends of Lancashire 2
Who _could_ forbid any of the followers of Cromwell, or Charles,
to arise--the one to recite with solemn countenance and lengthened
drawl; and the other with a dissipated air of pleasant vice--their
respective achievements, whilst their manner, and costume are
thoroughly scanned? What cavalier would ban the Protector, even
Nol with his nose and ominous wart, from again appearing, to
reveal to us those stern and inflexible features, and to discourse
to us, in one of those intricate speeches, which none could
understand,--for, like his own dark and wily spirit, they baffled
all knowledge? Or what republican could say “nay,” as the king’s
court was brought into view, with the handsome, though melancholy
martyr, at its head, surrounded as he was, unfortunately, by
gilded butterflies? In like manner, the Chronicler hopes, that no
one _can_ be inclined to prevent a specimen of these times from
intruding himself, for a little on the attention of his readers.
He is now seated, writing from an inkhorn said to have been
the property of General Fairfax; and leaning on a table, once
heavily laden with a feast, of which royalists and republicans
alike partook, on a day of truce. Other relics of that time are
around him; but there is one dearer than all besides--a lovely
daughter--a descendant, by the mother’s side, of an ancient family
of distinction, from whom Charles II., during his wanderings,
received shelter, and subsequently, assistance to mount the throne.
She sings to him the ballads of other days, and they revive again
in the echo of her music. For her, as well as for her father, this
is but the sixteenth century; and though only in her seventeenth
summer, she rejects all the amusements of more modern times.
He has resolved, out of fondness for the days that are gone, as
well as affection for his daughter, that no lover fresh from
the approbation of his tailor, and the flattery of his mirror,
practised in bows and compliments acquired at the theatre--shall
ever find admission to his beloved Jane. He would sooner give her
to an ourang-outang than a fop. The favoured suitor must, indeed,
be handsome, learned, and brave; he must breathe a song of love
in the good old style, beneath her lattice, when the moon and
stars are shedding their light over the old mansion. Nor must he
be an Antiquary, in the modern sense of the word. He may enter
with the long essay, which he read to the British Association, in
his pocket, peeping out instead of the handkerchief of the dandy;
he may drag behind his name, all the letters of the alphabet, as
honorary titles; the Chronicler shall lead him to the door by
a way, to detail the curiosities of which, must obtain for him
additional laurels. He shall, to a certainty, likewise qualify him
for describing the strength of an oak cudgel. Nor must he be a
silly Poet, a thing distilled of sighs, flames, water, and earth,
who should have lived in the moon to address sonnets to her, and
not on earth, since the envious clouds prevent her from seeing and
reading them, as well as the brown paper of a garret window. Should
any such find his way here, the Chronicler promises to compliment
his head with a salutation from a good round of old England’s beef.
No, no, the favoured suitor must be of a different genus; and his
lute, moreover, must have no resemblance to the sighing guitar of
Venice, or the rude whistle of England. And the Chronicler has
sometimes been of opinion, that his daughter has made the same
resolution. Of late, he has caught the sound of a manly serenade,
and he has observed her blush, and occasionally leave the room.
Nay, he has met her rambling through the adjoining thickets, with
the son of an old friend, whose romance is in the past, and he
has blessed them both. Yes, handsome and talented is ----. He had
written the name, when Jane, looking over his shoulder in womanly
curiosity, beheld it. Shrieking, she immediately snatched the pen
from his hand, and scratched through it the above stroke, and gave
her fond old father a playful blow: yet now she seems thoughtful
and sorry for having violated that dear name, by blotting it, and
is half inclined to rewrite it herself. Fear not! Fate will draw no
such ominous mark over it, and all that binds it to you is love and
happiness.
To confide a secret to the reader, since the last sentence was
written, the Chronicler has received a hint that the proof sheets
of the following “Legends” may be read by his son-in-law! Nay, this
very night, the lovers shall be formally betrothed, over a Bible,
which has been stained by the blood of its former possessor--a holy
martyr--and the sword of an old English patriot shall be placed in
the young man’s hand; therewith to defend religion--a wife--and a
country.
* * * * *
The ceremony is performed, and both press the old man to read the
first Legend. He gives his assent, and, at the same time, orders
chairs to be set for his dear friends, the Public; whom he has
respectfully invited, and whose attention he now humbly craves to
THE LEGEND OF THE BATTLE OF WIGAN LANE.
Few battlements now remain, of one of the best fortified castles
that ever defended Lancashire, and the King. But two centuries ago,
and Houghton Tower, situated at the distance of four miles and a
half to the west of Blackburn, stood proudly, and seemed in itself,
without the assistance of garrison or artillery, to be capable of
maintaining a successful struggle with the power of any enemy. All
around were peaceful vales, where primitive simplicity dwelt; and
often has the traveller, at eve, laid himself down on the green
knolls, beside the gently flowing stream of the classic Darwen,
in order to become as happy as every object near him; to enjoy the
gambols of the lambs frisking about; and to view the milkmaid, as,
with a light step, and a merry heart, she tripped across the glen.
He has then fancied himself, not only retired for ever from the
theatre of war, but likewise from the mart of commerce; and happy
has he been that there was an Eden sacred to his imagination, at
the very time when the face as well as the heart of his country was
blighted by civil strife, and stained by the blood of its own sons,
shed by the murdering hand of their brothers. But suddenly--to
jar upon all the rural sounds by which he was greeted--the shrill
trumpet was heard loud and near, startling the silent echoes of
the green woods on the banks of the river, and on emerging from
the vale, the fortresses of Houghton Tower were seen, dark and
sullen, against the fading light of the sky. The challenge of the
warder, and the fastening of the draw-bridge, were of war, and
entirely dispelled the previous calm. Who could have imagined
that in the bosom of such beautiful vales there could be a mass
of frowning rock, so huge as that on which the castle was built?
or, that amongst a class of venerable patriarchs, distinguished
for simplicity of manners and life, there could be the restless
spirits of war to fortify and maintain it? And yet it seemed to be
a castle of nature’s building, and not of art’s; for tall trees
over-shadowed its turrets, and around its base the Darwen flowed
over its deepest channel.
It had been erected by Sir Thomas Houghton, towards the beginning
of Elizabeth’s reign, and the gallant knight had always supported
a garrison in it, evidently for no other purpose than to fire a
salute, at every anniversary of his birth day. But he died, and
so did his queen: and upon the accession of the learned James to
the throne, folios became the only battlements. His descendant,
Sir Gilbert, was honoured with a visit from that monarch, in
his celebrated “Progress” through Lancashire; and from the
tower of Houghton, the modern Solomon fired his wit from an old
Latin mortar. “Our opinion” said the grave fool and the merry
sage, “whilk hath been kept for some time, as our jester Horace
(the oyster eater should have lived in our court) recommends,
in our desk,”--and here he pointed to his brow, with his usual
self-complacency--“our opinion is,” he continued, “that Houghton
Tower is just like a Scotch pudding--ha!--ha!--Sir Gilbert;--your
castle is a pudding, and you are chief butler, and all your men are
cooks! _We_ say so.”
But another reign brought different scenes. Upon the disputes of
Charles and the Parliament, a strong garrison was again supported
in the tower, and the costly velvet which had decked the “Progress”
of James, through the ponderous gateway, was removed from the
trampling hoof of the war steed. The Parliamentary army besieged
it, but it made a bold defence, until, by accident, the magazine
of powder in the strongest battlement, was ignited; and as the
assailants were making a vigorous effort, all at once three of the
buttresses were blown up, and Cromwell’s troops were masters of
Houghton Tower, having taken all the garrison as prisoners. Their
governor, Sir Gilbert, had fallen in the assault. His son Richard
was heir, and the rightful lord of the tower, but he was confined
in a dungeon, along with his youngest daughter, Anne--for all her
sisters were married. But the wily Cromwell, when he was compelled
to lead his troops to Ireland, secretly advised his officers in the
garrison to give out that they were willing to conspire against
the Parliament, and to return to their allegiance, in order that
he might be privy to every intended movement of the Royalists.
The plot was successful. As soon as Cromwell had departed from
England, (he never had resided in the tower,) this resolution was
made known, and to prove its sincerity, Sir Richard Houghton was
restored to his claims as governor of Houghton Tower, which was
once more considered as a strong-hold of the Royalists; while
virtually it was in the power of spies, who secretly conveyed
all intelligence of any loyal movement which was, or had been
concerting,--to the General.
The scene of our Legend opens in the year 1651, on a beautiful
evening towards the end of August, when the setting rays of the
autumn sun fell, with a luxurious light, on the grey fortresses,
and the floating banner. The fair Anne was walking alone, on the
eastern battlement which overlooked the valley. She was of slight
proportions, and her age could not have exceeded sixteen, though
she was possessed of a mind nobly accomplished, in which genius
and passion were now beginning to develope themselves, in beauty
and power. Her features were eminently noble, and beautiful; yet
changing to every __EXPRESSION__, as if they themselves thought and
felt. In one mood, she might have sat to the painter, for a true
image of the laughing and innocent Hebe; one who would have danced
away an immortality in smiles, with no other wreathes than her own
beautiful hair, and no other company than her own thoughts and
love: more gay and gladsome than a child of earth,--the genius of
witchery. In another, for that of Melancholy, her long dark locks
hanging over a face so pale, with the colour and the life of hope
dashed from it, as was hope itself, from her mind. Her form was
moulded in the most perfect symmetry of beauty,--not luxurious, but
spiritual.
The weeds of mourning for her mother, who had died a few months
before, had been thrown aside; but the paleness of her cheeks, and
the tremor of her lips, spoke the sorrow of her heart. Her locks
waved to the breeze. Her eye kindled with enthusiasm, as, quickly
placing her small hand upon her marble brow, she exclaimed, “how
tranquil and how beautiful is earth now. Yonder cottages, with
their ivy porches, around which children are sporting, appear as if
they were the habitations of young spirits. England is blessed in
her cottages--but ah!--in her palaces!--no crown for the sun’s rays
to fall upon! Once the sun gleamed upon the crown placed carelessly
amidst the state ornaments, in the palace:--without, upon the gory
head of the king, which had once been invested by it; and last of
all, upon his headless trunk. Oh! that his son--now returned, might be blessed with conquest.”
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